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The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
"A superb collection, as exciting, in many ways, as the works it chronicles."--Akira Mizuta Lippit, author of Atomic Light (Shadow Optics)
The book examines the aspects of focus within the recent minimalist paradigm. Focus is viewed here as a grammar's response to the requirements of the systems external to (narrowly defined) language. Thus, the properties of focus are explored at the two interfaces: syntax-phonology and syntax-semantics. The book surveys some recent views on the interface and left-periphery status of focus. With respect to the semantics of focus, the book argues for its tripartite division into: information, non-exhaustive identification, and exhaustive identification. It further contains a proposal of the phase-based derivation of sentences featuring focus in English, and finally, offers an account of Polish, in which focus interestingly correlates with the phenomenon of scrambling.
This three volume Encyclopedia presents the important developments, movements, photographers, photographicinstitutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography.
A revealing look at the work and life of an exceptional 20th-century photographer, based on his own archive of photographs and papers John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule. Published in association with the Center for Creative Photography Exhibition Schedule: Center for Creative Photography, Tucson (October 2009 - January 2010) Milwaukee Art Museum (dates tbd) Mapfre Foundation, Madrid06/22/10-09/19/10