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"The Great Depression, that restless decade of the 1930s, is known to most Americans today through familiar images of the rural South, of migrant workers, sharecroppers, and dust-bowl small holdings. Now, a new view of the period has come to light in the photographs of John Gutmann, who focused mainly on cities and captured there a vitality and energy--what he calls the 'extravagance of life'--that persisted even in the depth of the Depression."--Jacket.
A revealing look at the work and life of an exceptional 20th-century photographer, based on his own archive of photographs and papers John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule. Published in association with the Center for Creative Photography Exhibition Schedule: Center for Creative Photography, Tucson (October 2009 - January 2010) Milwaukee Art Museum (dates tbd) Mapfre Foundation, Madrid06/22/10-09/19/10
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Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.
This collection of essays written by a stellar cast of art historians and scholars looks closely at the forces that shaped fine art and material culture in California. Illustrations.