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The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century—and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive, and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions. But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognized the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre, but also on the politics and culture of his era.
An "extraordinary" debut memoir of first love, identity, and self-discovery among a group of friends who became family in a Montauk summer house (Andrew Solomon, National Book Award winner). They call Montauk the end of the world, a spit of land jutting into the Atlantic. The house was a ramshackle split-level set on a hill, and each summer thirty-one people would sleep between its thin walls and shag carpets. Against the moonlight the house's octagonal roof resembled a bee's nest. It was dubbed The Hive. In 2013, John Glynn joined the share house. Packing his duffel for that first Memorial Day Weekend, he prayed for clarity. At twenty-seven, he was crippled by an all-encompassing loneliness, a feeling he had carried in his heart for as long as he could remember. John didn't understand the loneliness. He just knew it was there. Like the moon gone dark. Out East is the portrait of a summer, of The Hive and the people who lived in it, and John's own reckoning with a half-formed sense of self. From Memorial Day to Labor Day, The Hive was a center of gravity, a port of call, a home. Friendships, conflicts, secrets and epiphanies blossomed within this tightly woven friend group and came to define how they would live out the rest of their twenties and beyond. Blending the sand-strewn milieu of George Howe Colt's The Big House with the radiant aching of Olivia Liang's The Lonely City, Out East is a keenly wrought story of love and transformation, longing and escape in our own contemporary moment. "An unforgettable story told with feeling and humor and above all with the razor-sharp skill of a delicate and highly gifted writer." -- André Aciman, New York Times bestselling author of Call Me by Your Name "Out East is full of intimacy and hope and frustration and joy, an extraordinary tale of emotional awakening and lacerating ambivalence, a confession of self-doubt that becomes self-knowledge." -- Andrew Solomon, National Book Award winner An Entertainment Weekly Best Book of May 2019A Time magazine Best Book of May 2019Cosmopolitan Best Book of May 2019An O, the Oprah Magazine Best LGBTQ Book of 2019
Clum (English and theater, Duke U.) examines 20th-century American and British plays that revolve around gay men, including those by Noel Coward, Arthur Miller, Tennessee Williams, Edward Albee, Harold Pinter, and Peter Shaffer. He considers the representation of bodies and acts, the closet dramas between 1930 and 1968, and recent works portraying a culture that has to do with more than sex.--Annotation © Book News, Inc., Portland, Ore.
Walking the Streets of Eighteenth-Century London will entertain and inform all who are interested in literature, history, and the city of London. This unique book invites the reader to walk along the dirty, crowded, and fascinating streets of eighteenth-century London in an unusual way. Nine leading experts from the fields of literature, history, classics, gender, biography, geography, and costume, offer different interpretations of John Gay's poem Trivia: or, the Art of Walking the Streets of London (1716). The poem - a lively, funny, and thought-provoking statement about urban life - accompanies the essays, in a new edition with comprehensive notes. The introduction paints a vibrant picture of London in 1716, depicting Gay's fascinating life and literary world, offering an invaluable guide to the poem. Together, these elements allow the heat, grime, and smells of the underbelly of eighteenth-century London come alive in new ways.
* First full-length biography of John Gay for over 50 years This major biography is the first full-length life of John Gay (1685-1732) for over fifty years. David Nokes's detailed and extensive research has unearthed several new discoveries, including hitherto unpublished letters, and possible attributions. Presenting Gay as a complex character, tornbetween the hopes of court preferment and the assertion of literary independence, this book is at once a lively and readable biography for the non-specialist, as well as a comprehensive and scholarly study. Perhaps best known for The Beggar's Opera, John Gay is here revealed to be a contradictory figure whose life defies strict generic categories. Often cast as a neglected genius, dependent upon others, Gay in fact left a healthy estate after his death. Depicted both as childlike innocent and rakishladies' man by his friends, the same writer produced Polly, the most successful and subversive theatrical satire of his generation, which was banned from the stage. David Nokes argues that Gay's self-effacing and self-mocking literary persona was largely responsible for perpetuating an image of himself as a genial literary non-entity. Hence Gay's authorship has been frequently questioned and often attributed, at least in part, to his friends in the ScriblerusClub - Pope, Swift, Arbuthnot, and Parnell. John Gay, A Profession of Friendship finally views Gay as a man whose struggles for literary and social recognition led him, paradoxically, to project a seemingly nebulous personality.
'Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.' With The Beggar's Opera (1728), John Gay created one of the most enduringly popular works in English theatre history, and invented a new dramatic form, the ballad opera. Gay's daring mixture of caustic political satire, well-loved popular tunes, and a story of crime and betrayal set in the urban underworld of prostitutes and thieves was an overnight sensation. Captain Macheath and Polly Peachum have become famous well beyond the confines of Gay's original play, and in its sequel, Polly, banned in Gay's lifetime, their adventures continue in the West Indies. With a cross-dressing heroine and a cast of female adventurers, pirates, Indian princes, rebel slaves, and rapacious landowners, Polly lays bare a culture in which all human relationships are reduced to commercial transactions. Raucous, lyrical, witty, ironic and tragic by turns, The Beggar's Opera and Polly - published together here for the first time - offer a scathing and ebullient portrait of a society in which statesmen and outlaws, colonialists and pirates, are impossible to tell apart. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The popular LGBTQ advice columnist and writer presents a memoir-in-essays chronicling his journey growing up as a queer, mixed-race kid in America's heartland to becoming the "Chicano Carrie Bradshaw" of his generation.