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John Galt was born in 1779 and, like his contemporary Walter Scott, was heavily influenced by the ideals and aspirations of the Scottish Enlightenment. His contributions to literature range from poetry and plays to travel books, biographies and journalism, but he is best known as a novelist - the creator of Ringan Gilhaize, The Provost, and The Entail. In his descriptions of everyday domestic life, shrewd observations of character, pungent dialogue in Scots and ironic self-revelation, Galt was continuously entertaining and often comic, but he was not afraid of pathos. In this study P H Scott concentrates on his thirteen most famous novels for it is on these that Galt's claim to be regarded as an important writer must rest.
Building on the growing critical engagement with globalization in literary studies, this book confronts the paradox that at a time when transnational human movement occurred globally on an unprecedented scale, British fiction appeared to turn inward to tell stories of local places that valorized stability and rootedness. In contrast, this book reveals how literary works, from the end of the Napoleonic Wars to the advent of the New Imperialism, were active components of a culture of colonization and emigration. Fictional texts, as print commodities, were enmeshed in technologies of transport and communication, and innovations in literary form were spurred by the conditions and consequences of human movement.
A new intellectual biography of Thomas Babington Macaulay, showing how nineteenth-century British liberal culture retained and transformed the ideas of the Enlightenment in a rapidly changing world.
Includes list of members in each volume.
First Published in 1992, this encyclopedia is designed to survey the social, cultural and intellectual climate of English Romanticism from approximately the 1780s and the French Revolution to the 1830s and the Reform Bill. Focussing on ‘the spirit of the age’, the book deals with the aesthetic, scientific, socioeconomic – indeed the human – environment in which the Romantics flourished. The books considers poets, playwrights and novelists; critics, editors and booksellers; painters, patrons and architects; as well as ideas, trends, fads, and conventions, the familiar and the newly discovered. The book will be of use for everyone from undergraduate English students, through to thesis-driven graduate students to teaching faculty and scholars.