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The ladies dictionary, being a general entertainment for the fair-sex was published on 19 March 1694 by John Dunton. No compiler was named on the title page, but the dedication by 'the author' addressed 'to the Ladies, Gentlewomen, and Others, of the Fair-Sex' was signed 'N. H.' The book offers around 1950 lexical and encyclopaedic entries, the great majority excerpted either verbatim or with some degree of abridgement or adaptation from other published books. It was the first substantial reference book to be published in England with women as its principal target audience, and was arguably the first alphabetically-arranged encyclopaedia to be published in English. The editor's introduction in this edition starts with an overview of the publisher John Dunton, and goes on to discuss the compilers of LD; its sources; its editing, printing and proof-reading; and its advertising, publication and afterlife. It concludes with lists of primary and secondary sources (including all the identified sources of LD). The reproduction of the dictionary that follows is from the Robert H. Taylor collection at Princeton. Because LD is irregularly alphabetized, the reproduction is followed by a new index of entries in strict alphabetical order, with their sources identified.
Dictionaries are a powerful genre, perceived as authoritative and objective records of the language, impervious to personal bias. But who makes dictionaries shapes both how they are constructed and how they are used. Tracing the craft of dictionary making from the fifteenth century to the present day, this book explores the vital but little-known significance of women and gender in the creation of English language dictionaries. Women worked as dictionary patrons, collaborators, readers, compilers, and critics, while gender ideologies served, at turns, to prevent, secure, and veil women's involvements and innovations in dictionary making. Combining historical, rhetorical, and feminist methods, this is a monumental recovery of six centuries of women's participation in dictionary making and a robust investigation of how the social life of the genre is influenced by the social expectations of gender.
This study by Starnes and Noyes was immediately recognized as a unique and pioneering work of scholarship and has long been the standard work on the emergence and early flowering of English lexicography. Within the last 20 years we have been witnessing a remarkable scholarly interest in the study of dictionary-making and the role played by dictionaries in the transmission and preservation of knowledge and learning. It is therefore essential to have this classic work available again to all students of linguistic history. In its new edition the book has been vastly enhanced by a lengthy and invaluable introduction by Gabriele Stein, Professor of English Linguistics in Heidelberg and author of The English Dictionary before Cawdrey (1985). In her introduction to the present volume she sets out in scholarly detail the work that has emerged since 1946, which makes this study of the English dictionary from Cawdrey to Johnson as complete as the original authors themselves would have wished.
Over the centuries, English words have drifted from their original purposes and acquired vastly different meanings. Consider the word "bad," which today means "great." Or "tryst," now a romantic liaison, in the England of 500 years ago meant "a fair for black cattle, horses, and sheep." Author Jeffrey Kacirk, a man intrigued by words, has sifted through mountains of discarded meanings to arrive at the almost 1,500 entries in this fascinating romp through the ever-changing world of lexicography. His goal is to "leave the reader with a sense of where many modern usages may have come from, or in some cases, have strayed". Study the altered meanings in this fun book and you'll be able to "razzle-dazzle" (originally, a daylong drinking bout) your friends and acquaintances. Kacirk has collected current words and provided earlier definitions and their sources alphabetically, beginning with abandon ('to banish, to drive away' --John Phin, 1902) and ending with a zig-zag ('drunk' --Edward Fraser and John Gibbons, 1925). Kacirk's book is a flip-through find, perfect for everyone from lay word nerds to top-dollar scholars.
Both dictionary and paratext research have emerged recently as widely-recognised research areas of intrinsic interest. This collection represents an attempt to place dictionaries within the paratextual context for the first time. This volume covers paratextual concerns, including dictionary production and use, questions concerning compilers, publishers, patrons and subscribers, and their cultural embedding generally. This book raises questions such as who compiled dictionaries and what cultural, linguistic and scientific notions drove this process. What influence did the professional interests, life experience, and social connexions of the lexicographer have? Who published dictionaries and why, and what do the forematter, backmatter, and supplements tell us? Lexicographers edited, adapted and improved earlier works, leaving copies with marginalia which illuminate working methods. Individual copies offer a history of ownership through marginalia, signatures, dates, places, and library stamps. Further questions concern how dictionaries were sold, who patronised them, subscribed to them, and how they came to various libraries.
In early modern culture, eating and reading were entangled acts. Our dead metaphors (swallowed stories, overcooked narratives, digested information) are all that now remains of a rich interplay between text and food, in which every element of dining, from preparation to purgation, had its equivalent in the literary sphere. Following the advice of the poet George Herbert, this essay collection "looks to the mouth", unfolding the charged relationship between ingestion and expression in a wide variety of texts and contexts. With contributions from leading scholars in the field, Text, Food and the Early Modern Reader: Eating Words fills a significant gap in our understanding of early modern cultural history. Situated at the lively intersection between literary, historical and bibliographical studies, it opens new lines of dialogue between the study of material textuality and the history of the body.
Highly Commended, Society for Renaissance Studies Biennial Book Prize 2022 In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century. With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity. Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.
The object of the volume is the analysis of the main dictionaries and glossaries of the canting language (the particular jargon spoken by thieves and vagabonds) that appeared in the 17th and 18th centuries. The scholars' attention has mostly concentrated on the earliest publications - particulary those appearing in the Elizabethan period -, while relatively little research has investigated subsequent canting dictionaries and glossaries. The aim of the present volume is to fill this gap. The main works on canting published in the 17th and 18th centuries are analysed in chapters 3 to 10. The first two chapters provide a necessary introduction to the investigation carried out in the subsequent sections, examining the great increase in the numbers of vagabonds and criminals in England in that period from a sociohistorical perspective and reviewing the 16th-century English literature about the underworld. The subsequent eight chapters give a detailed analysis of the main works on canting which appeared in the second part of the 17th century and during the whole of the 18th century. The specific features of each publication are identified, as well as the method adopted by its author in the compilation of his dictionary/glossary and the most likely sources of its entries, in order to determine the degree of novelty and relevance that his contribution has brought to this field. The final chapter deals with the evolution in the meaning of the term 'cant' itself in the period taken into consideration.
'This book should be regarded as rescue work. It salvages from pre-Victorian periodicals from the limbo of forgotten publications, and exhumes from long undisturbed sources a curious collection of women who, at a time when it was considered humiliating for a gentlewoman to earn money, contrived to support themselves by writing, editing, or publishing... sometimes even supporting husbands and children as well... The women who emerge make a motley gallery; but over the years that I have been getting to know them, they have won my respectful affection. More, indeed. To me they are all heroines...' Alison Adburgham, from her Foreword Magazines addressed to women have a long history in English, and have been subject to condescension for just as long. Alison Adburgham's groundbreaking volume, first published in 1972, rescues the so-called 'scribbling female' from such scorn, not least by documenting just how hard was the struggle for women writers to live by the pen.