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You may be surprised at the tricky music a box, a snowflake, some raindrops, and a kitten can make. Right before your eyes. And on the pages of this book. There is someone backstage watching, encouraging our performers but keeping them under control. Why not listen along?
An autobiography of the basketball legend describing his journey from Harlem to UCLA to the NBA.
(Artist Transcriptions). In the late 1950s, John Coltrane composed or arranged a series of tunes that used chord progressions based on a series of key center movements by thirds, rather than the usual fourths and fifths of standard progressions. This sound is so aurally identifiable and has received so much attention from jazz musicians that it has become known as "Coltrane's Changes." This book presents an exploration of his changes by studying 13 of his arrangements, each containing Coltrane's unique harmonic formula. It includes complete solo transcriptions with extensive performance notes for each. Titles include: Body and Soul * But Not for Me * Central Park West * Countdown * Fifth House * Giant Steps * Summertime * and more.
Since its publication in 1947, great musicians and composers of all genres, from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard, have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation. Think about this book as a melodic reference manual or plot wheel. Looking for new material to add to your playing instruction, improvisations, or composition? This book has more than you'll ever be able to use. Many serious musicians have a copy of this lying around somewhere.
(Artist Transcriptions). transcriptions and analysis by David Demsey This historical editon includes complete transcriptions of every recorded solo by jazz master John Coltrane on his legendary composition "Giant Steps" all 96 choruses! It also includes analysis of the tune and solos, historical background and previously unpublished photos from the period, and more, making it a collector's item as well as an important practice and learning tool.
Standing at the crossroads of American literature and the current African American renaissance, Giant Steps presents a vibrant and wonderfully diverse collection of young black writing. Through generous selections of award-winning poetry, fiction, and nonfiction by writers born after 1960, this groundbreaking anthology welcomes readers into the future of African American writing. Taking its spirit and title from the John Coltrane composition released in 1960, Giant Steps offers an extraordinary window into post-civil rights literature. From Edwidge Danticat and Colson Whitehead to Rebecca Walker and Hilton Als, these authors are not "emerging" but have already arrived. They are National Book Award finalists and winners of the National Poetry Series and the Pushcart Prize. They have been featured in The New Yorker, Time, and Newsweek as our brightest stars; they have been heard through National Public Radio, Rhino Records, and Oprah's Book Club. Previously unpublished works by Danzy Senna, Philippe Wamba, and Elizabeth Alexander run alongside contemporary classics. They are popular and prophetic, literary and experimental. Together with a useful bibliography of current writing and a discography of influential music from soul to jazz to hip-hop, Giant Steps celebrates the complexities of race while paying tribute to the personal and collective histories that are forging this new generation. The writers found in Giant Steps are not "emerging" but have already arrived. From Best American Poetry and O. Henry Award winners to National Book Award finalists and Oprah's Book Club members, the thirty-five authors selected here are some of the best and the brightest writing today. The book features the full diversity of the African American experience, discussing everything from slavery to sexuality, growing up poor, gay, biracial, or all three. There are stories about the American Revolution, slave insurrections, and the year 1979; there are poems about loss and Sam Cooke; essays about sharecropping and the New South. New and unpublished writing by Danzy Senna, Colson Whitehead, and Darieck Scott is collected alongside work by such favorites as Edwidge Danticat, Kevin Powell, Hilton Als, and Randall Keenan. The writers in Giant Steps are at the heart of what's happening in contemporary culture, and this anthology welcomes readers to the future and powerful present of African American writing.The writers found in Giant Steps are not "emerging" but have already arrived. From Best American Poetry and O. Henry Award winners to National Book Award finalists and Oprah's Book Club members, the thirty-five authors selected here are some of the best and the brightest writing today. The book features the full diversity of the African American experience, discussing everything from slavery to sexuality, growing up poor, gay, biracial, or all three. There are stories about the American Revolution, slave insurrections, and the year 1979; there are poems about loss and Sam Cooke; essays about sharecropping and the New South. New and unpublished writing by Danzy Senna, Colson Whitehead, and Darieck Scott is collected alongside work by such favorites as Edwidge Danticat, Kevin Powell, Hilton Als, and Randall Keenan. The writers in Giant Steps are at the heart of what's happening in contemporary culture, and this anthology welcomes readers to the future and powerful present of African American writing.
In this book, the legendary Joe Diorio takes you through John Coltrane's classic (and very challenging) improvisation vehicle Giant Steps." This in-depth study includes 17 single-note solos, II-V patterns, substitution principles for both comping and soloing, and eight complete chord-melody solos utilizing a variety of harmonization techniques."
John Coltrane left an indelible mark on the world, but what was the essence of his achievement that makes him so prized forty years after his death? What were the factors that helped Coltrane become who he was? And what would a John Coltrane look like now--or are we looking for the wrong signs? In this deftly written, riveting study, New York Times jazz critic Ben Ratliff answers these questions and examines the life of Coltrane, the acclaimed band leader and deeply spiritual man who changed the face of jazz music. Ratliff places jazz among other art forms and within the turbulence of American social history, and he places Coltrane not just among jazz musicians but among the greatest American artists.
Materials and Concepts in Jazz Improvisation is a comprehensive and concise compilation of the various harmonic and melodic devices used by jazz musicians. It attempts to deal with these materials, (and later, the concepts), in a manner that allows for the greatest possible freedom and flexibility without resorting to mere "licks." The text presents the student and teacher with a conceptual framework that explains "why" as well as "how." It can be used by musicians at any stage of development, but it does assume a rudimentary grounding in music theory. For students and teachers of jazz at any level, it provides a linear perspective on improvisation and harmony from the simplest to the most advanced concepts; it can also function as a reference text for anyone involved in jazz at any level from hobbyist to professional, providing quick and easy descriptions and definitions of the musical materials found in jazz. It can be used for individual study, in classroom settings (jazz theory, jazz improvisation, or jazz pedagogy), in private lessons, or simply as a resource volume.