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"This heavily illustrated and comprehensive volume brings to light about 500 works produced between 1956 and 1974 by John Baldessari that mark a major shift in his artistic practice"--
The highly anticipated first volume of the complete catalogue of works by John Baldessari
More Than You Wanted to Know About John Baldessari is the first complete collection of the writings of artist John Baldessari. Edited and with essays by Meg Cranston and Hans Ulrich Obrist, the texts in this two-volume set trace the development of Baldessari's understanding of art from the early 1960s through to the present, and includes an extended interview with the artist on the subject of his writing.The collection also includes numerous never-before-published texts as well as facsimiles of the original documents that illustrate Baldessari's composition of words, which achieve both literary and graphic impact.Baldessari's writing addresses a broad range of topics from the problem of colour in sculpture, to the problem of art students who need ideas, to the problem of money in the art world, while returning throughout to the very focused set of issues that are key to his own work.Principle among them is Baldessari's love of words and his long-standing investigation into the similarity and possible interchangeability of word and image.Also availableJohn Baldessari: More Than You Wanted to Know About John Baldessari. Volume 1 (9783037641927)
The Telephone Book (with Pearls) est un livre de John Baldessari datant de 1988, composé d'images fixes recadrées et obscurcies, habitées par des téléphones ou des perles.
This book is the first and most significant documentation of Damien Hirst's iconographic spot paintings and this comprehensive publication spans his career. Every spot painting Hirst has produced is included in this substantial publication with over 95% of them illustrated. Conceived at the time of Hirst's 2012 exhibition of the same title held in 11 Gagosian Galleries including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong, this publication has been long in the making.
Burning his early paintings and producing his 1970 "Cremation Project," John Baldessari embarked on a new quest to explore the relationships between painting and language, images and text, originality and authorship. This overview of his works up to the early 1980s, encompassing film, photography, and painting, show him rooting around with characteristic humor and poignancy.
This distinctive book centers around an installation by Stephen Prina as a frame within which to explore themes vital to its making, including artistic production, site-specificity, curatorial practice, photography, architecture, and institutional critique. This multi-layered work is reevaluated by the curator, Jenelle Porter. She begins with Prina's single-image documentation of the 16-year exhibition schedule at the Heitzler Gallery (1975-1991). This final set of 163 photographs was then installed in the Heitzler Gallery, along with assorted elements as part of Prina's complete exhibition. Essays by James Meyer and Wilhelm Schurmann.
By combining and colliding the unexpected, the US artist John Baldessari (1931-2020), created conceptual works that raise questions regarding what art is, how art is made, and what art can look like. After concluding in the 1960s that a photographic image or a text were more adequate expressions of his artistic intentions than painting, John Baldessari's practice took a new direction. Since then, Baldessari has combined subjects from the imagery of popular culture with linguistic examinations, creating works that challenge artistic norms and boundaries. Besides the two essays the book also includes a wide selection of Baldessari's own writings from 1968-2011.
Edition Schellmann has been producing books on international contemporary art since 1969. The spectrum of artists ranges from great names of the second half of the twentieth century-such as Beuys, Christo, Judd, Kounellis, Paik, and Warhol-to outstanding representatives of the contemporary art scene-like Almond, Demand, Hatoum, Gillick, Morris, Ruff, Sierra, and Tuymans. The variety of media and techniques is just as diverse-from prints or photographs on paper and mixed media objects made of steel, aluminum, glass, plastic, or wood to large-format wall art.With about nine hundred color illustrations, this volume documents the development of the internationally renowned Edition Schellmann, which began with editions of prints and multiples and now publishes limited-edition books on a wide range of contemporary art. Including works by 150 artists, it presents the forty-year history of Edition Schellmann and provides crisp insight into art developments from the seventies to the present day.