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The polymath Johan Ludvig Heiberg (1791-1860) represented in many ways a kind of crossroads in the Danish Golden Age, where many different figures and cultural institutions converged. Although he has been studied for years in his native Denmark, he has not enjoyed the same reception abroad. Recently, however, his work has begun to catch the eye of international scholars, and, largely as a result of their efforts, Heiberg has now become a familiar name among the most recent generation of Anglophone and international researchers working in fields such as Scandinavian literature, Danish theater history and Kierkegaard studies. However, Heiberg was one of the most versatile figures of his age, and the full scope of his activity and thought is still far from being adequately explored in the literature. The present collection features articles from leading Danish and international experts that reflect the different dimensions of Heiberg's thought. The volume is thus interdisciplinary in an attempt to cover as many different aspects of Heiberg's intellectual activity as possible. It is divided into four rubrics: I. Philosophy, II. Literature and Criticism, III. Drama and Aesthetics, and IV. Politics and Social Criticism. The hope is that this collection will encourage students and scholars to further explore the different dimensions of Heiberg's thought, both on its own terms and in connection with other important figures such as Søren Kierkegaard and Hans Christian Andersen.
One of Denmark's greatest philosophers during its greatest philosophical period, Frederik Christian Sibbern was a major figure on the landscape of the Danish Golden Age. Profoundly influenced by German philosophy, he was personally acquainted with figures such as Fichte, Schleiermacher, Goethe and Schelling. Sibbern had long been interested in the philosophy of G.W.F. Hegel but had never written any extended analysis of it. When Johan Ludvig Heiberg unveiled his new philosophical journal Perseus in 1837, as a part of his Hegelian campaign, he provided Sibbern with the occasion that he had been waiting for. In a series of eight installments in the journal, Maanedsskrift for Litteratur, Sibbern published an extensive critical account of Hegel's philosophy under the guise of a review of the first volume of Heiberg's Perseus. In the fall of 1838 he collected the first four installments of this review and published them as an independent monograph entitled, Remarks and Investigations Primarily Concerning Hegel's Philosophy. This work represents arguably the most exhaustive, detailed and profound analysis of Hegel's philosophy ever to appear in the Danish language, anticipating many aspects of Kierkegaard's famous criticism.
While many studies of On the Concept of Irony treat Kierkegaard's "irony" primarily from a literary perspective,The Isolated Self also examines irony with an eye to the fundamental problem in Kierkegaard's authorship, namely, the challenge of becoming a "self." Kierkegaard's "irony" is a cavalier way of life that seeks isolation from the other - an isolation he considers necessary to becoming a self. At the same time, irony is said to be a hindrance to selfhood because the self fails to become a part of the social world in which it resides. The Isolated Self thus puts the existential tension of On the Concept of Irony into relief and suggests how it sets the stage for the rest of Kierkegaard's authorship. The Isolated Self reconstructs the horizon of understanding during Kierkegaard's time, including Hegel's interpretation of both Socratic irony and Friedrich Schlegel's romantic irony. In addition, the work explores material from the little-known Danish discussion of irony in the works of Poul Martin Møller, Johan Ludvig Heiberg and Hans Lassen Martensen.
EUCLID'S ELEMENTS OF GEOMETRY, in Greek and English. The Greek text of J.L. Heiberg (1883-1885), edited, and provided with a modern English translation, by Richard Fitzpatrick.[Description from Wikipedia: ] The Elements (Ancient Greek: Στοιχεῖον Stoikheîon) is a mathematical treatise consisting of 13 books (all included in this volume) attributed to the ancient Greek mathematician Euclid in Alexandria, Ptolemaic Egypt c. 300 BC. It is a collection of definitions, postulates, propositions (theorems and constructions), and mathematical proofs of the propositions. The books cover plane and solid Euclidean geometry, elementary number theory, and incommensurable lines. Elements is the oldest extant large-scale deductive treatment of mathematics. It has proven instrumental in the development of logic and modern science, and its logical rigor was not surpassed until the 19th century.
At a Christie's auction in October 1998, a battered medieval manuscript sold for two million dollars to an anonymous bidder, who then turned it over to the Walters Art Museum in Baltimore for further study. The manuscript was a palimpsest-a book made from an earlier codex whose script had been scraped off and the pages used again. Behind the script of the thirteenth-century monk's prayer book, the palimpsest revealed the faint writing of a much older, tenth-century manuscript. Part archaeological detective story, part science, and part history, The Archimedes Codex tells the extraordinary story of this lost manuscript, from its tenth-century creation in Constantinople to the auction block at Christie's, and how a team of scholars used the latest imaging technology to reveal and decipher the original text. What they found was the earliest surviving manuscript by Archimedes (287 b.c.-212 b.c.), the greatest mathematician of antiquity-a manuscript that revealed, for the first time, the full range of his mathematical genius, which was two thousand years ahead of modern science.
Published 1880-1, this three-volume edition of Archimedes' extant works in Greek includes commentaries and parallel Latin translation.
Prefaces was the last of four books by Søren Kierkegaard to appear within two weeks in June 1844. Three Upbuilding Discourses and Philosophical Fragments were published first, followed by The Concept of Anxiety and its companion--published on the same day--the comically ironic Prefaces. Presented as a set of prefaces without a book to follow, this work is a satire on literary life in nineteenth-century Copenhagen, a lampoon of Danish Hegelianism, and a prefiguring of Kierkegaard's final collision with Danish Christendom. Shortly after publishing Prefaces, Kierkegaard began to prepare Writing Sampler as a sequel. Writing Sampler considers the same themes taken up in Prefaces but in yet a more ironical and satirical vein. Although Writing Sampler remained unpublished during his lifetime, it is presented here as Kierkegaard originally envisioned it, in the company of Prefaces.