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Few contemporary artists have worked in the sheer variety of styles that Joe Fafard has perfected -- and won such acclaim for their efforts. Born in 1942 in a remote farming hamlet in Saskatchewan, the idiosyncratic artist early on chose a radically different direction from the prevailing modernistic aesthetic of the early 1960s, boldly exploring new media and new imagery. Gaining fame initially as a ceramic sculptor of oversize animals and people, in the early 1980s he turned to laser-steel and bronze work, along the way adding painting to his repertoire. This dual biography and critical study features a wealth of illustrations from Fafard's long career, generously sampling both the monumental sculptures done as public and private commissions, and the more intimate studies of people and prairie that reside in museums worldwide and in the private collections of Oprah Winfrey, Bill Cosby, and others.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
The story of artists in Western Canada, and how they changed the face of Canadian art “Listen to the visual voices of artists. They tell us so poignantly who we are, what we must cherish, and what we must address as a society.” Patricia Bovey Throughout her remarkable career as a gallery director, curator, and author, Patricia Bovey has tirelessly championed the work of Western Canadian artists. Western Voices in Canadian Art brings this lifelong passion to a crescendo, delivering the most ambitious survey of Western Canadian Art to date. Beginning with the earliest European-trained artists in Western Canada, and moving up to present day, Bovey amplifies the depth, scope, and importance of the diverse artists (both settler and Indigenous) whose distinct voices have contributed to the Western Canadian artistic tradition. Bovey then adopts a thematic approach, richly informed by her knowledge and experience, connecting art and artists through time and across provincial boundaries. Insights from Bovey’s studio visits and conversations with artists enhance our understandings of the history and trajectory of, and impetus for Canadian artistic creation. Lavishly illustrated with over 250 works reproduced in full colour, Western Voices in Canadian Art is a book that needs to be seen, and its artists and art celebrated.
Wilf Perreault is in a class of artists known primarily for a single subject – in his case, the humble urban back alley. Coteau Books proudly joins forces with the MacKenzie Art Gallery to present a coffee-table book with more than a hundred full-colour images, accompanied by essays discussing the work of the artist best known as “Wilf”. Wilf Perreault contains an additional treat – 11 pieces of creative prose and poetry by Saskatchewan literary artists responding to Wilf's work in general, or to specific paintings that have inspired them. Walking up the alley with Wilf Perreault, we see how his work fits perfectly into the tradition established by Saskatchewan artists from Ernest Lindner to Joe Fafard to David Thauberger. His paintings are rendered in a breathtaking detail that asks us to take another, closer, look at the everyday. Born in the small Franco-Saskatchewan community of Albertville, Wilf Perreault studied art at the University of Saskatchewan and has been painting and teaching art in Regina since the early 1970s.
Elegant, surreal, erotic, ecological, autobiographical, perpetual, populist, comic! These are the words that describe the work of noted Regina sculptor Victor Cicansky. The book celebrates the voice, life, and art of this prolific prairie-based artist. Nature, tamed or wild, informs everything he makes; worlds we recognize with pleasure, where cabbages are kings. This book is written in a style that is informed by, yet not overburdened with, critical analysis, allowing the art to speak for itself.
Contains statistics for the City of New York.
Toronto has over 600 public outdoor sculptures, works of art that provide a sense of the rich variety of life and work in the city, its peoples, cultures and aspirations. Interest in commissioning public sculpture began slowly in the nineteenth and early twentieth century, but increased rapidly after the 1950s.This is a book about the sculptures and how they disclose the city to itself. Creating Memory’s two introductory sections examine the factors behind this expansion over time and the changes in style as one generation of sculptors succeeded another. It looks at the reasons behind the changes as sculptures were conceived, sculpted and erected. More than 10 categories of sculptures are defined and discussed, including Founding the City, Natural Environment, Immigration, Ethnic Groups, Economic Activities, Disaster and Calamity, War And Conflict, Leaders, Ordinary Citizens, Community Life, and Works of the Imagination.
The indomitable Joanne Kilbourn is back! From beloved author Gail Bowen comes the 15th installment in the nationally bestselling series. For readers of Louise Penny, Ruth Rendell, and Peter Robinson. Joanne's husband Zack is the leading progressive candidate in a neck-and-neck race, with the existing mayor, for Regina's top job. The tough campaigning is well underway when a disturbing threat disrupts the celebration for the opening of the Racette-Hunter Centre -- a project Zack has been spearheading, intended to benefit the impoverished community of North Central Regina. Joanne soon realizes that sinister interests are working behind the scenes of the election, and another savage act makes clear that someone will stop at nothing to maintain the status quo. The Shreve campaign perseveres, but when Zack's opponents share some shocking information about the past, the revelation sends Joanne reeling. As tensions around the election build, Joanne tries to hold herself together, keep her family intact, and get to the bottom of why a series of violent incidents, seemingly related to the mayoral race, all lead back to a mysterious property in North Central, 12 Rose Street. A gripping novel about family and friendship, competition and betrayal, 12 Rose Street confirms why Gail Bowen is indeed the "queen of Canadian crime fiction" (Winnipeg Free Press).
Stompin' Tom Connors is a legend. There are very few Canadians who don?t know the foot-stompin' patriot in the cowboy hat who sang almost exclusively of the country he loved and called home. But there is much more to Tom Connors than “Bud the Spud” and “The Hockey Song.” Tom's childhood was traumatic and he never fully recovered from being separated from his mother at a young age. As he made multiple trips across Canada, the country became his home and its people his family. Along the way he developed his musical style and wrote many hits which are still heard on the radio, in bar rooms and at arenas across the country. Tom was a trailblazer, creating his own record label and serving as his own producer and promoter. At a time when it was unheard of, Tom showed that it was possible to stay in Canada, sing songs about this country and have a significantcareer. Tom rebelled against the Canadian music industry, fighting for it to support its own artists, inspiring a new generation of musicians to sing about Canada. This biography offers an in-depth look at the man behind “Stompin' Tom.” It tells the story of an earnest, intelligent and complicated man who created a character that would be embraced by Canadians from coast to coast.