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In her meticulous and wide-ranging study, Nora M. Heimann follows the metamorphosis of Joan of Arc's posthumous representation during the years in which her image ascended from relative obscurity as a minor provincial figure in the middle ages through her treatment as a figure of political satire in the eighteenth century to her ultimate emergence as an image of piety and sanctity in the mid-nineteenth century. Offering the first scholarly art historical and cultural analysis of the origins of the modern Joan of Arc cult, she takes on the challenge of charting, as no previous critic has, why and how the Maid of Orl‘s has been all things to such a diverse public through the ages, particularly during the rapid shifts in political regimes that came in the wake of the French Revolution. Joan of Arc's image has shown a protean capacity to embody a vast and often contradictory range of qualities, from martial ascendancy to vulnerable piety, from maidenly purity to transgressive androgyny, from the power of the people to the divine right of kings. Heimann makes a persuasive case for this enduringly resonant woman as the only figure in French culture to be warmly embraced simultaneously by republicans, monarchists, feminists, and neo-fascists alike. In its recounting of the iconographic fortunes of this remarkable woman during her transformation from an image of satire to one of sanctity, Joan of Arc in French Art and Culture (1700-1855) offers an illustrated, interdisciplinary depiction of the relationship between art and politics that will appeal not only to art historians but also to those working in literature, women's studies, cultural studies, intellectual history, and religious history.
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This comprehensive history of The Duke of Cornwall's Own Rifles explores the regiment's origins and evolution over the span of several decades. Chambers provides insights into the changing role of the regiment and its contributions to major conflicts throughout Canadian history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Draws on a huge range of carefully researched images of Joan of Arc, many never seen before, from museum, libraries and archives in France and U.S.
Describes how Joan of Arc was turned into an iconic figure of European culture and explores the how she has been used in literature, art, music and politics.
[Does] an immense service to anyone interested in Joan of Arc... skillfully disentangles countless textual threads, all centered around one problem: the nature of Joan's mission as it was examined in the early theological debates... A thorough and timely book. MYSTICS QUARTERLY Joan of Arc arrived at the French court claiming to be sent by God to come to the aid of the dauphin Charles. Most studies of Joan focus on her political expediency, but the starting point of this book is her assertion that she was sent by God: it is the first real exploration of the application of the Catholic doctrine of discretio spirituum [the discernment of spirits] to her case, and of her reception as a visionary woman. The author examines contemporary theological documents which show genuine debate about Joan's mission and whether she was diabolically or divinely inspired, also taking into account the two major literary works dealing with her, Christine de Pizan's Ditie de Jehanne d'Arc and Martin Le Franc's Le champion des dames, as well as Joan's own letter to the English. Appendices offer translations of pertinent Latin and French texts. Professor DEBORAH FRAIOLI teaches in the Department of Foreign Languages and Literatures at Simmons College, Boston.
An historical biography of fifteenth-century saint and national heroine of France, Joan of Arc, that relies on the letters and testimony given at her trial.