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Phantom Communities reconsiders the status of the simulacrum--sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model--in light of recent debates in literature, art, philosophy, and cultural studies. The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, René Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raúl Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon. On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze. In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context. Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images.
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
HOW TO BECOME INVISIBLE. Whenever I could, being the good old journalist that I am, I would write about what I've experienced and what I've observed Being an immigrant who did not speak the language of my new home, but was educated in my native country, I know first-hand about being misjudged and dismissed. Immigrants try their best to fit in, going against the reality of exclusion in all its forms: social, economic and cultural. The challenge for newcomers is not just to find a job, but to find a purpose for this new life, the right cause worthy of fighting for, and a way to contribute. People immigrate to America from around the world with a preconceived vision that is very far from the reality of their evolving new life. I was one of them. Leaving your native country for whatever reason and trying to make it in another is obviously not easy because the culture, language, and traditions are so different. Unfamiliarity and the sense of being alone, away from loved ones, plus the desire to go back home, constantly permeate your thinking. Knowing that it is not feasible is heartbreaking. It is the people you meet along the way that can unknowingly give you the strength to continue. Each new person you meet brings something to the table, each one like a piece of a puzzle that all together forms a beautiful picture; each one trusting that whatever they contribute is unique and important so things can go smoothly. This realization keeps you going, especially at work, performing tasks that you've never done before. My eyes are closed and my pen struggles to release memory to share the experience of climbing the stairs of life's lessons. If you are climbing, it is always good to look back without asking others to have pity on your struggle. Climbing the stairs of life requires courage to take the steps one by one with peace and love. The days go by and the silence is still there: we work, look, listen, meditate, and observe while there is time. Being an observer is like a lesson of wisdom with flexible rules, giving you the opportunity to become invisible while you learn and grow. I started my first job in the kitchen, carrying the food as well as washing dishes. Under the quiet gaze of my supervisor, while performing my duties, I observed and reflected about all the people around me - coworkers, supervisors, and the clients we were there to serve. Sometimes life's circumstances force us to stay behind the curtains, But this becomes a place of observation that is enriching. Godfroy Boursiquot
L’Œuvre complète de Zacharias Tanee Fomum sur la Doctrine chrétienne fondamentale est une anthologie de 13 livres clés sur les doctrines fondamentales de la vie chrétienne par le Professeur Zacharias Tanee Fomum: Le Chemin de la Vie Le Chemin de l’Obéissance Le Chemin d’être Disciple Le Chemin de la Sanctification Le Chemin du Caractère Chrétien Le Chemin du Combat Spirituel Le Chemin de la Souffrance pour Christ Le Chemin de la Prière Victorieuse Le Chemin des Vainqueurs Le Chemin de la Puissance Spirituelle Le Chemin de l’Encouragement Spirituel Le Chemin de l’Amour pour le Seigneur Le Chemin du Service Chrétien Toute personne qui commence sa marche chrétienne sans ces fondamentaux pourrait trainer les pas sur le chemin étroit, au lieu de courir ou d’être en croisière. Le Seigneur est à la recherche des disciples à Son image. Si elle est lue et bien assimilée, La Série Le Chemin, vous propulsera de l’état de nouveau converti, de croyant ou de membre d’église, pour faire de vous ce genre de disciple que Jésus a ordonné. Ce faisant, la fondation pour un leadership spirituel perpétuel sera posée. Voudrais-tu devenir un disciple qui plait au Seigneur ? Si « oui », cette anthologie est un outil indispensable pour vous transporter à bon port. Nous publions cette anthologie avec un cri du Seigneur de la moisson ; afin qu’il serve à produire des disciples qui Lui rendent une obéissance en toutes choses, des pécheurs, des saints, des convertis, des membres d’église et des croyants en Christ. Que l’Éternel te visite pendant que tu parcours cet ouvrage. Puisse-t-il te transformer en un disciple dépendant du Seigneur Jésus Christ, nonobstant ta condition.
Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the visual culture of the 21st century, do new digital and social forms change the status of photography as archival or objective – or are they revealing something more fundamental about photography’s longstanding relationships with time and knowledge?Archaeology and Photography imagines a new kind of Visual Archaeology that tackles these questions. The book reassesses the central place of Photography as an archaeological method, and re-wires our cross-disciplinary conceptions of time, objectivity and archives, from the History of Art to the History of Science.Through twelve new wide-ranging and challenging studies from an emerging generation of archaeological thinkers, Archaeology and Photography introduces new approaches to historical photographs in museums and to contemporaryphotographic practice in the field. The book re-frames the relationship between Photography and Archaeology, past and present, as more than a metaphor or an analogy – but a shared vision.Archaeology and Photography calls for a change in how we think about photography and time. It argues that new archaeological accounts of duration and presence can replace older conceptions of the photograph as a snapshot orremnant received in the present. The book challenges us to imagine Photography, like Archaeology, not as a representation of the past and the reception of traces in the present but as an ongoing transformation of objectivity and archive.Archaeology and Photography will prove indispensable to students, researchers and practitioners in History, Photography, Art, Archaeology, Anthropology, Science and Technology Studies and Museum and Heritage Studies.