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A concise guide to global performances of Shakespeare, this volume combines methodologies of dramaturgy, film and performance studies, critical race and gender studies and anthropological thick description. This companion guides students from critical methodologies through big pictures of global Shakespeare to case studies that employ these methodologies. It uses a site-specific lens to examine global performances of Shakespeare on stage, on radio and on screen. As well as featuring methodological chapters on modernist adaptations, global cinema, multilingual productions and Shakespeare in translation, the volume includes short histories of adaptations of Shakespeare in Southeast Asia, Latin America, the Arab world, India, the Slavic world, Iran, Afghanistan and the Farsi-speaking diaspora. It uses these micro-historical narratives to demonstrate the value of local knowledge by analysing the relationships between Shakespeare and his modern interlocutors. Finally, thematically organized case studies apply the methodologies to analyse key productions in Brazil, Korea, Yemen, Kuwait, China and elsewhere. The final chapter considers pedagogical strategies in a global setting. These chapters showcase the how of global Shakespeare studies: how do minoritized artists and audiences engage with Shakespeare? And how do we analyse the diverse and polyphonic performances with an eye towards equity and social justice?
The frontier is one of the most pervasive concepts underlying the production of national identity in Australia. Recently it has become a highly contested domain in which visions of nationhood are argued out through analysis of frontier conflict. DISLOCATING THE FRONTIER departs from this contestation and takes a critical approach to the frontier imagination in Australia. The authors of this book work with frontier theory in comparative and unsettling modes. The essays reveal diverse aspects of frontier images and dreams - as manifested in performance, decolonising domains, language, and cross-cultural encounters.
The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.
This monograph presents new model-based design methods for trajectory planning, feedback stabilization, state estimation, and tracking control of distributed-parameter systems governed by partial differential equations (PDEs). Flatness and backstepping techniques and their generalization to PDEs with higher-dimensional spatial domain lie at the core of this treatise. This includes the development of systematic late lumping design procedures and the deduction of semi-numerical approaches using suitable approximation methods. Theoretical developments are combined with both simulation examples and experimental results to bridge the gap between mathematical theory and control engineering practice in the rapidly evolving PDE control area. The text is divided into five parts featuring: - a literature survey of paradigms and control design methods for PDE systems - the first principle mathematical modeling of applications arising in heat and mass transfer, interconnected multi-agent systems, and piezo-actuated smart elastic structures - the generalization of flatness-based trajectory planning and feedforward control to parabolic and biharmonic PDE systems defined on general higher-dimensional domains - an extension of the backstepping approach to the feedback control and observer design for parabolic PDEs with parallelepiped domain and spatially and time varying parameters - the development of design techniques to realize exponentially stabilizing tracking control - the evaluation in simulations and experiments Control of Higher-Dimensional PDEs — Flatness and Backstepping Designs is an advanced research monograph for graduate students in applied mathematics, control theory, and related fields. The book may serve as a reference to recent developments for researchers and control engineers interested in the analysis and control of systems governed by PDEs.
Selection of works from the Aboriginal and Torres Strait Islander collection at the Art Gallery of New South Wales; aimed at displaying the diversity and richness of traditional style and contemporary Aboriginal and Torres Strait Islander art; bark paintings; acrylic paintings; sculpture; analysis of artworks.
In this, the first collection of ecocritical essays devoted to Australian contexts and their writers, Australian and USA scholars (settlers, invaders, temporary visa holders) comment on the transliteration of sea, land and interior through the works of major and minor authors and through their own experience with the bioregion. The littoral zone is the starting point in this fresh approach to reading literature and is organised around the natural environment - rainforest, desert, mountains, coast, islands, Antarctica. There's the beach where sexual and spiritual crises occur; the Wheatbelt area - the most visible clearance line on the planet; desert literature, camel trekking, and the transformation of a salt flat into an inland island. New Age literature that 'appropriates' Aboriginals and their cultures as the healing poultice for an ailing and dispirited West; a re-examination of pastoralism, and "the feet of millions of sheep . that] have done unspeakable damage to soils"; an inquiry into whether Judith Wright's work can "persuade us to rejoice" in the world; an investigation of the Limestone Plains, home of the bush capital and the bogong moth; of bananas, cane toads and the Great Barrier Reef in tropic Queensland; of national parks and guesthouses where "the mountains meet the sea"; a discursive approach to temperate islands that covers sealing, Soldier Settlement, and sea country pastoral; and finally to Antarctica, where an initial utopian approach gives way to an emphasis on its stark, 'timeless' icescape as a minimalist backdrop for human dramas. The author-terrain is no less grand in its scope: poets, playwrights, novelists, and non-fiction writers are discussed across the broad range of contexts that constitutes the littoral zone known as 'Australia'.
Art of Peter Skipper, Jarinyanu David Downs, Eubena Nampitjin and Wimmitji Tjapangarti, Rover Thomas, Emily Kame Kngwarreye, Maxie Tjampitjinpa, Abie Jangala, Ginger Riley Munduwalawala, Jack Wunuwun, Jimmy Wululu.
This Encyclopedia is the first to compile pseudonyms from all over the world, from all ages and occupations in a single work: some 500,000 pseudonyms of roughly 270,000 people are deciphered here. Besides pseudonyms in the narrower sense, initials, nick names, order names, birth and married names etc. are included. The volumes 1 to 9 list persons by their real names in alphabetical order. To make the unequivocal identification of a person easier, year and place of birth and death are provided where available, as are profession, nationality, the pseudonym under which the person was known, and finally, the sources used. The names of professions given in the source material have been translated into English especially for this encyclopaedia. In the second part, covering the volumes 10 to 16, the pseudonyms are listed alphabetically and the real names provided. Approx. 500,000 pseudonyms of about 270,000 persons First encyclopedia including pseudonyms from all over the world, all times and all occupations Essential research tool for anyone wishing to identify persons and names for his research within one single work
Das Schütz-Jahrbuch 2017 enthält in seinem Hauptteil die Texte der Referate des Internationalen Heinrich-Schütz-Festes Den Haag 2016, die sich in das Themenfeld "Explicatio Textus - Heinrich Schütz, Max Reger, Siegfried Reda" einordnen. Helmut Lauterwasser und Stefan Steinemann stellen ein musikalisches Stammbuch im Umfeld des Geistlichen Ministeriums zu Braunschweig aus dem 17. Jahrhundert vor, Matteo Messori und Anna Katarzyna Zareba berichten über neue biographische und musikalische Funde zu Vincenzo Albrici (1631-1687), und Bernd Koska diskutiert ein Schmalkalder Noteninventar im Blick auf das geistliche Vokalwerk Georg Ludwig Agricolas. Weitere Beiträge von Aagje Pabbruwe, Roman Summereder und Pieter Dirksen bereichern den Band.