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The definitive work on papercuts, a long-overlooked aspect of Jewish folk art.
Featuring the world's most comprehensive collection of Jewish art, Jewish Art Masterpieces is a magnificent art book as well as a fascinating survey of Jewish history. Color plates reveal the artistry and craftsmanship of precious objects such as an 8th-century B.C.E. ivory pomegranate from Solomon's temple, an engraved marriage contract from the 15th century, and paintings by modern artists including Marc Chagall and Menashe Kadishman. Illuminated manuscripts, such as the classic Bird's Head Haggadah from 14th-century Germany, are also featured, along with synagogue interiors, Torah decorations, and Sabbath and festival objects. An informative text explores each item's historical, religious, and artistic significance and reminds the reader of the enduring legacy of the Jewish heritage.
A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New
Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.
In contrast to most anthologies of Jewish folktales, the texts in this book were recorded in the natural context of narration and in the language of origin (Judaeo-Arabic), meeting the most vigorous standards of current folklore scholarship.
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
This book presents the fascinating untold story of art-world tastemaker Edith Halpert, who sold, promoted, and effectively defined American art in the 20th century.
This landmark volume brings the rich legacy of Israeli art to a Western audience for the first time. Gideon Ofrat, Israel's preeminent curator, art critic, and art historian, traces the complete history of painting and sculpture in Israel, from nineteenth-century Jewish folk art in Ottoman Palestine to the kaleidoscopic postmodern patterns of Israeli art today. Contains over 350 illustrations, 185 in color.
"The custom of illuminating the traditional Jewish marriage contract, the ketubbah, developed over the last four centuries into a rich and varied form of Jewish folk art. This book offers a broad selection from one of the outstanding collections of ketubbot, representing Jewish communities from the Near East to Northern Europe. It focuses particularly on the ketubbot of Italy, where the art of the illuminated ketubbah found its most beautiful expression during the seventeenth and eighteenth centuries, under the influence of Renaissance and Baroque art." "Co-produced with the Israel Museum, Jerusalem, home to one of the largest collections of ketubbot, this book also offers a fascinating account of Jewish marriage customs and a vivid picture of diverse Jewish communities." --Book Jacket.