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Jewish Diaspora in Hellenistic, Roman and Byzantine periods from first to the eighth centuries C.E. is the subject of this work. The author thoroughly investigates origin, symbolism and significance of the mainly synagogal and funerary art forms in the Diaspora. Ancient Jewish Art and Archaeology in the Diaspora is the companion volume to the successful Ancient Jewish Art and Archeaeology in the Land of Israel (1988) by the same author. The geographical area covered includes Syria, Asia Minor, North Africa and Mediterranean Europe. The first section examines the characteristic features of Diaspora Art synagogue architecture and art (including the Torah shrine and mosaic pavements). Another section deals with burial and funerary practices. Of special importance are the sections on the Biblical scenes, designs and iconography of the Dura Europos synagogue, and the Jewish symbols such as the Menorah, ritual objects, the Ark, the conch and the Torah Scrolls. The book is richly illustrated with more than 325 drawings and photographs, some in colour.
The Jewish coming-of-age ceremony of bar mitzvah was first recorded in thirteenth-century France, where it took the form of a simple statement by the father that he was no longer responsible for his thirteen-year-old son. Today, bar mitzvah for boys and bat mitzvah for girls are more popular than at any time in history and are sometimes accompanied by lavish celebrations. How did bar mitzvah develop over the centuries from an obscure legal ritual into a core component of Judaism? How did it capture the imagination of even non-Jewish youth? Bar Mitzvah, A History is a comprehensive account of the ceremonies and celebrations for both boys and girls. A cultural anthropology informed by rabbinic knowledge, it explores the origins and development of the most important coming-of-age milestone in Judaism. Rabbi Michael Hilton has sought out every reference to bar mitzvah in the Bible, the Talmud, and numerous other Jewish texts spanning several centuries, extracting a fascinating miscellany of information, stories, and commentary.
A celebration of innovation and creativity in Jewish ritual
In an encyclopedic reference for anyone who wants information about all things Jewish, Eisenberg distills an immense amount of material from classic and contemporary sources into a single volume.
Alongside the formal development of Judaism from the eleventh through the sixteenth centuries, a robust Jewish folk religion flourished—ideas and practices that never met with wholehearted approval by religious leaders yet enjoyed such wide popularity that they could not be altogether excluded from the religion. According to Joshua Trachtenberg, it is not possible truly to understand the experience and history of the Jewish people without attempting to recover their folklife and beliefs from centuries past. Jewish Magic and Superstition is a masterful and utterly fascinating exploration of religious forms that have all but disappeared yet persist in the imagination. The volume begins with legends of Jewish sorcery and proceeds to discuss beliefs about the evil eye, spirits of the dead, powers of good, the famous legend of the golem, procedures for casting spells, the use of gems and amulets, how to battle spirits, the ritual of circumcision, herbal folk remedies, fortune telling, astrology, and the interpretation of dreams. First published more than sixty years ago, Trachtenberg's study remains the foundational scholarship on magical practices in the Jewish world and offers an understanding of folk beliefs that expressed most eloquently the everyday religion of the Jewish people.