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Featuring the world's most comprehensive collection of Jewish art, Jewish Art Masterpieces is a magnificent art book as well as a fascinating survey of Jewish history. Color plates reveal the artistry and craftsmanship of precious objects such as an 8th-century B.C.E. ivory pomegranate from Solomon's temple, an engraved marriage contract from the 15th century, and paintings by modern artists including Marc Chagall and Menashe Kadishman. Illuminated manuscripts, such as the classic Bird's Head Haggadah from 14th-century Germany, are also featured, along with synagogue interiors, Torah decorations, and Sabbath and festival objects. An informative text explores each item's historical, religious, and artistic significance and reminds the reader of the enduring legacy of the Jewish heritage.
Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.
This landmark volume brings the rich legacy of Israeli art to a Western audience for the first time. Gideon Ofrat, Israel's preeminent curator, art critic, and art historian, traces the complete history of painting and sculpture in Israel, from nineteenth-century Jewish folk art in Ottoman Palestine to the kaleidoscopic postmodern patterns of Israeli art today. Contains over 350 illustrations, 185 in color.
The old masters' new masters -- Was modernism Jewish? -- In the middle -- To have and have not.
Before the mid-fifteenth century, the Christian and Islamic governments of Europe had restricted the architecture and design of synagogues and often prevented Jews from becoming architects. Stiefel presents a study of the material culture and religious architecture that this era produced.
Discusses four illuminated haggadot, manuscripts created for use at home services on Passover, all created in the early twelfth century.
Intertwining history and art over five centuries, this detailed overview of Jewish culture and events focuses on how printed writings and artworks have reflected the perceptions of Jews by themselves and others. Filled with nearly 400 illustrations of woodcuts, engravings, etchings, lithographs, serigraphs and other visual works, it details the representation of Jews and Jewish life chronologically while giving individual attention to the regions and countries in which Jews have lived in significant numbers. From editions of the Haggadah to portraits to anti-Semitic cartoons, diaries to newspapers to novels, it analyzes a vast array of works that both molded and revealed Jewish popular opinion.
A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New
Jews of India, one of the lesser-known and perhaps most interesting of the Diaspora, comprise the three geographically and ethnographically distinct communities examined in The Israel Museum's unique and authoritative volume The Jews of India. The Bene Israel, the largest group at approximately 24,000 members, inhabited the Maharashtra State on India's western coast; its ties with mainstream Judaism were reestablished in the nineteenth century. The smallest and oldest of the Indian Jewish communities, the Jews of Cochin have been a presence on the Malabar Coast of southwestern India for at least a thousand years. They numbered about 2,500 in the mid-1950's, just prior to their immigration to Israel. The Baghdadi Jews migrated from Iraq and Syria to large commercial cities in western and eastern India in the late eighteenth century. Numbering about 5,000 at the population's peak, Baghdadi Jews were largely assimilated into British colonial society, did not develop a distinct material culture in India, and so are a relatively minor presence in this book. Esteemed editor Orpa Slapak spearheaded studies of all three Indian Jewish communities in Israel and in India, and has assembled a vivid and powerful portrait of these peoples. The text is profusely illustrated with striking color and black and white photographs of Indian Jews at home, work, prayer, and leisure, as well as a multitude of remarkable Indian Jewish artifacts, including illuminated manuscripts, lamps, clothing, jewelry, and household implements. Several maps, useful glossaries, and a selected bibliography complete the volume.