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"Explores the evolution of garden inspired jewelry with 375 full-color photographs from the nineteenth century to present day displaying important pieces from world famous jewelers, including Cartier, Tiffany, Mauboussin, Bulgari, Chanel, and Christian Dior"--Provided by publisher.
'TRULY INSPIRING' Mail on Sunday Now familiar to millions of Gardeners' World fans as Longmeadow (the home of Nigel & Nellie), this is the story of Monty & Sarah Don's early days there. The Jewel Garden is the story of the garden that bloomed from the muddy fields around the Dons' Tudor farmhouse, a perfect metaphor for the Monty and Sarah's own rise from the ashes of a spectacular commercial failure in the late '80s . At the same time The Jewel Garden is the story of a creative partnership that has weathered the greatest storm, and a testament to the healing powers of the soil. Monty Don has always been candid about the garden's role in helping him to pull back from the abyss of depression; The Jewel Garden elaborates on this much further. Written in an optimistic, autobiographical vein, Monty and Sarah's story is truly an exploration of what it means to be a gardener.
A musical celebration of the garden, from chaff to grass, and all of its lowly weeds, herbs, and creatures Sylvia Legris’s Garden Physic is a paean to the pleasures and delights of one of the world’s most cherished pastimes: Gardening! “At the center of the garden the heart,” she writes, “Red as any rose. Pulsing / balloon vine. Love in a puff.” As if composed out of a botanical glossolalia of her own invention, Legris’s poems map the garden as body and the body as garden—her words at home in the phytological and anatomical—like birds in a nest. From an imagined love-letter exchange on plants between garden designer Vita Sackville-West and Harold Nicolson to a painting by Agnes Martin to the medicinal discourse of the first-century Greek pharmacologist Pedanius Dioscorides, Garden Physic engages with the anaphrodisiacs of language with a compressed vitality reminiscent of Louis Zukofsky’s “80 Flowers.” In muskeg and yard, her study of nature bursts forth with rainworm, whorl of horsetail, and fern radiation—spring beauty in the lines, a healing potion in verse.
“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.
Humans have long turned to gardens - both real and imaginary - for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh's garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens. With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur'an; Plato's Academy and Epicurus's Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt - all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power. Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison's earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility - and its enduring importance to humanity.
Ever since the creation of the world's first botanical and zoological gardens five thousand years ago, people have collected, displayed, and depicted plants and animals from lands beyond their everyday experience. Some did so to demonstrate power over distant territories, others to enhance prestige by possessing something no one had seen before. Exotica also satisfied intellectual curiosity, furthered scientific research, and educated and entertained. In addition, exotica, especially their state-sponsored representation, were often instruments of political persuasion, and in turn exerted considerable influence over expansionist policies. More than an account of gardens and menageries from antiquity to the present, Strange and Wonderful explores the imagery of exotic flora and fauna in Western art, seeking answers to certain fundamental and universal questions. How do artists, schooled in traditional modes of rendering the familiar, deal with the new and strange? Why are rare species deliberately introduced into images otherwise devoid of the unusual? What is the pictorialized relationship between exotic reality and artistic imagination? Karen Polinger Foster takes readers on a journey across millennia and around the globe, telling fascinating stories and meeting along the way such characters as Hatshepsut's baboons, Charlemagne's elephant, D�rer's rhinoceros, and Victoria's hippopotamus. What emerges is a sense of just how strong and far-reaching the pull of the unknown and exotic has been across time and space. Ultimately, images of the wonderful reveal as much about the indigenous as they do about the strange, enabling us to glimpse more vividly the power of imagination to mold the unknown to its purposes. This dazzling and richly illustrated volume offers a thoughtful, much-needed inquiry into a very human phenomenon.
Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.