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Many of us have questions about the Bible: Can we believe the Bible? What was Jesus’ mission? What is sin? Does hell exist? Is anyone beyond God’s forgiveness? In A Jesuit Off-Brodway, James Martin, SJ, answers these questions about the Bible, and other big questions about life, as he serves as a theological advisor to the cast of The Last Days of Judas Iscariot. Grab a front-row seat to Fr. Martin's six months with the LAByrinth Theater Company and see first-hand what it's like to share the faith with a largely secular group of people . . . and discover, along with Martin, that the sacred and the secular aren't always that far apart.
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women's drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities.
A survey of Jesuit schools and universities across Europe from 1548 to 1773 by Paul F. Grendler. The article discusses organization, curriculum, pedagogy, enrollments, and relations with civil authorities with examples from France, Germany, Austria, Italy, Portugal, Spain, and eastern Europe.
This book tells the story of the Jesuit mission to Cluj, Transylvania (now Romania) from 1693, when the Jesuits were allowed to return after almost a century of restricted activity in the region, until 1773, when the order was suppressed. During these eight decades the Jesuits created a complex, multi-faceted community whose impact reached throughout Transylvania and beyond into neighbouring regions. In addition to an ongoing missionary program in this predominantly non-Catholic region, the Jesuits established a cluster of schools and a university that trained the elite, introduced Baroque architecture, music and literature, and became the masters of extensive properties. The Jesuits' schools staged dramas in several languages, their printing press produced a wide range of publications, including a Hungarian 'ABC for Girls' and a catechism in Ukrainian, and Jesuit scientists, including Miksa Hell, later Court Astronomer in Vienna, conducted experiments and observations. Among the unique features of this study are the accounts of how Jesuits sought to impose social conformity on the ethnically and religiously diverse community, the Jesuits' project to develop a 'Uniate Church' that would retain the Eastern Rite while acknowledging the authority of Rome, and the story of the long-forgotten Jesuit 'brothers', who contributed their talents as craftsmen and artists to the Jesuit enterprise. A chapter is devoted to the ill-fated 1743 mission to Moldavia, in which Transylvanian Jesuits hoped to establish a missionary and educational outpost in this Ottoman-dominated principality. Special attention is given to Jesuit interactions with the many minority groups present in Cluj: Armenians, Jews, Roma (Gypsies), and German speaking 'Saxons', as well as encounters with ethnic Romanians, who made up the majority of the population of Transylvania and among whom the Uniate Church was promoted. Cluj, a city where the cultures of Eastern and Western Europe meet, represented the furthermost penetration into Orthodox Europe of the Baroque aesthetic and of the domination of the Habsburgs, supported and glorified by the Jesuits. The successes and failures of this religious order helped shape the history of the region for the next two centuries.
Recent years have seen scholars in a wide range of disciplines re-evaluate the history of the Society of Jesus. In 1997, a group of scholars convened a major international conference to discuss the world of the Jesuits between 1540 and 1773 (the year of its suppression by papal edict). This meeting led to the creation of the first volume in this series, The Jesuits, which examined the worldwide Jesuit undertaking in such fields as music, art, architecture, devotional writing, mathematics, physics, astronomy, natural history, public performance, and education, with special attention to the Jesuits' interaction with non-European cultures. This second volume, following a second conference in 2002, continues in a similar path as its predecessor, complementing the regional coverage with contributions on the Flemish and Iberian provinces, on the missions in Japan, and in post-Suppression Russia and the United States. The performing arts, like theatre and music, are broadly treated, and, in addition to continued attention to painting and architecture, the volume contains essays on a range of objets d'art, including statuary, reliquaries, and alter pieces - as well as on gardens, mechanical clocks, and related automata. Other themes include finances, natural theology, censorship within the Jesuit order, and the Society's relationship to women. Perhaps most important, the volume gives particular attention to the eighteenth century, the 'age of disasters' for the Jesuits - the negative papal ruling on Chinese Rites, the destruction the of Paraguay Reductions, and the suppressions of the order that began in Portugal and that culminated in the general Suppression of 1773. With contributions from distinguished scholars from a dozen different countries, The Jesuits, II continues in the illustrious tradition of its predecessor to make an important contribution to religious memory.