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When Jessica and Elizabeth befriend a retired actress, they not only learn about acting themselves, but convince the actress to return to acting. Sweet Valley Twins #32.
Discusses theater jobs on and off stage, including directors, designers, and choreographers.
Part dialogue, part narrative, part playscript, this unique book contains the award-winning play Jessica, as well as the extraordinary story of its making.
"Lush and lavish, Sing Me Forgotten hit all the right notes." —Erin A. Craig, New York Times bestselling author of House of Salt and Sorrow "A deliciously magical feminist twist on the beloved classic The Phantom of the Opera." —Kester Grant, Sunday Times bestselling author of The Court of Miracles Isda does not exist. At least not beyond the opulent walls of the opera house. Cast into a well at birth for being one of the magical few who can manipulate memories when people sing, she was saved by Cyril, the opera house’s owner. Since that day, he has given her sanctuary from the murderous world outside. All he asks in return is that she use her power to keep ticket sales high—and that she stay out of sight. For if anyone discovers she survived, Isda and Cyril would pay with their lives. But Isda breaks Cyril’s cardinal rule when she meets Emeric Rodin, a charming boy who throws her quiet, solitary life out of balance. His voice is unlike any she’s ever heard, but the real shock comes when she finds in his memories hints of a way to finally break free of her gilded prison. Haunted by this possibility, Isda spends more and more time with Emeric, searching for answers in his music and his past. But the price of freedom is steeper than Isda could ever know. For even as she struggles with her growing feelings for Emeric, she learns that in order to take charge of her own destiny, she must become the monster the world tried to drown in the first place. "Enchanting, lush, and decadent." —Adalyn Grace, author of All the Stars and Teeth Also by Jessica S. Olson: A Forgery of Roses
The New York Times bestselling, groundbreaking manifesto on the critical school years when parents must learn to allow their children to experience the disappointment and frustration that occur from life’s inevitable problems so that they can grow up to be successful, resilient, and self-reliant adults Modern parenting is defined by an unprecedented level of overprotectiveness: parents who rush to school at the whim of a phone call to deliver forgotten assignments, who challenge teachers on report card disappointments, mastermind children’s friendships, and interfere on the playing field. As teacher and writer Jessica Lahey explains, even though these parents see themselves as being highly responsive to their children’s well being, they aren’t giving them the chance to experience failure—or the opportunity to learn to solve their own problems. Overparenting has the potential to ruin a child’s confidence and undermine their education, Lahey reminds us. Teachers don’t just teach reading, writing, and arithmetic. They teach responsibility, organization, manners, restraint, and foresight—important life skills children carry with them long after they leave the classroom. Providing a path toward solutions, Lahey lays out a blueprint with targeted advice for handling homework, report cards, social dynamics, and sports. Most importantly, she sets forth a plan to help parents learn to step back and embrace their children’s failures. Hard-hitting yet warm and wise, The Gift of Failure is essential reading for parents, educators, and psychologists nationwide who want to help children succeed.
A Finalist for the 2019 National Book Critics Circle Award in Autobiography "Deliciously bizarre and utterly American.…[A] Coen brothers movie come to life.…I couldn't put it down." —Caitlin Doughty, best-selling author of Smoke Gets in Your Eyes and Will My Cat Eat My Eyeballs? Sounds Like Titanic tells the unforgettable story of how Jessica Chiccehitto Hindman became a fake violinist. Struggling to pay her college tuition, Hindman accepts a dream position in an award-winning ensemble that brings ready money. But the ensemble is a sham. When the group performs, the microphones are off while the music—which sounds suspiciously like the soundtrack to the movie Titanic—blares from a hidden CD player. Hindman, who toured with the ensemble and its peculiar Composer for four years, writes with unflinching candor and humor about her surreal and quietly devastating odyssey. Sounds Like Titanic is at once a singular coming-of-age memoir about the lengths to which one woman goes to make ends meet and an incisive articulation of modern anxieties about gender, class, and ambition.
A 2019 Schneider Family Book Award Winner Based on a real-life partnership, the heartening story of the love and teamwork between a girl and her service dog will illuminate and inspire. Rescue thought he’d grow up to be a Seeing Eye dog — it’s the family business, after all. When he gets the news that he’s better suited to being a service dog, he’s worried that he’s not up to the task. Then he meets Jessica, a girl whose life is turning out differently than the way she'd imagined it, too. Now Jessica needs Rescue by her side to help her accomplish everyday tasks. And it turns out that Rescue can help Jessica see after all: a way forward, together, one step at a time. An endnote from the authors tells more about the training and extraordinary abilities of service dogs, particularly their real-life best friend and black lab, Rescue.
Fiction. Women's Studies. LGBTQIA Studies. A young girl sets out to paint a portrait of her sexual identity and her artistic ability. She wants to be loved. And she wants to be a writer. And she wants to be you. She wants to see you in her. She wants a chorus. A huge chorus balanced on bleachers, like the ones on late night public television every December 22-27th. She wants lots of women and a few men in colorful tunics singing different parts of the same song. She wants to build something with you, about her, for them. They can have it. And when they ask you what it is, tell them it's something sturdy. And something powerful. Complete. Like a dresser. "Jessica Anne's A MANUAL FOR NOTHING is so the book we need (I need) right now. A k�nstlerroman for the twenty-first century: A Portrait of the Artist as (Jessica Anne). The World According to (Jessica Anne). Remembrance of Lost (Jessica Anne). The Sorrows of Young (Jessica Anne). Look Homeward, (Jessica Anne). Adios, boy artists. With Patti LuPone as a spirit guide, A MANUAL FOR NOTHING is a k�nstlerroman for and about girl artists and women artists and performance artists who want to be writer artists. A k�nstlerroman for all those who know the predatory mentor whose name 'starts with a G-r and ends with an egg' and still kinda- sorta-hafta question what it even means to be a feminist. A k�nstlerroman for the silent ballerinas with perfect first positions but mute first persons. A MANUAL FOR NOTHING is a k�nstlerroman for you, girl."--Kelcey Parker Ervick
The author of The Africa Cookbook presents a history of the African Diaspora on two continents, tracing the evolution of culturally representative foods ranging from chitlins and ham hocks to fried chicken and vegan soul.
Though Jessica Todd Harper (born 1975) uses a camera rather than a paintbrush, the viewer quickly senses in her images the familiar canvases of Sargent, Whistler and Vermeer. Harper's naturalistic images pause or recreate real life for the camera; the play between the often-formal environment and her subjects--intimately portrayed family members--creates images that seem at once intimate and artificial. Her latest collection is thus aptly called The Home Stage, a double entendre that references the home-bound lifestyle of families with small children as well as the idea that home is the stage on which children first learn to live. With her elegant compositions, unique color palette and skillful handling of light, Harper transforms every room and yard into a stage set. No detail is left untouched by her eye: even the wallpaper that recedes into darkness bears symbolic significance. Somehow both private and universal, Harper's photography is genuine, tender, uninhibited and, at times, humorous, demonstrating the emotional range of the finest actor and director and drawing strong performances from her supporting cast--her husband, her children, her sister, extended family and friends. Harper's photographs have been reviewed in The New Yorker, Photo District News, Camera Austria, the Frankfurter Allgemeine Zeitung and other publications, and she has taught at the International Center of Photography and Swarthmore College. She lives in Philadelphia.