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Eight-year old Jesse Hall and his pregnant mother move to the "Eden of America," a small rural town in Ohio, to escape an abusive father addicted to gambling and alcohol.There, Jesse is bullied by the most popular school kid, denied a church experience by a self-righteous preacher, and threatened with foster care by a well-meaning social worker.Can Jesse fulfill his dream of a normal family with his own parents and brothers and sisters? See what he does with the help of a fatherless eight-year old girl, the lovely Five and Dime clerk, and a mummified corpse.
“I first met Jesse Ed Davis in the late ’80s. . . . [He was a] gentle yet intensely present giant who was a legend of an artist. . . . In Washita Love Child, Jesse Ed Davis is resurrected in story.” —Joy Harjo, from the foreword No one played like Jesse Ed Davis. One of the most sought-after guitarists of the late 1960s and ’70s, Davis appeared alongside the era’s greatest stars—John Lennon and Mick Jagger, B.B. King and Bob Dylan—and contributed to dozens of major releases, including numerous top-ten albums and singles, and records by artists as distinct as Johnny Cash, Taj Mahal, and Cher. But Davis, whose name has nearly disappeared from the annals of rock and roll history, was more than just the most versatile session guitarist of the decade. A multitalented musician who paired bright flourishes with soulful melodies, Davis transformed our idea of what rock music could be and, crucially, who could make it. At a time when few other Indigenous artists appeared on concert stages, radio waves, or record store walls, in a century often depicted as a period of decline for Native Americans, Davis and his Kiowa, Comanche, Cheyenne, Seminole, and Mvskoke relatives demonstrated new possibilities for Native people. Weaving together more than a hundred interviews with Davis’s bandmates, family members, friends, and peers—among them Jackson Browne, Bonnie Raitt, and Robbie Robertson—Washita Love Child powerfully reconstructs Davis’s extraordinary life and career, taking us from his childhood in Oklahoma to his first major gig backing rockabilly star Conway Twitty, and from his dramatic performance at George Harrison’s 1971 Concert for Bangladesh to his years with John Trudell and the Grafitti Man band. In Davis’s story, a post-Beatles Lennon especially emerges as a kindred soul and creative partner. Yet Davis never fully recovered from Lennon’s sudden passing, meeting his own tragic demise just eight years later. With a foreword by former poet laureate Joy Harjo, who collaborated with Davis near the end of his life, Washita Love Child thoroughly and finally restores the “red dirt boogie brother” to his rightful place in rock history, cementing his legacy for generations to come.
In this futuristic novel, John Seeger accidentally travels from 1986 to 2076 and lands in a revolutionary society where he soon manages to blend in with the utopian lifestyle. Seeger eventually discovers that past influences have left all the intelligent life forms of the local universe converted into euphoric machines. Jeso, a euphoric robot housing a human mind, has a grand plan to spread his Hedonistic Expansion crusade over the vast Local Group of galaxies via his vintage spacecraft, La Cielo, built three millenniums ago. Seeger realizes that robots have the capability to devour and reconstruct cities and microbots can take over anyone's emotions in this strange new world where money and property are of no value. After he falls in love with a beautiful woman, Mahea, Seeger inadvertently changes the course of his future in a perfect world as he uncovers a deep secret. Meanwhile, Seeger's beloved sister, Kayla, is still living in 1986, trapped in a bad marriage and in failing health, and Seeger must choose between returning to his former world or moving on with his new life. Jeso and Seeger's paths eventually converge and take them on a collision course that, in the end, will decide the future of their universe.
The legion of fans who refuse to believe that Elvis Presley died August 16, 1977 has been a major force behind the ever-expanding, elusive, and enduring Elvis myth during the past seventeen years. This network of fervent true believers engages in activities that include a melange of sightings and conspiracy theories. Mass media coverage of these phenomena has evolved from the underground grass-roots level to widespread publicity with social, religious, commercial, and ideological underpinnings. In True Disbelievers, R. Serge Denisoff and George Plasketes examine the implications of various accounts and several perspectives on Elvis Presley's death and transfiguration. Denisoff and Plasketes also analyze the various media that those who doubt Elvis's death use to popularize their positions, including television, magazines, and books. They review the work of others who have written on the subject, such as Gail Brewer-Giorgio and Major Bill Smith, and raise provocative, yet valid questions about the phenomenon they describe. True Disbelievers takes a pointed look at the music industry as well, and how it has used and commercially benefitted by the continuing belief that Elvis lives. They examine common strands in the many reports of Elvis sightings since Presley's reported death. Denisoff and Plasketes describe the Elvis phenomenon in serious, objective as well as empathetic terms, placing it in the context of studies of cult figures and their followers. True Disbelievers contains a great deal of fascinating information about America's popular culture and the power and influence of the media in modern society. It will be of significant interest to communication studiesscholars,sociologists,professionals in the music and media industries, and those interested in popular culture.
One night. Two sides of a story. In multi-perspective storytelling filled with humanity and empathy, Exposure forces readers to reckon with conflicting truths that are not easily reduced to right or wrong. In 2004, Juliette Marker, a white college freshman, and Noah King, a Black high school senior, are two lonely souls who enter each other’s orbit, forge a connection, and go home together after a night out. Twelve years later, Noah has done the impossible and made it in Hollywood. His first film is about to be released, and he and his beloved wife Jesse, a successful writer herself, have just had a baby. Meanwhile, Juliette’s best friend Annie is back in LA for the first time in more than a decade, and makes a startling discovery about Juliette that will threaten to blow up the life Noah has struggled to build. Spanning decades, from LA to Chicago, and told through Annie, Juliette, Noah, and Jesse’s perspectives, this powerful, provocative novel delves into one fateful night and the people affected by it, exploring how race, artistic ambition, and grief expose different versions of the same story.
Bestselling author Katie McGarry’s trademark wrong-side-of-the-tracks romance is given a new twist in the gritty YA contemporary novel, Only a Breath Apart. They say your destiny is carved in stone. But some destinies are meant to be broken. The only curse Jesse Lachlin believes in is his grandmother’s will: in order to inherit his family farm he must win the approval of his childhood best friend, the girl he froze out his freshman year. A fortuneteller tells Scarlett she's psychic, but what is real is Scarlett’s father’s controlling attitude and the dark secrets at home. She may be able to escape, but only if she can rely on the one boy who broke her heart. Each midnight meeting pushes Jesse and Scarlett to confront their secrets and their feelings, but as love blooms, the curse rears its ugly head... "A gorgeous, heartfelt journey of redemption and love." —New York Times bestselling author Wendy Higgins "Gritty and real, Only a Breath Apart is a story of hope conjured from pain, strength drawn from innocence, and love earned from self-respect. Beautiful, poignant, and fierce.”—Kristen Simmons, critically acclaimed author of the Article 5 series At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Practice makes perfect. Everyone at Hundred Oaks High knows that career mentoring day is a joke. So when Maya said she wanted to be a rock star, she never imagined she'd get to shadow the Jesse Scott, Nashville's teen idol. But spending the day with Jesse is far from a dream come true. He's as gorgeous as his music, but seeing all that he's accomplished is just a reminder of everything Maya's lost: her trust, her boyfriend, their band, and any chance to play the music she craves. Not to mention that Jesse's pushy and opinionated. He made it on his own, and he thinks Maya's playing back up to other people's dreams. Does she have what it takes to follow her heart—and go solo? Praise for Miranda Kenneally's Breathe, Annie, Breathe: "[An] expertly paced and realistic romance."—Booklist, starred review "Heartfelt, uplifting, and quite possibly enough motivation to make readers reach for their running shoes." —Publisher's Weekly "Breathe, Annie, Breathe is an emotional, heartfelt, and beautiful story about finding yourself after loss and learning to love. Her best book yet." —Jennifer L. Armentrout, New York Times bestselling author of Wait for You
Behind the roaring crowds and the billion-dollar record deals are tales of solitude, anger, and depression. Readers are about to unearth these stories as author Les MacDonald brings nostalgia to every bookshelf with The Day the Music Died, his newly released book published through Xlibris. The Day the Music Died is a well-researched documentation of the different true stories of the persons whose names are forever etched in the history of music. Throughout, readers will get an intimate look into the deaths of Wolfgang Amadeus Mozart, Elvis Presley, Brian Jones, Bob Marley, John Lennon, George Harrison, Tupac Shakur, Nirvanas Kurt Cobain, Selena, Michael Jackson, and many more. As each of these artists permanently faded from the limelight, a new testimonial will be created to prove that their music lives on. While some of our favorites may have lost their way at some point during their lifetimes, we must remember that there is one thing that the passage of time cannot erase . . . and that, my friends, is the music! shares the author.
The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "rehearsal band" scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.