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In his film work, Jesper Just links images of an exceptional qua­lity to sound and music. Enigmas disrupt the narrative, creating a poetry-liberating tension. The artist leaves spectators with their own doubts and emotions. The work conceived for the Palais de Tokyo consists of an audiovisual installation and a spatial inter­vention, which transforms both the space and the visitor’s journey. The One World Trade Center, an iconic and controversial skyscra­per, is as much the scene of the films, as a character in itself. It functions as a phantom limb, while also standing for resilience. The films follow two characters: a young girl, who is not an individual but embodies the ideals of youth and feminity conveyed today, and a disabled child. The characters mirror, oppose and interact, to explore themes of ableism and agency as well as the boundaries of body and selfhood. Book contents - “Servitudes”: Jesper Just in conversation with Katell Jaffrès, curator of Jesper Just’s exhibition at the Palais de Tokyo - “In The Doubling of Dreams”: an essay by Fabien Danesi on Jesper Just’s film work - Notes on a selection of the artist’s films About the authors - Fabien Danesi is an art historian. He’s managing the programme of the Pavillon Neuflize OBC, the research lab of the Palais de Tokyo. - Katell Jaffrès is a curator at the Palais de Tokyo. Published on the occasion of Jesper Just’s solo exhibition at the Palais de Tokyo, “Servitudes”, 24.06 2015 – 13.09 2015
Dorian Gaudin focuses on the interplay of correspondences between the organic, psychical, and material worlds. Combining performance, sculpture and cinema, his oeuvre moves back and forth between automation and living systems. He mobilizes, dislocates, and mechanizes in an amalgamation of genres: absurdist theater, science fiction cinema, burlesque and Minimalism. In his exhibition at the Palais de Tokyo machines and social rituals, visual illusion and physical presence set in motion a mechanism which is also that of the emotions. Revealing the capacity of objects to generate narrative and elicit our emotional and intellectual involvement, his works remind us of the way fetishization of objects and technology governs our relationship with the world. Book Contents - “Incomparable Theatre”: The Splendid Ambiguity of Dorian Gaudin’s Machines” an essay by Kate Sutton - “The Mechanism of the Emotions”: interview between Dorian Gaudin and Julien Fronsacq About the authors - Kate Sutton is a writer currently based in Zagreb. In addition to writing articles and reviews for magazines including Artforum, Bidoun, Frieze, Ibraaz, and LEAP, Sutton is a regular contributor to Artforum.com. In 2013, she was recognized with an Art Writers Grant from the Andy Warhol Foundation. - Julien Fronsacq is a curator at the Palais de Tokyo. He curated Dorian Gaudin’s solo show. A book published on the occasion of Dorian Gaudin’s solo show at the Palais de Tokyo, 03.02 – 08.05 2017
Julien Creuzet is an artist, videographer, performer and poet. He links forgotten, minority histories and imaginary representations of distant places with the social realities of the here and now. His exhibition at the Palais de Tokyo, which visit is rhythmed by a soundtrack composed specifically for it, takes the form of an immersive environment akin to a large public space suffused with the permanent state of tension that characterizes our era. It presents a multiplicity of different works and offers an array of disjointed narratives. Preferring anachronism to the linearity of established stories, Creuzet thus invokes poetry and politics to unfold a mobile imaginary that brings together different temporalities and geographies. Book contents - “An Interview or Not,” interview between Julien Creuzet and Yoann Gourmel - “Flashing Light-Elegy,” by Eva Barois De Caevel and Dorothée Dupuis. About the authors - Eva Barois De Caevel is an independent curator. She is in charge of publications at RAW Material Company—Center for Art Knowledge and Society (Dakar). - Dorothée Dupuis is an independent curator, art critic and publisher. She is the founder and editor in chief of the magazine Terremoto.mx. - Yoann Gourmel is a curator at the Palais de Tokyo. He curated Julien Creuzet’s solo show. A book published on the occasion of Julien Creuzet’s solo show at the Palais de Tokyo, 20.02 – 12.05.2019
From a background rich in literature and the history of arts and architecture—as well as psychoanalysis, spiritism and magic—Ulla von Brandenburg explores the shaping of our social constructs with borrowings from theatrical codes and mechanisms, together with esoteric rituals and popular ceremonies. For her exhibition at the Palais de Tokyo she has conceived a total, constantly evolving project inspired by the theatre, its imaginary realm and its conventions. With ritual as her starting point, she invites the public to experience an immersive reinterpretation of the themes, forms and motifs—including movement, the stage, colour, music and textiles—that fuel her oeuvre. Book published on the occasion of Ulla von Brandenburg’s solo exhibition at the Palais de Tokyo, 21.02 – 13.09.2020
Political, poetic, committed, profound: Jean-Michel Alberola’s oeuvre is an artist’s reaction to reality, human feelings and the state of the world. His exhibition at the Palais de Tokyo triggers a voyage that stimulates the eye and the mind as it maps the underappreciated diversity of his work. Associating bodily and geographical fragments with ambiguous statements and injunctions, this major and utterly distinctive figure on the French art scene shapes rebuses that challenge both our way of seeing and the role of art in society. And yet, in its intermingling of artistic speculation and political questioning, and of conceptualism, abstraction and figuration, Alberola’s unique, hard-hitting oeuvre is never without its touch of humour. Book contents - “Adding Up the Details: Chapter 1”: A text by Jean-Michel Alberola. - “The Crossing and the Passeur”: A conversation between Jean-Michel Alberola and Katell Jaffrès, curator of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo. - “He Who is Taking Himself by Surprise”: An essay by Dominique Païni. About the authors - Katell Jaffrès is a curator at the Palais de Tokyo. - Dominique Païni is a critic, a writer and a curator. He has written numerous publications focusing on the connection between cinema and fine arts. Book published on the occasion of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo, “L’Aventure des détails” 19.02 – 16.05 2016
In their works, mingling colours, light, mass and illusions, Florian and Michael Quistrebert play back the main motifs of modern art, while perverting them, through a particular approach to matter. At the Palais de Tokyo, they are deploying a vast optical theatre in which experience of their paintings and videos is disturbed by the glittering and internal motions of objects. The Quistrebert brothers’ ambiguous pieces evoke the impossibility of grasping a painting. Their pictures are never what they show or, rather, never stabilize themselves around their subjects. The artists explore perception by handling it in various ways, which can be intellectual, optical, symbolic or else occult. Book contents - “Trance, Meditation, Madness”: An essay by Khairudin Hori, cocurator of Florian & Michael Quistrebert’s solo show at the Palais de Tokyo. - “Turbulent Infinities”: An essay by Hugo Vitrani, cocurator of Florian & Michael Quistrebert’s solo show at the Palais de Tokyo. - “The Substance of Painting is Light”: A conversation between Florian & Michael Quistrebert and Mara Hoberman. - Notes on a selection of the artists’s works. About the authors: - Khairuddin Hori is the deputy director of artistic programmes at the Palais de Tokyo. - Hugo Vitrani contributes to Mediapart and Beaux-Arts Magazine. He is the curator of the Palais de Tokyo’s urban art programme. - Mara Hoberman is a freelance curator and a writer. Book published on the occasion of Florian & Michael Quistrebert’s solo exhibition at the Palais de Tokyo, “The Light of the Light,” 19.02 – 16.05 2016
Myths, fantasies and speculations lie at the heart of Marguerite Humeau’s work. Always treading the line between research and fiction, her projects result from in-depth investigations and collaborations with specialists and scientists. At the Palais de Tokyo and Nottingham Contemporary, Humeau is offering a series of unique physical and sensory experiences. Her exhibition FOXP2 is named for the gene whose mutation enabled the arrival of articulate language at the source of our humanity. Here the artist is re-enacting the origins of life and the development of conscious life forms. Imagining a world where giant elephants dominate the planet, Humeau has artificially designed creatures endowed with emotions and consciousness. Book Contents - A conversation between Marguerite Humeau and Bernard Buigues. - A conversation between Marguerite Humeau and Carl Safina. - “Who Knows?”: an essay by Rebecca Lamarche-Vadel, curator of Marguerite Humeau’s solo exhibition. About the authors - Rebecca Lamarche-Vadel is a curator at the Palais de Tokyo. - Bernard Buigues is a French explorer. He has organized numerous expeditions to the North Pole and Siberia. He is the founder of Mammuthus, a scientific program aimed at -constructing a record of paleobiodiversity through the collection and preservation of fossils throughout the Siberian Arctic. He defines himself as “a mammoth hunter without weapon.” - Carl Safina is the Endowed Professor for Nature and Humanity at Stony Brook University (NY), where he co-chairs the Alan Alda Center for Communicating Science and runs the not-for-profit Safina Center. His books include Beyond Words; What Animals Think and Feel (2015). This book is co-published with Nottingham Contemporary. Published on the occasion of Marguerite Humeau’s solo exhibitions at the Palais de Tokyo (23.06 – 11.09 2016) and at Nottingham Contemporary (15.10 2016 – 08.01 2017).
Jesper Jinx is eleven, and probably the unluckiest person in all of Puffington Hill. Everything he touches seems to end up in sweet disaster. Hence his nickname 'Jinx'. Every great hero needs a sidekick who's ready to laugh at their silly antics. And Oliver has been just that for Jesper on countless pranks since the day they were born. But now Jesper's sister Melinda has set her sights on Oliver and even worse, he doesn't seem to mind. Add to this horrible dilemma the fact that there is a heatwave in Puffington Hill. The air is now so hot that birds are falling from the trees and grandpas and grandmas are forced to wear bikinis. It all adds up to sweet disaster for Jesper. How far is he willing to go to save his friendship with Oliver?