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It all started out as a thesis project, but, once Devon dug deep into the myths of the dragon man, he discovered truths that he wishes he had left alone! Devon's quest has, literally, awakened a sleeping monster and now this young man comes face-to-face with the Creeper! What horrors will this immortal demon wreak? Does Devon have even a chance to survive?
The Secret History of the Creeper continues! Over the centuries, the immortal monster has left a path of misery, despair, and death and as our intrepid researcher Devon uncovers more and more, the Creeper gets angrier and angrier.
As Devon dives into his research on the mythical "Creeper", he has no idea how long this evil has existed! Will he uncover the true history of the seemingly immortal monster before the Creeper finds him? Plus: The Aztec Empire!?!?
Grad student Devin Toulson is writing his dream thesis on Myths in American History, but when his research takes him on a journey reaching back centuries, Devin finds something horrifying. Something that crosses cultures, locations, and eras. Something that returns for a bloody feeding every 23 years. Will this young man's investigation uncover simply an urban legend or will he come face to face with an immortal monster that has terrorized humanity from the shadows since man first walked the country?
Here are over 40 scary, hair-raising, and frightening stories of the supernatural and the paranormal. These are first-person narratives that are unexplained and possibly inexplicable. All of them have been reported to John Robert Colombo, Canada’s Master Gatherer of the Arcane, by men and women from various parts of the country, and they’re published here in the words of the informants themselves, the witnesses to these wonders. Here, you will have the opportunity to read about: A woman from Ottawa who is visited nightly by her dead husband. A man from Quebec who is haunted by visions of the past. The couple from Regina, Saskatchewan, who commune with spirits through a Ouija board. The woman from Newcastle, Ontario, who finds the house of her dreams with a terrible secret.
Jennifer Blood is a suburban wife and mom by day - and a ruthless vigilante by night! Every day she makes breakfast, takes the kids to school, cleans the house, naps for an hour or two, makes dinner, puts the kids to bed, and kisses her husband goodnight. This suburban punisher is ready to be unleashed in a story that can only be told by the legendary Garth Ennis.
The perfect concise guide to the formal analysis of film. Designed to be used by readers at many levels of knowledge, this book moves systematically through the elements that make up most films, focusing on aspects of the art of cinema that are common across history and national cinemas. From form and narrative to mise-en-scène and cinematography to editing and sound, Robert Spadoni introduces and explains the principles and conventions of film in engaging, straightforward language. In addition to illustrating film techniques with almost 200 images—most of them in color—the book explains ways to find patterns and meaning in films through such concepts as motifs, development, and motivation. Thumbnail readings of exemplary films further lay out the essentials of formal analysis. Film illustrations include frame enlargements from Stagecoach, Psycho, Jeepers Creepers, Persepolis, Groundhog Day, Take Shelter, and more. Modestly priced and packed with images, A Pocket Guide to Analyzing Films is ideal for students in a wide range of film courses who are looking for an easy-to-read guide to film analysis to accompany and enhance their course materials.
Mike Myers thinks he was “a genius”, while John Cleese regards him as “a true cultural icon”. He was an architect of British comedy, paving the way for Monty Python, and then became a major Hollywood star, forever remembered as Igor in Mel Brooks’ Young Frankenstein. A writer, director, performer and true pioneer of his art, he died aged only 48. His name was Marty Feldman, and here, at last, is the first ever biography. Acclaimed author Robert Ross has interviewed Marty’s friends and family, including his sister Pamela, Tim Brooke-Taylor, Michael Palin and Terry Jones, and also draws from extensive, previously unpublished and often hilarious interviews with Marty himself, taped in preparation for the autobiography he never wrote. No one before or since has had a career quite like Marty’s. Beginning in the dying days of variety theatre, he went from the behind the scenes scriptwriting triumphs of Round the Horne andThe Frost Report to onscreen stardom in At Last the 1948 Show and his own hit series Marty. That led to transatlantic success, his work with Mel Brooks, and a five-picture deal to write and direct his own movies. From his youth as a tramp on the streets of London, to the height of his fame in America – where he encountered everyone from Orson Welles to Kermit the Frog, before his Hollywood dream became a nightmare – this is the fascinating story of a key figure in the history of comedy, told in full for the first time.
This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. This sub-genre designates horror crafted by directors/producers who identify as gay, bi, queer or transgendered, or works like Jeepers Creepers (2001), Let the Right One In (2008), Hannibal (2013–15), or American Horror Story: Coven (2013–14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.
Eddie doesn't like to read but finds himself spending lots of time reading with the library volunteer, Grandpa Vamps. Could Eddie be under the spell of a vampire disguised as Grandpa Vamps?