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An historical biography of fifteenth-century saint and national heroine of France, Joan of Arc, that relies on the letters and testimony given at her trial.
Compiled and translated by Willard Trask, with an historical afterword by Sir Edward Creasy.
"Jeanne is a young woman from rural France. She's a knight who wears men's clothing. The English call her Joan of Arc. Jeanne has led France to victory in epic battles. She hears ghostly voices and has unspeakable desires. The English want to burn her. Her king has abandoned her. Her heart has been broken. Her heart cannot be burnt. This is her story, and the story of her beloved. Ali Alizadeh's novel The Last Days of Jeanne d'Arc is a provocative new portrait of the life of one of history's most fascinating figures. Countless books have been written about the young Frenchwoman who claimed to hear the voices of saints, led the armies of France in the war against England in the Middle Ages, and was captured and burnt for heresy by her enemies. Based on a rigorous study of the historical material, The Last Days of Jeanne d'Arc provides the first serious dramatisation of Jeanne's sexuality. Alizadeh uses an innovative storytelling technique that weaves together multiple narrative perspectives to tell the story of a courageous young woman who, driven by a passion for justice and forbidden desire, changes the course of Western history."
In a distinguished English translation, the bestselling French book now considered the standard biography of Joan published just in time for the upcoming film by Luc Besson.
First published in 1931, this is the first unabridged English translation of the documents pertaining to the trial of Joan of Arc. The basis of the translation is drawn from an edition of the text published in 1841 by Jules Quicherat, but elements are also derived from a number of the manuscripts originally translated into Latin. As notes were taken daily by several scribes, the text provides important insight into the trial, its chronology and its major players, as well as Joan’s character and intellect. With a detailed introduction and beautiful illustrations, this is a fascinating reissue that will be of value to students of medieval history, particularly those with an interest in medieval hagiography, heresy during the fourteenth century, ecclesiastical law and the practice of Church courts.
FROM Neufch‰teau to Vaucouleurs the clear waters of the Meuse flow freely between banks covered with rows of poplar trees and low bushes of alder and willow. Now they wind in sudden bends, now in gradual curves, for ever breaking up into narrow streams, and then the threads of greenish waters gather together again, or here and there are suddenly lost to sight underground. In the summer the river is a lazy stream, barely bending in its course the reeds which grow upon its shallow bed; and from the bank one may watch its lapping waters kept back by clumps of rushes scarcely covering a little sand and moss. But in the season of heavy rains, swollen by sudden torrents, deeper and more rapid, as it rushes along, it leaves behind it on the banks a kind of dew, which rises in pools of clear water on a level with the grass of the valley. This valley, two or three miles broad, stretches unbroken between low hills, softly undulating, crowned with oaks, maples, and birches. Although strewn with wild-flowers in the spring, it looks severe, grave, and sometimes even sad. The green grass imparts to it a monotony like that of stagnant water. Even on fine days one is conscious of a hard, cold climate. The sky seems more genial than the earth. It beams upon it with a tearful smile; it constitutes all the movement, the grace, the exquisite charm of this delicate tranquil landscape. Then when winter comes the sky merges with the earth in a kind of chaos. Fogs come down thick and clinging. The white light mists, which in summer veil the bottom of the valley, give place to thick clouds and dark moving mountains, but slowly scattered by a red, cold sun. Wanderers ranging the uplands in the early morning might dream with the mystics in their ecstasy that they are walking on clouds. Thus, after having passed on the left the wooded plateau, from the height of which the ch‰teau of BourlŽmont dominates the valley of the Saonelle, and on the right Coussey with its old church, the winding river flows between le Bois Chesnu on the west and the hill of Julien on the east. Then on it goes, passing the adjacent villages of Domremy and Greux on the west bank and separating Greux from Maxey-sur-Meuse. Among other hamlets nestling in the hollows of the hills or rising on the high ground, it passes Burey-la-C™te, Maxey-sur-Vaise, and Burey-en-Vaux, and flows on to water the beautiful meadows of Vaucouleurs. In this little village of Domremy, situated at least seven and a half miles further down the river than Neufch‰teau and twelve and a half above Vaucouleurs, there was born, about the year 1410 or 1412, a girl who was destined to live a remarkable life. She was born poor. Her father, Jacques or Jacquot d'Arc, a native of the village of Ceffonds in Champagne, was a small farmer and himself drove his horses at the plough. His neighbours, men and women alike, held him to be a good Christian and an industrious workman. His wife came from Vouthon, a village nearly four miles northwest of Domremy, beyond the woods of Greux. Her name being Isabelle or Zabillet, she received at some time, exactly when is uncertain, the surname of RomŽe. That name was given to those who had been to Rome or on some other important pilgrimage; and it is possible that Isabelle may have acquired her name of RomŽe by assuming the pilgrim's shell and staff. One of her brothers was a parish priest, another a tiler; she had a nephew who was a carpenter. She had already borne her husband three children: Jacques or Jacquemin, Catherine, and Jean.
Joan of Arc was perhaps the most wonderful person who ever lived in the world. The story of her life is so strange that we could scarcely believe it to be true, if all that happened to her had not been told by people in a court of law, and written down by her deadly enemies, while she was still alive. She was burned to death when she was only nineteen: she was not seventeen when she first led the armies of France to victory, and delivered her country from the English.
This sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years’ War.
"A master of the story form" (The New York Times) offers a fresh, revealing portrait of the legendary saint Celebrated novelist Mary Gordon brings Joan of Arc alive as a complex figure full of contradictions and desires, as well as spiritual devotion. A humble peasant girl, Joan transformed herself into the legendary Maid of Orléans, knight, martyr, and saint. Following the voice of God, she led an army to victory and crowned the king of France, only to be captured and burned at the stake as a heretic—all by the age of nineteen. Gordon does more than tell this gripping story—she explores Joan's mystery and the many facets of her inspiring life.