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Je t'aime Je t'adore, is French for, I love you I adore you. Love lost and found, it lust that was mistaken for love. Je t'aime Je t'adore is a love story that breaks your heart because of the characters failure to put pride aside and work to fix what was broken. The book begins with the two main characters focusing so much on hurting the other although they were in love just couldn't say it anymore, fearing that it would make them look weak, or just because they were scared that the other really didn't love them. There are some aspects of the storyline that reflects on what happens in the real world, with real lovers. The book goes on to show how weak the main character really is when it comes to being hurt. The words in the book highlight a sort of self-abuse as well as mental abuse, on oneself and on each other. Je t'aime Je t'adore has so much meaning, so many emotions; the author herself structured the content of the book on her struggles with love. Her own fear concerning love is embedded into the pages. The book is ended with an understanding of 'love is where you are, love is home.' And only in the end, it is highlighted that while love was being searched for it was only left behind in the first place.
Paul Malgrati’s debut poetry collection, Poèmes Écossais, delves into history to reflect on deep connections between time zones, conquest and loss, resistance and slaughter, war and peace, love and heartbreak. The politics of the past find more than just apocalyptic echoes in the present. Malgrati is French, and this is the first ever poetry collection in Scots written by someone who is not a native speaker of either Scots or English. It’s a fluent, musical and lyrical collection of poems that touch both the mind and heart.
Originally published in 1857, "Les Fleurs du Mal" (English: The Flowers of Evil) is a volume of modernist poetry by Charles Baudelaire. The subject matter of these poems deals with themes relating to decadence and eroticism.
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Axioms is a collection of poetry written without bounds in subject, but with rigidly defined structure, something that is not often associated with prose poetry. The work has been described as reading almost akin to scripture at times, being humorous at others, and helplessly tragic--and all on the same page. Nectarhoff displays a wide, almost limitless range of styles in Axioms, and this book will inspire, enthrall, and even haunt the reader for years to come. --Axioms Ai-Aii-- Do not weep above the pyramids, for pain is in the mind, and it rests beneath the crypt. Your conjecture has been deduced to dust, and it does not sound. We understand; we simply do not care. Each of the relevant aspects has been assumed and appropriated, yet all the books in the world would be insufficient to right these wrongs, regardless of their relative merit. Even the sharpest whip is nothing unless it has been wrapped round the proper wrist. We feel no sorrow for you here, and there is no longer any hope. You may leave us now. The shape of the grain was decided long before the earth was born. Wheat and barley and rye; they’re all the same. For it is not the bread that matters, but the seed. And this seed was spilled down from the stars early in the dawn, when the sky was red and the sea was, too. The farmer does not sow the seed, although he is the reaper, for he wields the scythe that cuts the stalk. It was written long ago that he would reap what was sown, and it is by the book that the field was tilled.
'ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times 'Sparkling' The Times 'Exquisite' Daily Telegraph 'Beautiful' Observer The second novel from the critically acclaimed author of Pure - a portrait of the legendary Casanova at a turning point in his life and loves In 1763, the famed Venetian seducer Giacomo Casanova arrives in England intent on a respite from his restless travels and liaisons, but cannot long resist the lure of company or a pretty face. This time, though, it is he who falls in love, and with an elusive quarry. Here is Casanova in unfamiliar guise: thwarted, driven by his emotions and, in middle-age, forced to reassess his whole life. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A writer of very rare and outstanding gifts' Independent on Sunday 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator
Guy de Maupassant's 'The Complete Works' is a comprehensive collection that showcases the author's wide-ranging literary talents. Known for his realism and detailed character studies, Maupassant's works explore themes of human nature, society, and the complexities of everyday life. The collection includes a mix of short stories, novels, plays, poetry, and memoirs, providing readers with a rich tapestry of Maupassant's storytelling prowess. Maupassant's writing style is characterized by its clarity, conciseness, and keen observations of human behavior, making his works both accessible and thought-provoking within the literary context of the late 19th century. Readers can expect to be immersed in Maupassant's world of intricate narratives and compelling characters, making 'The Complete Works' a must-read for fans of classic literature and French realism. Guy de Maupassant's personal experiences and observations of society during his time as a civil servant in Paris influenced his writing, giving his works a unique perspective on class, gender, and morality. Through his diverse body of work, Maupassant presents a nuanced portrayal of human relationships and societal norms, inviting readers to reflect on their own experiences and values. I highly recommend 'The Complete Works' to readers who appreciate insightful storytelling, nuanced character development, and thought-provoking themes that transcend time and place.
Guy de Maupassant (1850 – 1893) was a popular French writer, considered one of the fathers of the modern short story and one of the form's finest exponents. Maupassant was a protégé of Flaubert and his stories are characterized by economy of style and efficient, effortless dénouements (outcomes). Content: Mademoiselle Fifi Ball of Fat / Boule de Suif An Adventure in Paris / Une Aventure Parisienne Madame Baptiste Rust / La Rouille Marroca / Marroca The Log / La Bûche The Relic / La Relique The Bed / Le Lit Am I Insane? / Fou? Words of Love / Mots d'Amour Two Friends / Deux Amis Christmas Eve / Nuit de Noël The Substitute / Le Remplaçant