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The Ustasha camp in Jasenovac is a sensitive historical theme, which still provokes strong political conflicts more than 70 years after the closure of the camp. During the time of the second Yugoslavia, the camp was made into a myth and one of the main levers for disciplining the society of the time. The Communist Party imposed the number of 700,000 victims and an exaggerated view of the alleged crimes and methods of killing inmates. The aim was to present itself as sole guarantor of security, because in the case of its "reigning-in", the fratricidal war would happen again, with Jasenovac as its main symbol. Before 1990, an attempt to point out the absurdity of the 700,000 alleged victims of Jasenovac entailed going to prison or compulsory psychiatric treatment. The documents referenced in this book indicate the need to continue with research of the Jasenovac camp and that in a democratic atmosphere, as far as possible, its realistic historical picture may be reached.
The fascist Ustasha regime and its militias carried out a ruthless campaign of ethnic cleansing that killed an estimated half million Serbs, Jews, and Gypsies, and ended only with the defeat of the Axis powers in World War II. In Visions of Annihilation, Rory Yeomans analyzes the Ustasha movement's use of culture to appeal to radical nationalist sentiments and legitimize its genocidal policies. He shows how the movement attempted to mobilize poets, novelists, filmmakers, visual artists, and intellectuals as purveyors of propaganda and visionaries of a utopian society. Meanwhile, newspapers, radio, and speeches called for the expulsion, persecution, or elimination of "alien" and "enemy" populations to purify the nation. He describes how the dual concepts of annihilation and national regeneration were disseminated to the wider population and how they were interpreted at the grassroots level. Yeomans examines the Ustasha movement in the context of other fascist movements in Europe. He cites their similar appeals to idealistic youth, the economically disenfranchised, racial purists, social radicals, and Catholic clericalists. Yeomans further demonstrates how fascism created rituals and practices that mimicked traditional religious faiths and celebrated martyrdom. Visions of Annihilation chronicles the foundations of the Ustasha movement, its key actors and ideologies, and reveals the unique cultural, historical, and political conditions present in interwar Croatia that led to the rise of fascism and contributed to the cataclysmic events that tore across the continent.
Pt. I (pp. 9-233) is a response to Milan Bulajić's "'Jasenovacki mit' Franje Tudmana" (1994). Pt. II (pp. 237-478) is a reply to Bulajić's response to part I. Contests the widely accepted estimate of the number of victims at Jasenovac - ca. 600-700,000. Affirms that Jasenovac was a labor camp, and that the bulk of its victims were Serbian Chetnik prisoners and postwar Croatian prisoners held by Tito. Asserts that the main sites of the perpetration of the genocide of Yugoslavia's Jews were Sajmište (near Belgrade) and other Serbian camps. States that Bulajić wrote his book in order to slander the Croats and brand them as a genocidal nation, while it is the Serbs themselves who were always antisemitic and genocidal.
Firsthand testimony of survivors and eyewitnesses dramatizes this graphic account of the crimes committed during World War II at Jasenovac, the largest death camp in Yugoslavia. Dedijer's evidence attests to thousands of atrocities and to the complicity of the Catholic Church.
A Must for anyone planning on visiting the Concentration Camps of Europe. Contains street maps showing exact directions to the sites, walking routes, road signs, bus and train information, opening hours and what remains of the camps today. Includes 45 Street Maps Over 160 Pictures Plus...many useful Websites
The true story of a boys experiences in the Jasenovac concentration camp in World War IIs Nazi puppet state of Croatia. Hidden history, unknown to Western audiences, the Jasenovac concentration camp, the so-called Balkan Auschwitz, was a place of torture and death for hundreds of thousands of Serbs, Jews, and Gypsies.
Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism. Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"—insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.