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Revised and expanded edition of Noriko Mizuta Lippit and Kyoko Iriye Selden's Stories by Contemporary Japanese Women Writers [1982]
Most Japanese literary historians have suggested that the Meiji Period (1868-1912) was devoid of women writers but for the brilliant exception of Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933). In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this with chapters on each of the women under consideration. Miyake Kaho, often regarded as the first woman writer of modern Japan, offers readers a vision of the female vitality that is often overlooked when discussing the Meiji era. Wakamatsu Shizuko, the most prominent female translator of her time, had a direct impact on the development of a modern written language for Japanese prose fiction. Shimizu Shikin reminds readers of the struggle women endured in their efforts to balance their creative interests with their social roles. Interspersed throughout are excerpts from works under discussion, most never before translated, offering an invaluable window into this forgotten world of women's writing.
After centuries of repression of the female voice in literature, the Meiji (1868-1912) and Taisho (1912-1926) periods in Japanese history saw important changes in both the way women wrote and the way they were read. However, even the most accepted female writers of these two eras were judged by criteria different from those applied to men, and only the most conservative were praised by the (male) critics. This study of the women who wrote in the modern era examines both famous and now-obscure writers within the context of their moments in time and their influence on later generations of Japanese women writers. Arranged chronologically, the book covers the pioneering women of the early Meiji period, the ethos of reactionary conservatism, the romantic movement in poetry, women writers of the naturalist school, Taisho liberalism, and the new era of literary women. An introduction outlines the various schools of Japanese female writers during the late nineteenth and early twentieth centuries, as well as the social and cultural trends that helped produce them. The text is appropriate for both well-read scholars of Japanese literature and newcomers to the works of the "fair ladies of the back chamber," as these creative and driven writers were once called.
Women have made many important contributions to Japanese literature since the Heian period (794-1192), when Murasaki Shikibu wrote her prose masterpiece, The Tale of Genji. Even earlier, though documentation is scant, women actively participated in Japanese letters as poets. This reference is a guide to the work of Japanese women writers from centuries ago to the present day. The volume includes 58 alphabetically arranged biographical and critical profiles of these women. The book profiles women writers who are considered mainstream writers in Japan and who have attracted attention in the West, chiefly through translations of their works and critical scholarship on their writings. Each entry discusses the subject's life, career, major works, and works in English translation. A bibliography concludes each article. While most of the women are poets, novelists, or authors of classical narrative fiction, the book also includes entries for premodern diarists, modern dramatists, television script writers, and movie scenario writers. An extensive bibliography and chronology conclude the volume.
This anthology introduces sixteen modern Japanese women writers spanning a century in time and a wide range of life circumstances and literary styles. No other collection offers usch a diversity of women's voices
'Women Critiqued' offers English-language readers access to some of the salient critiques that have been directed at women writers, on the one hand, and reactions to these by women writers, on the other.
The first book in English on women’s history in twentieth-century Manchuria, Resisting Manchukuo adds to a growing literature that challenges traditional understandings of Japanese colonialism. Norman Smith reveals the literary world of Japanese-occupied Manchuria (Manchukuo, 1932-45) and examines the lives, careers, and literary legacies of seven prolific Chinese women writers during the period. He shows how a complex blend of fear and freedom produced an environment in which Chinese women writers could articulate dissatisfaction with the overtly patriarchal and imperialist nature of the Japanese cultural agenda while working in close association with colonial institutions.
The first major English translation of one of contemporary Japan's bestselling and most celebrated authors From Akutagawa Award-winning author Yoko Ogawa comes a haunting trio of novellas about love, fertility, obsession, and how even the most innocent gestures may contain a hairline crack of cruel intent. A lonely teenage girl falls in love with her foster brother as she watches him leap from a high diving board into a pool--a peculiar infatuation that sends unexpected ripples through her life. A young woman records the daily moods of her pregnant sister in a diary, taking meticulous note of a pregnancy that may or may not be a hallucination--but whose hallucination is it, hers or her sister's? A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg. Hauntingly spare, beautiful, and twisted, The Diving Pool is a disquieting and at times darkly humorous collection of novellas about normal people who suddenly discover their own dark possibilities.
Becoming Modern Women: Love and Female Identity in Prewar Japanese Literature and Culture is a literary and cultural history of love and female identity in Japan during the 1910s-30s.