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The Writing Practice Book provides a step-by-step guide to writing Kana and Kanji. It is designed to give maximum flexibility to users of The Japanese Stage-Step Course and enables students to learn, practice and perfect their writing skills at their own pace. The book is divided into two parts; the first focuses on Kana and the second on Kanji. There are clear instructions on stroke order followed by tracing exercises and plenty of boxes are provided for additional practice. Kanji are gradually introduced in sets and are accompanied by the Japanese readings, examples of usage and radicals.
The Writing Practice Book provides a step-by-step guide to writing Kana and Kanji. It is designed to give maximum flexibility to users of The Japanese Stage-Step Course and enables students to learn, practice and perfect their writing skills at their own pace. The book is divided into two parts; the first focuses on Kana and the second on Kanji. There are clear instructions on stroke order followed by tracing exercises and plenty of boxes are provided for additional practice. Kanji are gradually introduced in sets and are accompanied by the Japanese readings, examples of usage and radicals.
This bundle includes all elements for year 1: The Grammar Textbook, Workbook 1 and CD1.
This bundle includes all elements for year 1: The Grammar Textbook, Workbook 1 and CD1 plus the Writing Practice Book.
NATIONAL BESTSELLER • For anyone who wants to learn a foreign language, this is the method that will finally make the words stick. “A brilliant and thoroughly modern guide to learning new languages.”—Gary Marcus, cognitive psychologist and author of the New York Times bestseller Guitar Zero At thirty years old, Gabriel Wyner speaks six languages fluently. He didn’t learn them in school—who does? Rather, he learned them in the past few years, working on his own and practicing on the subway, using simple techniques and free online resources—and here he wants to show others what he’s discovered. Starting with pronunciation, you’ll learn how to rewire your ears and turn foreign sounds into familiar sounds. You’ll retrain your tongue to produce those sounds accurately, using tricks from opera singers and actors. Next, you’ll begin to tackle words, and connect sounds and spellings to imagery rather than translations, which will enable you to think in a foreign language. And with the help of sophisticated spaced-repetition techniques, you’ll be able to memorize hundreds of words a month in minutes every day. This is brain hacking at its most exciting, taking what we know about neuroscience and linguistics and using it to create the most efficient and enjoyable way to learn a foreign language in the spare minutes of your day.
Following the first volume of Remembering the Kanji, the present work provides students with helpful tools for learning the pronunciation of the kanji. Behind the notorious inconsistencies in the way the Japanese language has come to pronounce the characters it received from China lie several coherent patterns. Identifying these patterns and arranging them in logical order can reduce dramatically the amount of time spent in the brute memorization of sounds unrelated to written forms. Many of the “primitive elements,” or building blocks, used in the drawing of the characters also serve to indicate the “Chinese reading” that particular kanji use, chiefly in compound terms. By learning one of the kanji that uses such a “signal primitive,” one can learn the entire group at the same time. In this way, Remembering the Kanji 2 lays out the varieties of phonetic pattern and offers helpful hints for learning readings, that might otherwise appear completely random, in an efficient and rational way. Individual frames cross-reference the kanji to alternate readings and to the frame in volume 1 in which the meaning and writing of the kanji was first introduced. A parallel system of pronouncing the kanji, their “Japanese readings,” uses native Japanese words assigned to particular Chinese characters. Although these are more easily learned because of the association of the meaning to a single word, the author creates a kind of phonetic alphabet of single syllable words, each connected to a simple Japanese word, and shows how they can be combined to help memorize particularly troublesome vocabulary. The 4th edition has been updated to include the 196 new kanji approved by the government in 2010 as “general-use” kanji.
FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.
"Every student of Japanese-and perhaps more importantly, every teacher of Japanese-should read this small book." "Is there a dark conspiracy among schools and textbooks to make Japanese seem far more complicated than it really is? Of course not. But there might as well be." So begins this ground-breaking book that sets out to demonstrate that Japanese is "simple, logical and beautiful" and that most of the apparently "arbitrary rules" that you "just have to learn" can be reduced to simple, easily intuitive patterns if you just understand how the language really works. The problem is that Japanese is continually described in terms that fit English and other European languages. This prevents us from seeing Japanese as it really is and often creates a sense of vagueness and guesswork and the illusion of multiple irregularities and exceptions. In fact, there is nothing vague about Japanese, and it has (unlike most languages) very few irregularities. It is extremely precise, economical and elegant. What is needed is a model that allows us to see Japanese on its own terms rather than trying to describe it in terms of European languages - an enterprise akin to doing electronics with a kitchen knife. Building on the pioneering work of Dr. Jay Rubin, Cure Dolly provides the foundation of a new model for understanding Japanese. One that does not involve difficult terminology or abstruse concepts, but allows us to see Japanese in easy, commonsense terms. An ambitious claim? The proof of the pudding is in the eating. Applying Cure Dolly's methods, we do indeed gain a clear, intuitive grasp of many things that seemed complex or confusing before. This is not a massive tome, but a short book, whose aim is not to deliver hundreds of Japanese grammatical fish, but to show the reader how to fish for herself. It is not aimed at the absolute beginner. The reader should know at least a little basic grammar. But arming oneself with these concepts at an early stage in Japanese will make everything much easier. However, even advanced students can benefit from these eye-opening techniques that really do help to unlock the simple elegance of Japanese. Cure Dolly is co-founder and editor of the KawaJapa Japanese-learning website.