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Japanske farvetræsnit af Utamaro, Hiroshige, Shakaru og Hokusai
Featuring hundreds of illustrations, Japanese Prints: From Early Masters to the Modern is a comprehensive history and survey of Japan’s most famous visual art form. The author, Mr. Michener has illustrated the book with lesser-known masterpieces rather than with those few prints that have been reproduced almost ad nauseam. Unlike earlier books, this does not stop with the past century, but brings the subject completely up to date, introducing, in the modern Japanese print, some of the most exciting art being created in Japan—and in the world—today. Japanese Prints also becomes a revealing account of the collecting of Japanese prints, with many valuable hints to collectors based upon the author's own experiences in gathering together one of the best print collections of recent years: it is a collecting field in which many hints are needed, with prices varying from $5 to $5,000 per print, and with forgeries and doubtful attributions on every hand.
A guide to the finest works of the master of Ukiyo-e, literally translated from the Japanese as pictures of the floating world. This unique art form saw a huge boom in popularity in the west during the early twentieth century leading to exhibitions in all
British connoisseur describes in detail the subject of famous Japanese color prints using 274 reproductions of works by Hokusai, Hiroshige, Utamaro, Shunyei, and other masters. Bibliography. Index.
He may very well be the most productive artist of the eighteenth century. Refuting outmoded paradigms of connoisseurship and challenging the assumptions of conventional print scholarship, Allen Hockley elevates this important figure from the status of a minor Edo-period artist. He argues that Koryusai excelled by the most significant measure -- he was a highly successful creator of popular commodities. Employing an "active audience" model, Hockley reshapes the study of ukiyo-e as a.
Includes the Report of the public library for 1918-