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Japanese Obi or "sashes" are colorful pieces of fabric that can be used to great effect in interior decorating as well as traditional Japanese dress. In Design with Japanese Obi, the authors present the obi as it is being used in interiors today, demonstrating simple yet striking techniques for making these exquisite kimono sashes the centerpiece of any room's decor. The focus is on seven key uses for obi that are applicable to nearly any setting imaginable, such as: Artistic table arrangements Dining room accents Framing enhancements Fabric coverings These and other dramatic and innovative uses of obi in interior design and decoration are presented along with such essentials as color coordination, fabric shaping, and accessories for hanging obi. The vivid photographs in this book present some of the most elegant interiors the authors have found, from Tokyo to Washington D.C., and show the obi being used in today's homes to create a sumptuous, refined, and modern ambiance.
Kimono Design: An Introduction to Textiles and Patterns uses hundreds of photographs and a wealth of information on colors, fabrics and embellishments to paint a portrait of Japanese culture, art and thought. Lavish classical patterns, sweeping scenes, and the many motifs that have been woven, dyed, painted or embroidered into these textiles reveal a reflectiveness, a sense of humor, and an appreciation of exquisite beauty that is uniquely Japanese. Organized according to motifs traditionally associated with each season of the year, Kimono Design interprets the kimono's special language as expressed in depictions of: Flowers and grasses Birds and other animals Symbols of power, luck and prestige Land-and-seascapes scenes from literature, history and daily life scenes of travel and the Japanese concept of other lands and many others… Extensive notes on all the motifs demonstrate how the kimono reflects changing times and a sense of the timeless. Information on jewelry, hairpins and other accessories is scattered throughout to give a fuller sense of the Japanese art of dress. This is a volume that Japanophiles, historians, artists and designers will all cherish.
A practical and inspirational book for dressmakers, quilters and embroiderers who have long coveted the style of Japanese clothes, in particular the kimono. Expert dressmaker and quilter Jenni Dobson takes you through the techniques for making Japanese clothes with simple step-by-step processes, but goes further, covering details on Japanese design and the various techniques for embellishing Japanese clothes. Colourfully illustrated with images of finished garments as well as practical diagrams and patterns for dressmaking, the author has deliberately made all the garments accessible even for those with limited experience of dressmaking, but there are plenty of ideas to inspire those more accomplished readers.
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer. Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new associations and came to symbolize an exotic culture and an alluring female form. In the aftermath of the Second World War, the kimono industry was sustained through government support. The line between fashion and art became blurred as kimonos produced by famous designers were collected for their beauty and displayed in museums, rather than being worn as clothing. Today, the kimono has once again taken on new dimensions, as the Internet and social media proliferate images of the kimono as a versatile garment to be integrated into a range of individual styles. Kimono: A Modern History, the inspiration for a major exhibition at the Metropolitan Museum of Art in New York,not only tells the story of a distinctive garment’s ever-changing functions and image, but provides a novel perspective on Japan’s modernization and encounter with the West.
For three hundred years, a stolen relic passes from one fortune-seeker to the next, indelibly altering the lives of those who possess it. In modern-day Tokyo, Robin Swann’s life has sputtered to a stop. She’s stuck in a dead-end job testing antiquities for an auction house, but her true love is poetry, not pottery. Her stalled dissertation sits on her laptop, unopened in months, and she has no one to confide in but her goldfish. On the other side of town, Nori Okuda sells rice bowls and tea cups to Tokyo restaurants, as her family has done for generations. But with her grandmother in the hospital, the family business is foundering. Nori knows if her luck doesn’t change soon, she’ll lose what little she has left. With nothing in common, Nori and Robin suddenly find their futures inextricably linked to an ancient, elusive tea bowl. Glimpses of the past set the stage as they hunt for the lost masterpiece, uncovering long-buried secrets in their wake. As they get closer to the truth—and the tea bowl—the women must choose between seizing their dreams or righting the terrible wrong that has poisoned its legacy for centuries.
The kimono is an iconic garment with a history as rich and colourful as the textiles from which it is crafted. Deeply associated with Japanese culture both past and present, it has often been thought of as a highly gendered, rigidly traditional and unchanging national costume. This book challenges that perception, revealing the nuanced meanings and messages behind the kimono from the point of view of its wearers and producers, many of whom – both men and women – see the garment as a vehicle for self-expression. Taking a material culture approach, The Social Life of Kimono is the first study to combine the history of the kimono as a fashionable garment with an in-depth exploration of its multifaceted role today on both the street and the catwalk. Through case studies covering historical advertising campaigns, fashion magazines, interviews with contemporary kimono designers, large scale and small craft producers, and consumers who choose to wear them, The Social Life of Kimono gives a unique insight into making and meaning of this complex garment.
Contains detailed instructions on making Japanese garments, from kimono towo-toe socks, using either traditional Japanese sewing methods or easierodern methods. The book includes patterns, fabric suggestions and sizingnstructions.
The book explores the use and meaning of the kimono in America and traces the transformation of the garment from its ethnic origins, through its many appearances in fine art, costume, and high fashion, to its role in the contemporary Art-to-Wear Movement. It explores the American use of the kimono as a garment, as a symbol, and as an art form.
Showcases and analyzes a private collection of 130 kimonos made for men, women, and children between 1900 and 1940, evaluating the historical and cultural factors that have inspired their designs, in a volume that features three hundred commissioned photographs.
Shizuka Kusano is one of the most admired and recognized textile artists in Japan today. With the publication of The Fine Art of Kimono Embroidery, readers in the West, as well, will come to know and appreciate her work for its great beauty and grace. Kusano's canvases are kimono, obi (the sash used to tie the kimono) and tapestries, on which she creates extraordinary compositions in brilliant color and subtle tones, with a rich contrast in textures. Her themes are drawn from Japanese poetry, literature and art, and feature such seasonal motifs as trees, flowers, birds, and streams, designs which are uniquely Japanese in sensibility and expression. Working exclusively with silk threads and fabric, and delicately balancing the use of space in her composition, Kusano's designs achieve the sophistication for which the best Japanese art is known. Selected works are shown here in full color with explanatory captions, while a separate section covers the primary techniques used on each piece. In addition, Kusano writes about how she came to be interested in embroidery and how she developed her art, providing commentary on her themes and sources of inspiration. She also includes an essay on the history of embroidery in Japan from the time it was introduced into the country from China in the sixth century up until the present.