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From 19th-century source used by great Japanese designers — Kodai Moshiki Zuko — 444 borders, 19 full-page scenes, incredibly rich variety: chains, vines, reeds, florals, pipes, bamboo, lanterns, abstracts, ships, calligraphy, reeds, feathers, fans, nets, mazes, yang and yin, lutes, tortoises, many others!
360 traditional Japanese designs and motifs redrawn in clean, crisp black-and-white, royalty-free illustrations.
Shizuko Kuroha's Japanese Patchwork Quilting Patterns infuses a cherished American craft with an exquisite Japanese sense of color, detail, and design. This book brings a fresh eye to classic patchwork patterns in a way that is delighting quilters all around the world today. Here, Kuroha shares her intricate hand-quilting techniques and a design sense that has been refined over her 40-year career as a celebrated book author and teacher. Her easy combinations of soft colors, detailed patterns, and bold stripes show how to achieve balance and flow in any type of patchwork project--from the simplest to the most complex. Step-by-step illustrations walk quilters through Kuroha's intricate hand-piecework process. The book includes 19 sampler blocks used to make hundreds of different combinations for all kinds of quilting projects. The photos and diagrams of the block assembly are so clear, you hardly need to read the steps! A handy printable pattern sheet at the back of the book takes the labor out of drawing the pieces used to build these blocks. Detailed instructions show you how to incorporate the blocks into projects large and small, including: Pincushions in round and square designs Drawstring bags and zippered pouches embellished with patchwork Quilted tote bags and a stylish backpack Table runners and wall hangings with gorgeous color schemes Full-sized quilts destined to become cherished heirlooms This book is an invaluable introduction to the basics of hand-stitched piecework. Practiced quilters will also love it for the way it broadens their horizons. Kuroha fans will be happy to see this popular book finally available in English--where it's sure to become a treasured reference for years to come!
Introduction : empires and indigenous peoples, global transformation and the limits of international society -- From wet diplomacy to scorched earth : the Taiwan expedition, the Guardline and the Wushe rebellion -- The long durée and the short circuit : gender, language and territory in the making of indigenous Taiwan -- Tangled up in red : textiles, trading posts and ethnic bifurcation in Taiwan -- The geobodies within a geobody : the visual economy of race-making and indigeneity
More than 30 illustrations to color depict women in traditional garb enhanced by intricate prints of cherry blossoms, bamboo, birds, and other figures. Perforated pages are printed on one side only. Previously published as Japanese Kimono Designs Coloring Book.
Science Has No National Borders unfolds the fascinating account of the American scientist, Harry C. Kelly, who was central to the United States' contribution to the reconstruction of postwar Japan's science and engineering community. Charged with developing a sound and wise policy during the occupation, he tackled such significant and timeless issues as the relationship between government and scholars and the balance between academic freedom and state power. In the aftermath of World War II, from 1945 through 1952, U.S. military forces occupied Japan. The Americans who served as liaison officers during this time were faced with the task of forging alliances with former enemies so as to transform and revitalize Japan's institutions while paying close attention to American interests and concerns. Nowhere was the need for this delicate balance more evident than in the reconstruction of Japanese science and the reintegration of Japanese scientists into the global community of scholars. Kelly, a physicist in his late thirties, arrived in Japan with little idea of his mission and virtually no knowledge of Japan's culture, society, or language. What he did bring, in addition to his scientific training, was a humanistic vision of the scientific endeavor that extended beyond national borders and politics. By the time he left, he had won the respect and friendship of many Japanese scientists, and in 1969 the government awarded him the highest honor it confers on someone who is not Japanese. Kelly's work remains significant for today's scientists who must continue to seek mutual trust and support at a time when the strength of U.S.-Japanese relations is being challenged more than at any time since the end of World War II.
Dragons, tigers, cranes, peacocks, and peonies abound in this collection of 130 authentic Japanese motifs. So do flowers, plants, and animals. Geometric, abstract, and allover patterns are also included.
DIVReproductions from rare portfolio portray intricate, subtly shaded images of florals, animal life, and geometrics in the manner of stylized Japanese art. 108 full-color designs. /div
Explore the enduring beauty of Japanese design through some 250 objects, ranging from bento boxes, calligraphy brushes, and Shoji sliding doors to Noguchi’s Akari lamp, the iconic Kikkoman soy sauce bootle, and a modern‐day kimono designed by Issey Miyake. Printed on craft paper and bound in the traditional Japanese style, WA features stunning, full‐page illustrations and an introduction by MUJI art director Kenya Hara.
Japanese and Oriental Ceramics was first published in print form by Tuttle Publishing in 1971. This comprehensive and profusely illustrated work tells how to distinguish Japanese porcelains from Chinese, and how to recognize modern reproductions of genuine old wares. It is completely indexed, contains a lengthy bibliography, and lists Chinese dates important in any discussion of Oriental ceramics. Crammed with information on the history, esthetics, and technical aspects of the ceramics of Japan and the Orient, the book is an invaluable guide to scholars, collectors and dealers. It is in fact a work of art in itself.