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The restoration of the Meiji Imperial dynasty in 1868, after 250 years of the Tokugawa Shogunate, decisively opened Japan to the outside world and the monarchy embraced modernization, including the creation of a new Westernized army. However, this modernization process was resisted by the traditional Samurai feudal nobility, leading to a series of battles. The first clash between the two cultures came swiftly. During the Boshin War of 1868–69, a French military adviser, Jules Brunet, changed sides to join the insurgents. They won several engagements before the final crushing of the rebel Ezo Republic. After this point, the Imperial Army continued to modernize along French lines, and social changes began to impoverish Samurai noblemen, who lost their social and political role and their associated privileges. During 1876, the powerful Satsuma Domain, around Kagoshima in south-west Kyushu, became a focus for discontent. Its leader Saigo Takamori effectively ignored the central government, and in January 1877, increasing unrest broke out into open rebellion. The Imperial forces were now much stronger, and the Navy could land troops and bombard Kagoshima. The bitter Satsuma siege and attempted capture of Kumamoto Castle finally failed in April, and the Samurai made a last stand at Shiroyama on 24 September, choosing to go down fighting. This marked the final defeat and displacement of the Samurai class. This fully illustrated title explores the fall of the Samurai in detail, examining the arms, tactics, key figures of both sides, and charting the increasing Westernization of the Imperial forces.
Imperial Japanese soldiers were notorious for blindly following orders, and their enemies in the Pacific War derided them as "cattle to the slaughter." But, in fact, the Japanese Army had a long history as one of the most disobedient armies in the world. Officers repeatedly staged coups d'états, violent insurrections, and political assassinations; their associates defied orders given by both the government and the general staff, launched independent military operations against other countries, and in two notorious cases conspired to assassinate foreign leaders despite direct orders to the contrary.In Curse on This Country, Danny Orbach explains the culture of rebellion in the Japanese armed forces. It was a culture created by a series of seemingly innocent decisions, each reasonable in its own right, which led to a gradual weakening of Japanese government control over its army and navy. The consequences were dire, as the armed forces dragged the government into more and more of China across the 1930s—a culture of rebellion that made the Pacific War possible. Orbach argues that brazen defiance, rather than blind obedience, was the motive force of modern Japanese history.Curse on This Country follows a series of dramatic events: assassinations in the dark corners of Tokyo, the famous rebellion of Saigō Takamori, the "accidental" invasion of Taiwan, the Japanese ambassador’s plot to murder the queen of Korea, and the military-political crisis in which the Japanese prime minister "changed colors." Finally, through the sinister plots of the clandestine Cherry Blossom Society, we follow the deterioration of Japan into chaos, fascism, and world war.
"With his easily readable and entertaining style, Hillsborough does a great job of elucidating the complex customs that ruled Edo Period life and politics. --The Japan Times"
This fully illustrated new book describes and analyses the weapons and equipment traditionally associated with the samurai, Japan's superlative warriors. It examines the range of weapons used by them at different times and in different situations. Beginning with the rise of the samurai during the 10th century, this lively study traces the introduction of edged weapons (cutting and piercing) and missile weapons (bows and guns) over the next 500 years. The book shows clearly how they were employed by individual samurai using many previously untranslated primary texts, and explains how their use spread more widely among low-class troops, pirates and rebels. It also shows how schools of martial arts took over and changed the weapons and their uses during the peaceful Edo Period (1615–1868).
From when the Empress Jingo-kogo led an invasion of Korea while pregnant with the future Emperor Ojin, tales of female Japanese warriors have emerged from Japan's rich history. Using material that has never been translated into English before, this book presents the story of Japan's female warriors for the first time, revealing the role of the women of the samurai class in all their many manifestations, investigating their weapons, equipment, roles, training and belief systems. Crucially, as well as describing the women who were warriors in their own right, like Hauri Tsuruhime and the women of Aizu, this book also looks at occasions when women became the power behind the throne, ruling and warring through the men around them.
In the 1840s, post-Napoleonic Italy was 'a geographical expression' – not a country, but a patchwork of states, divided between the Austrian-occupied north, and a Spanish-descended Bourbon monarchy, who ruled the south from Naples. Two decades later, it was a nation united under a single king and government, thanks largely to the efforts of the Kings of Sardinia and Piedmont, and the revolutionary Giuseppe Garibaldi. This book, the first of a two-part series on the armies that fought in the Italian Wars of Unification, examines the Piedmontese and Neapolitan armies that fought in the north and south of the peninsula. Illustrated with prints, early photos and detailed commissioned artwork, this book explores the history, organization, and appearance of the armies that fought to unite the Italian peninsula under one flag.
During the 16th century, Japan underwent a military revolution, characterized by the deployment of large armies, the introduction of firearms and an eventual shift towards fighting on foot. This study encapsulates these great changes through an exploration of the experience on the ground at three key battles, Uedahara (1548), Mikata ga Hara (1573) and Nagashino (1575), in which two very different types of warrior were pitted against each other. On one side were samurai, the elite aristocratic knights whose status was proclaimed by the possession and use of a horse. On the other side were the foot soldiers known as ashigaru, lower-class warriors who were initially attendants to the samurai but who joined the armies in increasing numbers, attracted by loot and glory. These two types of warrior battled for dominance across the period, changing and adapting their tactics as time went on. In this title, the development of the conflicts between samurai and ashigaru is explored across three key battles, where highly trained elite mounted samurai of the Takeda clan faced ashigaru at very different stages in their development. The profound and irreversible changes that took place as the conflicts progressed are analysed in detail, culminating in the eventual incorporation of the ashigaru as the lowest ranks of the samurai class in within the standing army of Tokugawa Japan.
Assassination--in Japanese, ansatsu or "dark murder"--was instrumental in the samurai-led revolution known as the Meiji Restoration, by which the shogun's military government was overthrown and the Imperial monarchy restored in 1868. The ideology and moral philosophy of the men behind the revolution--including bushidō or "the way of the warrior"--informed their actions and would become the foundation of the emperor-worship of World War II. This first-ever account in English of the assassins who drove the revolution details one of the most volatile periods in Japanese history--also known as "the dawn of modern Japan."
In the 1840s, Italy was a patchwork of states. The North was ruled by the Austrian Empire, the South by the Spanish-descended monarchy of the Two Sicilies. Over the next two decades, after wars led by Savoy/Piedmont and volunteers such as Garibaldi, an independent Kingdom of Italy emerged. These conflicts saw foreign interventions and shifting alliances among minor states, and attracted a variety of local and foreign volunteers. This second volume in a two part series covers the armies of the Papal States; the duchies of Tuscany, Parma, and Modena; the republics of Rome and San Marco (Venice) and the transitional Kingdom of Sicily; and the various volunteer movements. These varied armies and militias wore a wide variety of highly colourful uniforms which are brought to life in stunning, specially commissioned, full colour artwork from Giuseppe Rava.
The dramatic arc of Saigo Takamori's life, from his humble origins as a lowly samurai, to national leadership, to his death as a rebel leader, has captivated generations of Japanese readers and now Americans as well - his life is the inspiration for a major Hollywood film, The Last Samurai, starring Tom Cruise and Ken Watanabe. In this vibrant new biography, Mark Ravina, professor of history and Director of East Asian Studies at Emory University, explores the facts behind Hollywood storytelling and Japanese legends, and explains the passion and poignancy of Saigo's life. Known both for his scholarly research and his appearances on The History Channel, Ravina recreates the world in which Saigo lived and died, the last days of the samurai. The Last Samurai traces Saigo's life from his early days as a tax clerk in far southwestern Japan, through his rise to national prominence as a fierce imperial loyalist. Saigo was twice exiled for his political activities -- sent to Japan's remote southwestern islands where he fully expected to die. But exile only increased his reputation for loyalty, and in 1864 he was brought back to the capital to help his lord fight for the restoration of the emperor. In 1868, Saigo commanded his lord's forces in the battles which toppled the shogunate and he became and leader in the emperor Meiji's new government. But Saigo found only anguish in national leadership. He understood the need for a modern conscript army but longed for the days of the traditional warrior. Saigo hoped to die in service to the emperor. In 1873, he sought appointment as envoy to Korea, where he planned to demand that the Korean king show deference to the Japanese emperor, drawing his sword, if necessary, top defend imperial honor. Denied this chance to show his courage and loyalty, he retreated to his homeland and spent his last years as a schoolteacher, training samurai boys in frugality, honesty, and courage. In 1876, when the government stripped samurai of their swords, Saigo's followers rose in rebellion and Saigo became their reluctant leader. His insurrection became the bloodiest war Japan had seen in centuries, killing over 12,000 men on both sides and nearly bankrupting the new imperial government. The imperial government denounced Saigo as a rebel and a traitor, but their propaganda could not overcome his fame and in 1889, twelve years after his death, the government relented, pardoned Saigo of all crimes, and posthumously restored him to imperial court rank. In THE LAST SAMURAI, Saigo is as compelling a character as Robert E. Lee was to Americans-a great and noble warrior who followed the dictates of honor and loyalty, even though it meant civil war in a country to which he'd devoted his life. Saigo's life is a fascinating look into Japanese feudal society and a history of a country as it struggled between its long traditions and the dictates of a modern future.