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Japan has a wide range of unique, highly refined performing arts that haveeveloped over centuries. This guide provides a brief history andntroduction to the features of each genre, together with recommendations oflays that are accessible to non-Japanese audiences. Brief synopses arerovided to approximately fifty selected plays, and well-known popularompanies, actors, writers, and directors are introduced. The text is widelyllustrated, and includes information about theatre listings, how to getickets, and which plays are available on DVD. It will be invaluable fornyone planning a visit to Japan and keen to experience its theatre firsthand,s well as providing additional insights for students of Japanese theatrend literature.
The Noh plays of Japan have been compared to the greatest of Greek tragedies for their evocative, powerful poetry and splendor of emotional intensity.
The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.
Leading Japanese and Western Shakespeare scholars study the interaction of Japanese and Western conceptions of Shakespeare.
"Kabuki : The popular stage of Japan" by Zoë Kincaid. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The Jesuits were a major source of European information on Japan from the late 16th to early 17th century. Not only were they active missionaries but they also produced linguistic, religious and cultural tracts, regional chronicles, as well as hundreds of Latin plays written in imitation of classical Greco-Roman theatre but set in Japan. An intriguing yet underexplored segment of Jesuit school theatre is that which stages non-classical, non-Western subjects such as Japan, and this volume is the first to present Latin texts of two of these plays alongside full English translations, commentaries and an extensive introduction. The plays in question - Martyrs of Japan and Victor the Japanese - were performed in Koblenz and Munich, in 1625 and 1665 respectively, and are collated from original 17th-century manuscripts for this edition. They were based on specific events which took place in Japan in 1597 and 1613, and their main characters are historically attested Japanese Catholic converts and their pagan peers. The juxtaposition of the Latin texts and original English translations makes the plays newly accessible to a wide readership, shedding light on the ways in which Western classical humanism rooted in ancient Mediterranean theatre became intertwined with momentous historical developments across the globe to produce these unique spectacles. The introduction and commentary examine the historical, cultural and literary contexts and provide guidance on interpretative and stylistic issues, allowing for a full appreciation of the plays in which pagan classical, Christian, early modern European and Japanese elements come together.
Miura Atsushi draws on more than three decades of experience on the front lines of Japanese marketing research to track the four stages Japan's consumer society has traversed since th turn of the century to th present. Looking forward, he both documents the emergence of a new sharing society in Japan, and offers survival strategies for business in a people-centric, post-materialist economy.
Every year, nearly one hundred thousand Japanese vanish without a trace. Known as the johatsu, or the “evaporated,” they are often driven by shame and hopelessness, leaving behind lost jobs, disappointed families, and mounting debts. In The Vanished, journalist Léna Mauger and photographer Stéphane Remael uncover the human faces behind the phenomenon through reportage, photographs, and interviews with those who left, those who stayed behind, and those who help orchestrate the disappearances. Their quest to learn the stories of the johatsu weaves its way through: A Tokyo neighborhood so notorious for its petty criminal activities that it was literally erased from the maps Reprogramming camps for subpar bureaucrats and businessmen to become “better” employees The charmless citadel of Toyota City, with its iron grip on its employees The “suicide” cliffs of Tojinbo, patrolled by a man fighting to save the desperate The desolation of Fukushima in the aftermath of the tsunami And yet, as exotic and foreign as their stories might appear to an outsider’s eyes, the human experience shared by the interviewees remains powerfully universal.
Japan on the Jesuit Stage offers a comprehensive overview of the representations of Japan in early modern European Neo-Latin school theater. The chapters in the volume catalog and analyze representative plays which were produced in the hundreds all over Europe, from the Iberian Peninsula to present-day Croatia and Poland. Taking full account of existing scholarship, but also introducing a large amount of previously unknown primary material, the contributions by European and Japanese researchers significantly expand the horizon of investigation on early modern European theatrical reception of East Asian elements and will be of particular interest to students of global history, Neo-Latin, and theater studies.
This is a complete Japanese textbook and language learning package for beginning learners. Start speaking, reading and writing Japanese today with the most exciting new introduction to the Japanese language! Beginning Japanese follows the story of Kiara, an American exchange student who lives in Japan and loves to study Japanese. With the help of her Japanese friends and the time-traveling Tomo Tanuki (raccoon dog), Kiara learns to speak, read, and write Japanese while she visits famous people and places in Japanese history. Illustrated with manga-style comics—:a fun way to learn Japanese and written by experienced high-school Japanese teachers, this Japanese textbook will show you how to pronounce Japanese; read and write hiragana, katakana, and 125 basic kanji; and understand conversational Japanese. Key features of this program: An engaging storyline—including a time–travel adventure—unfolds as learners advance, adding motivation to master the language. Authentic written, visual, and oral materials embedded naturally throughout. Kanji is taught beginning with Chapter 1—and together with current vocabulary rather than separately. (At the end of Vol. 1 you'll know 148 kanji). Technology is used extensively for authentic tasks. A dedicated website provides additional content and updates. Content is aligned with the ACTFL National Standards. The CD–ROM includes: Native Japanese language speakers. Pronunciation guides. Accompanying dialogues. New word lists. Fun songs. Listening activities and tests. Extensive printable exercises. The Beginning Japanese Website includes: Online games and activities. Additional information and updates. Downloadable Hiragana Practice Book, Katakana Practice Book, kana practice sheets. Downloadable kanji and kana flash cards. Beginning Japanese is the first volume in a 3-level series. Deepen your learning with the Beginning Japanese Workbook, a volume of drills and exercises that reinforce the lessons in the textbook. If you already speak basic Japanese, continue your learning with the second level, Intermediate Japanese. Whether you're learning Japanese for fun, preparing for a Japanese proficiency exam, or want to achieve AP- or IB-level competency, Beginning Japanese is your key to becoming a confident Japanese-speaker.