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Presenting classic Japanese woodblock prints, Japan Journeys offers a unique perspective on the country's most famous travel destinations. This stunning art book gathers together approximately two hundred Japanese woodblock prints depicting scenic spots and cultural icons that still delight visitors today. Many of the prints are by masters such as Utagawa Hiroshige, Kitagawa Utamaro, and Utagawa Kunisada, and currently hang in prestigious galleries and museums worldwide. Katsuhika Hokusai, the artform's most celebrated artist, is also well represented, with many prints from his "Fifty-three Stations of the Tokaido Road" series and "Thirty-six Views of Mount Fuji" series, including his world-renowned "Great Wave" print. In addition to prints showcasing Japan's natural beauty, this carefully curated selection depicts roads and railways; favorite pastimes, such as blossom viewing and attending festivals; beloved entertainment, such as kabuki theater; the fashions they wore, and the food they ate. Author Andreas Marks is a leading expert on Japanese woodblock prints, and his Illuminating captions provide background context to the scenes depicted.
We wrote about our travels throughout the world. Recently, we went to Australia and Japan. We spoke two times in Japan. As usual, we returned from our journeys with fresh memories, and we sat down and wrote our books.
One author's personal odyssey through the jazz scene in Japan
Kawase Hasui (1883-1957) is considered the foremost Japanese landscape print artist of the 20th century. "Visions of Japan: Kawase Hasui s Masterpieces" brings together in a single volume one hundred of Hasui s most celebrated prints. Fully illustrated, this publication includes annotated descriptions for each work, as well as two essays on Hasui s life and work. Hasui's valuable contribution to the woodblock print medium was acknowledged in 1956, a year before his death, when he was honoured with the distinction of Living National Treasure ."
A VIBRANT, MEDITATIVE WALK IN SEARCH OF THE SOUL OF JAPAN Traveling by foot through mountains and villages, Alan Booth found a Japan far removed from the stereotypes familiar to Westerners. Whether retracing the footsteps of ancient warriors or detailing the encroachments of suburban sprawl, he unerringly finds the telling detail, the unexpected transformation, the everyday drama that brings this remote world to life on the page. Looking for the Lost is full of personalities, from friendly gangsters to mischievous children to the author himself, an expatriate who found in Japan both his true home and dogged exile. Wry, witty, sometimes angry, always eloquent, Booth is a uniquely perceptive guide. Looking for the Lost is a technicolor journey into the heart of a nation. Perhaps even more significant, it is the self-portrait of one man, Alan Booth, exquisitely painted in the twilight of his own life.
The Rough Guide Snapshot to Hokkaido includes Sapporo, Niseko and Shiretoko National Park The Rough Guide Snapshot to Hokkaido is the ultimate travel guide to this region of Japan. It leads you through the region with reliable information and comprehensive coverage of all the sights and attractions, from Sapporo to Niseko and Noboribetsu Onsen to Shiretoko National Park. Detailed maps and up-to-date listings pinpoint the best cafés, restaurants, hotels, shops, bars and nightlife, ensuring you make the most of your trip, whether passing through, staying for the weekend or longer. Also included is the Basics section from the Rough Guide to Japan, with all the practical information you need for travelling in and around Hokkaido, including transport, food, drink, costs, health, festivals and culture and etiquette. Also published as part of the Rough Guide to Japan. Full coverage: Sapporo Otaru and around Niseko Hakodate Onuma Quasi National Park Shikotsu-Toya National Park Asahikawa Daisetsu-zan National Park Furano and around Wakkanai Rishiri-Rebun-Sarobetsu National Park Eastern Hokkaido Akan National Park
The Grand Voyage on the Holland America flagship Amsterdam to Asia and the Pacific remains one of the most memorable adventures I have had the privilege of being part of. I was thrilled to join the ship in San Diego California, listening to world-class scholars offering in-depth lectures on the places we would visit and to then see these countries first-hand. This volume reviews the port of San Diego, the point of departure, and the ship's visits to several ports of call in Japan. While these ports were interesting, research on Japan’s long reach of history offers up many troubling aspects of this unique people. I pondered their history and unique way of looking at themselves and the rest of the world. How is it possible, for example, for a people to create the highest forms of etiquette and graceful decorum, and to then conduct themselves with utter contempt for basic morality towards others? During World War Two, the massacres committed by the Japanese army in nearly every quadrant of their military and political reach during the Showa Empire begs the question of how common decency and ethical behavior can be so thoroughly absent as if it never existed? Even today, the Japanese government refuses to acknowledge or offer a public apology for wartime acts done during this period. I explore this very troubling issue, wondering where the lines of civility and conformity begin and end. The Japanese are a strange people, and I was frustrated at these two extremes of exemplary behavior and simultaneous contempt of others. It is my contention that a refusal to acknowledge the past, in conjunction with a reappraisal of what went wrong in that previous leadership, will eventually and inevitably force this issue into the present. There is therefore a huge divergence between the Germans and the Japanese. The former reappraised their horrific past, recognizing that a change from that past is a mandatory aspect of their social discourse. Even a Nazi salute in Germany is outlawed and a criminal offense. In contrast, the Japanese have barely tolerated criticisms of its own leaders during that period of darkness. This is a troubling volume in which I explore with an open mind, wondering if there is an answer to these troubling questions. In the Shinto Directive, formulated and implemented by General MacArthur following Japan's unconditional surrender, formalized belief in the emperor's divinity was outlawed. Today, beautiful Shinto shrines dot the Japanese countryside. Citizens can be seen washing hands and rinsing their mouths before entering these sacred spaces, then lighting incense while offering a prayer. Inevitably, I wonder as to the moral component of a people who are outwardly decorous, even recreating the common toothpick into a form of exceptional grace, while being unable to acknowledge common humanity. There are also modern aspects of Japanese society that are difficult to comprehend. Thousands of Japanese youth, for reasons that defy common sense, give up on themselves and their future by adopting the hikikomori lifestyle, living in their parent’s home, not interacting with their peers, and even refusing to emerge from their bedrooms for decades. Parents tolerate this odd behavior, refusing to confront their child, even refusing to acknowledge the presence of their child as the years pass. Similarly, are the jouhatsu, people who suddenly and without the slightest outward change, suddenly and inexplicably, disappear. Desperate to find the loved one, the government refuses to assist because of Japanese strict privacy laws. I describe these aspects of Japanese society, together with others similarly different from Western society. These are aspects of the ‘Asian face’ – that inscrutable and essentially unknown quantum, so different from that of the West. Knowing the facts, together with the statistics accompanying those facts, does not imply understanding the. As a Westerner, I review these manifestations without understanding the Japanese ‘soul,’ its core identity and substance. I can, therefore, only recount the facts and leave the rest to the reader. These questions aside, I very much enjoyed walking Japanese streets, riding its trains, and seeing its people. I also had occasion to chat with several Japanese who expressed surprise at my awareness of their culture, while I was unable to adequately answer my queries. And they too seemed perplexed by my queries, confounded by the imponderables dividing the Western the Eastern way of living a life.
This is a story of two livesthat of a loving father and his headstrong daughterin Japan and America. In the context of these two lives, this memoir takes on a historical journey through the world of the samurai as it transitions into the merchant class, culminating in the aftermath of the daughters decision to pursue her dreams to study in America. Based on the true stories of seven generations of author Tomoko T. Takahashis family and centered around the life of her father, Kiyoshi, Samurai and Cotton reveals the struggles and triumphs occurring during tumultuous upheavals in Japanese culture at large and the much more personal trials of a single family. This memoir is filled with vibrant, heartfelt emotion and detail, buoyed by the revealing, authentic letters written by family members. While it focuses on the lifespan and memories of Kiyoshi, this is also the story of Tomoko, who receives indefatigable support from her father first as a headstrong youngster in Japan and later as a determined newcomer to America.
Geoffrey Bownas, widely known over the last half century for his writings, translations, broadcasts and commentaries relating to Japan, and an eminent Japanese Studies scholar who pioneered teaching in this field at Oxford (1954) and Sheffield (1966), has at last completed a memoir. It is both a literary triumph and a compelling read – not least for the many who have known him – as well as a historical record of some significance tracking Japan’s post-war history from abject poverty to unimaginable prosperity as the world’s second largest economy, and the ‘lost’ post-bubble years. In particular, the author includes a detailed account of his association with Mishima Yukio while preparing the Penguin New Writing in Japan, his early years in Kyoto and his experience of living in Tenri City. He also offers a critical appraisal of the Japanese aesthetic, documents an extraordinary meeting with Honda Soichiro, and takes a nostalgic journey back to the writing of his many books on Japan, including the Penguin Book of Japanese Verse (with Anthony Thwaite), Japanese Rainmaking and Other Folk Practices, and Japan and the New Europe. Equally, his involvement and input at some of Japan’s key turning points over the last fifty years make fascinating reading, such as the 1964 Tokyo Olympics when he was the BBC’s interpreter, and more recently the New Kansai International Airport in the early 1990S as consultant to Watson Steel, a member of the AMEC Group.