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Combining linguistic theory with analytical concepts and literary interpretation and appreciation, Jane Austen's Narrative Techniques traces the creation and development of Austen's narrative techniques. Massimiliano Morini employs the tools developed by post-war linguistics and above all pragmatics, the study of the ways in which speakers communicate meaning, since Austen's 'wordings' can only be interpreted within the fictional context of character-character, narrator-character, narrator-reader interaction. Examining a wide range of Austen texts, from her unpublished works through masterpieces like Mansfield Park and Emma, Morini discusses familiar Austen themes, using linguistic means to shed fresh light on the question of point of view in Austen and on Austen's much-admired brilliance in creating lively and plausible dialogue. Accessibly written and informed by the latest work in linguistic and literary studies, Jane Austen's Narrative Techniques offers Austen specialists a new avenue for understanding her narrative techniques and serves as a case study for scholars and students of pragmatics and applied linguistics.
Combining linguistic theory with analytical concepts and literary interpretation and appreciation, Jane Austen's Narrative Techniques traces the creation and development of Austen's narrative techniques. Massimiliano Morini employs the tools developed by post-war linguistics and above all pragmatics, the study of the ways in which speakers communicate meaning, since Austen's 'wordings' can only be interpreted within the fictional context of character-character, narrator-character, narrator-reader interaction. Examining a wide range of Austen texts, from her unpublished works through masterpieces like Mansfield Park and Emma, Morini discusses familiar Austen themes, using linguistic means to shed fresh light on the question of point of view in Austen and on Austen's much-admired brilliance in creating lively and plausible dialogue. Accessibly written and informed by the latest work in linguistic and literary studies, Jane Austen's Narrative Techniques offers Austen specialists a new avenue for understanding her narrative techniques and serves as a case study for scholars and students of pragmatics and applied linguistics.
A new exploration of the innovative features of Jane Austen's style.
This carefully crafted ebook: "Emma & Persuasion" is formatted for your eReader with a functional and detailed table of contents. "Emma" – Emma Woodhouse has just attended the wedding of Miss Taylor, her friend and former governess, to Mr. Weston. Having introduced them, Emma takes credit for their marriage, and decides that she likes matchmaking. Against the advice of her brother-in-law, Emma forges ahead with her new interest, causing many controversies in the process. Set in the fictional village of Highbury, Emma is a tale about youthful hubris and the perils of misconstrued romance. "Persuasion" – Anne Elliot is a young Englishwoman of 27 years, whose family is moving to lower their expenses and get out of debt, at the same time as the wars come to an end, putting sailors on shore. They rent their home to an Admiral and his wife. Brother of Admiral's wife is Navy Captain Frederick Wentworth, a man who had been engaged to Anne when she was 19, and now they meet again, both single and unattached, after no contact in more than seven years. First time the engagement was broken up because Anne's family persuaded her that Frederick wasn't good enough opportunity. The new situation offers a second, well-considered chance at love and marriage for Anne Elliot in her second "bloom".
Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining and stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction, it makes visible techniques and effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do. Contemporary novels discussed include: Monica Ali's Brick Lane; Martin Amis's Money; Margaret Atwood's The Blind Assassin; A.S. Byatt's Possession; Jonathan Coe's The Rotters' Club; J.M. Coetzee's Disgrace; Michael Cunningham's The Hours; Don DeLillo's Underworld; Michel Faber's The Crimson Petal and the White; Ian Fleming's From Russia with Love; Jonathan Franzen's The Corrections; Mark Haddon's The Curious Incident of the Dog in the Night-time; Patricia Highsmith's Ripley under Ground; Alan Hollinghurst's The Spell; Nick Hornby's How to Be Good; Ian McEwan's Atonement; John le Carré's The Constant Gardener; Andrea Levy's Small Island; David Mitchell's Cloud Atlas; Andrew O'Hagan's Personality; Orhan Pamuk's My Name Is Red; Ann Patchett's Bel Canto; Ruth Rendell's Adam and Eve and Pinch Me; Philip Roth's The Human Stain; Jonathan Safran Foer's Everything Is Illuminated; Carol Shields's Unless; Zadie Smith's White Teeth; Muriel Spark's Aiding and Abetting; Graham Swift's Last Orders; Donna Tartt's The Secret History; William Trevor's The Hill Bachelors; and Richard Yates's Revolutionary Road .
Emma was the last novel that Jane Austen published while alive. In it, she tells us about the adventures of Emma Woodhouse, a young English woman raised in a wealthy family who not only does not have the slightest intention of getting married, but also insists on being a matchmaker for her circle of friends. In particular, for her protégé Harriet Smith. Emma's advice produces all kinds of misunderstandings and embarrassing situations, which translates into a fun work that, two centuries after its appearance, continues to delight readers.
However much students enjoy their reading of a Jane Austen novel, many find it difficult to know how to organise their critical responses. This book shows students how to develop a firm grasp of Jane Austen's characters, themes and techniques, as well as such central topics as the use of irony in the novels, and their style and moral patterning. In the newly revised and expanded edition of this successful book, Vivien Jones looks at all of Jane Austen's novels, and demonstrates how to analyse both their overall structure and concerns as well as individual passages. A completely new chapter looks at current critical debates about Austen's achievement and the final chapter gives practical advice on writing an essay.
Jane Austen has been one of the world's most popular writers for 200 years and is best known for her works Pride and Prejudice, Emma, and Sense and Sensibility.
Jams Austen (1775-1817)Jane Austen Has Been Regarded By Critics As The Moot Perfect Artist In English Fiction. George Saintsbury Compared Her To Shakespeare Whose Detachment And Elusiveness She Certainly Shares. She Was A Truly Great Novelist Of Manners Among The Country Gentry. Born In The Family Of A Rector Of Steventon In Hampshire, Jane Austen Had Her Early Education In Oxford And Reading. She Started Writing Early In Life. Between 1792 And 1798 She Completed Her First Four Novels, Lady Susan, First Impressions (Later Entitled Pride And Prejudice), Elinor And Marianne (Later Called Sense And Sensibility) And Northanger Abbey. Later She Produced Three More Novels: Mansfield Park, Emma And Persuasion. She Contracted Tuberculosis And Died Tragically Early At The Age Of 41. Although Not Recognized In Her Time, Her Popularity Has Increased, Rather Than Faded, With The Passing Of Years, Which Will Be Evident From The Remark Of F.R. Leavis: Jane Austen Inaugurated The Great Tradition Of Fiction. Pride And Prejudice Was Jane Austen S First Novel. She Started Writing It In 1797 Under The Title First Impressions. Later She Revised It And It Was Published In 1813 Under The Title Pride And Prejudice. It Is A Novel Mainly Concerned With The Problems Of Marriage. Four Pairs, Elizabeth And Darcy, Jane And Bingley, Charlotte And Collins, Lydia And Wickham Are Married On Different Considerations. The Main 3Tory Concerns The First Pair Who Are First Separated Because Of Their Pride And Prejudice And Later Reconciled And United As Their Misunderstandings Are Removed. This Novel Has Been Accepted As The Masterpiece Of The Novelist Having A Superbly Balanced Plot-Construction And A Well-Defined Character Development. Jane Austen Here Succeeded In Wedding Realism To A Lively Dialogue And Evolved A Witty Narrative Style To Express In The Most Vital Manner The Story Of A Young Girl And Her Love.