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The first full-length study of animals in Jane Austen, Barbara K. Seeber’s book situates the author’s work within the serious debates about human-animal relations that began in the eighteenth century and continued into Austen’s lifetime. Seeber shows that Austen’s writings consistently align the objectification of nature with that of women and that Austen associates the hunting, shooting, racing, and consuming of animals with the domination of women. Austen’s complicated depictions of the use and abuse of nature also challenge postcolonial readings that interpret, for example, Fanny Price’s rejoicing in nature as a celebration of England’s imperial power. In Austen, hunting and the owning of animals are markers of station and a prerogative of power over others, while her representation of the hierarchy of food, where meat occupies top position, is identified with a human-nature dualism that objectifies not only nature, but also the women who are expected to serve food to men. In placing Austen’s texts in the context of animal-rights arguments that arose in the late eighteenth and early nineteenth centuries, Seeber expands our understanding of Austen’s participation in significant societal concerns and makes an important contribution to animal, gender, food, and empire studies in the nineteenth century.
The first full-length study of animals in Jane Austen, Barbara K. Seeber’s book situates the author’s work within the serious debates about human-animal relations that began in the eighteenth century and continued into Austen’s lifetime. Seeber shows that Austen’s writings consistently align the objectification of nature with that of women and that Austen associates the hunting, shooting, racing, and consuming of animals with the domination of women. Austen’s complicated depictions of the use and abuse of nature also challenge postcolonial readings that interpret, for example, Fanny Price’s rejoicing in nature as a celebration of England’s imperial power. In Austen, hunting and the owning of animals are markers of station and a prerogative of power over others, while her representation of the hierarchy of food, where meat occupies top position, is identified with a human-nature dualism that objectifies not only nature, but also the women who are expected to serve food to men. In placing Austen’s texts in the context of animal-rights arguments that arose in the late eighteenth and early nineteenth centuries, Seeber expands our understanding of Austen’s participation in significant societal concerns and makes an important contribution to animal, gender, food, and empire studies in the nineteenth century.
From the "New York Times"-bestselling author of "The Jane Austen Book Club," the story of an American family, ordinary in every way but one--their close family relative was a chimpanzee.
"This book presents Jane Austen's life and works in a beautifully illustrated volume, taking a thematic, all-encompassing look at this most brilliant of writers and the society that shaped her work"--Front dust jacket flap.
Suspected of attacking a boy from town and determined to protect her secrets and her twin sister, Jo flees into the woods, where she discovers the truth behind her mother's disappearance fifteen years ago.
From prize-winning historical novelist Louise Allen, this book presents nine walks through both the London Jane Austen knew and the London of her novels! Follow in Jane's footsteps to her publisher's doorstep and the Prince Regent's vanished palace, see where she stayed when she was correcting proofs of Sense and Sensibility and accompany her on a shopping expedition – and afterwards to the theatre. In modern London the walker can still visit the church where Lydia Bennett married Wickham, stroll with Elinor Dashwood in Kensington Palace Gardens or imagine they follow Jane's naval officer brothers as they stride down Whitehall to the Admiralty. From well-known landmarks to hidden corners, these walks reveal a lost London that can still come alive in vivid detail for the curious visitor, who will discover eighteenth-century chop houses, elegant squares, sinister prisons, bustling city streets and exclusive gentlemen's clubs amongst innumerable other Austen-esque delights.
Step into the world of Georgian England and learn more about the genteel life of this beloved author. Although Jane Austen's works were first published anonymously and brought her little personal recognition, today they are rarely out of print and have inspired movies, television shows and mini-series, literary anthologies, and many other adaptations all around the world. Her writing—principally her five novels—is a critique of the British landed gentry at the end of the eighteenth century, and often a comment on the pursuit of a "good match" in matters of marriage. Pride and Prejudice, Sense and Sensibility, Mansfield Park, Emma, and Northhanger Abbey remain her most famous works. Who Was Jane Austen? reveals the life of this most private author.
What better place than pale England to hide a secret society of gentlemen vampires? In this hilarious retelling of Jane Austen's Emma, screenwriter Wayne Josephson casts Mr. Knightley as one of the most handsome and noble of the gentlemen village vampires. Blithely unaware of their presence, Emma, who imagines she has a special gift for matchmaking, attempts to arrange the affairs of her social circle with delightfully disastrous results. But when her dear friend Harriet Smith declares her love for Mr. Knightley, Emma realizes she's the one who wants to stay up all night with him. Fortunately, Mr. Knightley has been hiding a secret deep within his unbeating heart—his (literal) undying love for her... A brilliant mash-up of Jane Austen and the undead.
One of The Globe and Mail's Best Books of 2020 "A thoroughly authentic, smart and consoling account of one writer’s commitment to another." --The New York Times Book Review (editors' choice) "An absolutely fascinating book: I will never read Austen the same way again." —Helen Macdonald, author of H is for Hawk An astonishingly nuanced reading of Jane Austen that yields a rare understanding of how to live "About seven years ago, not too long before our daughter was born, and a year before my father died, Jane Austen became my only author." In the turbulent period around the birth of her first child and the death of her father, Rachel Cohen turned to Jane Austen to make sense of her new reality. For Cohen, simultaneously grief-stricken and buoyed by the birth of her daughter, reading Austen became her refuge and her ballast. She was able to reckon with difficult questions about mourning, memorializing, living in a household, paying attention to the world, reading, writing, and imagining through Austen’s novels. Austen Years is a deeply felt and sensitive examination of a writer’s relationship to reading, and to her own family, winding together memoir, criticism, and biographical and historical material about Austen herself. And like the sequence of Austen’s novels, the scope of Austen Years widens successively, with each chapter following one of Austen's novels. We begin with Cohen in Cambridge, Massachusetts, where she raises her small children and contemplates her father’s last letter, a moment paired with the grief of Sense and Sensibility and the social bonds of Pride and Prejudice. Later, moving with her family to Chicago, Cohen grapples with her growing children, teaching, and her father’s legacy, all refracted through the denser, more complex Mansfield Park and Emma. With unusual depth and fresh insight into Austen’s life and literature, and guided by Austen’s mournful and hopeful final novel, Persuasion, Rachel Cohen’s Austen Years is a rare memoir of mourning and transcendence, a love letter to a literary master, and a powerful consideration of the odd process that merges our interior experiences with the world at large.
Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instead, her texts reveal the process of manufacturing consent - of achieving ideological dominance by silencing dissent. Drawing on the theories of Mikhail Bakhtin, Seeber interrogates academic and popular constructions of Jane Austen, opening up Austen's "unresolvable dialogues."