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This lavishly illustrated book is the catalogue for an exhibition of the works of Jan Steen, coorganized by the National Gallery of Art, Washington, and the Rijksmuseum, Amsterdam.
In The Drawing Lesson, Jan Steen celebrates the art of the painter as teacher, placing his subjects in a familiar Dutch interior. This fascinating study of the painting - a masterpiece of the Museum's collection - examines the individual parts and larger patterns of the work and also recounts Steen's career and a history of the picture itself.
Jan Steen, one of the most popular painters of the Dutch Golden Age, is known for his humorous depictions of dissolute households, tavern interiors, quacksalvers and love-sick young women. He was unrivalled in poking fun at every conceivable human weakness and vice. A lesser known fact is that he also painted history pieces: scenes based on episodes from the Bible, apocryphal writings and mythology - stories full of excitement, drama and passion. As he did in his genre pieces, Steen devoted a great deal of attention in his history paintings to the interaction between the figures, and was keenly aware of the satirical possibilities of every story. In contrast to what his later image suggests, Jan Steen was a versatile and ambitious artist with a profound knowledge of art history and literature: knowledge that comes to the fore in his history pieces. This richly illustrated publication, written by experts on Jan Steen, focuses on this little-known part of the artist's oeuvre. AUTHORS: Ariane van Suchtelen, curator at the Mauritshuis, is the author of an introduction to the life and work of Jan Steen, in which she discusses the place occupied by history painting in his (otherwise humorous) oeuvre. Which themes did he prefer? What were his sources? For whom were these paintings intended? Wouter Kloek, former curator at the Rijksmuseum, writes about the form and content of Steen's history paintings, and the thin line that separates representations of biblical and mythological themes from scenes of everyday life. Mariet Westermann, executive vice president of the Andrew W Mellon Foundation, writes about Steen's exceptional ambition as a history painter. Her essay clarifies the national and international context in which these paintings originated. SELLING POINTS: * For the first time in book form, presenting history-pieces by Jan Steen * 17th century paintings from the Dutch Golden Age * Contributions by Ariane van Suchtelen, Wouter Kloek and Mariet Westermann 125 colour, 25 b/w images
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Published to accompany an exhibition held in Sept. 2002 by the Albany Institute of History and Art.
Distributed by the University of Nebraska Press for Caxton Press Award winning photography and lithography sets this "coffee table" book apart from others of its type.
Rembrandt and the Golden Age of Dutch Art celebrates an unprecedented era in the history of art. Drawn from the superb collections of Amsterdam's famed Rijksmuseum, the works of art featured here are a testament to the richness and variety of the paintings, prints, and decorative arts produced in the Netherlands in the 17th century. In a unique approach, Ruud Priem leads the viewer through the highlights of the Golden Age, beginning with the artists themselves and their studios, emerging into busy city streets and the bucolic Dutch countryside, and sampling the variety of 17th-century life and culture. Featured are ninety dazzling works by preeminent Dutch artists--Rembrandt van Rijn, Frans Hals, Jacob van Ruisdael, Pieter de Hooch, and Jan Steen, among them.
For Eileen O'Keeffe McVicker, born in 1927 to an Irish immigrant sheep rancher and a school teacher, growing up on a homestead in the West made for "a hard, happy life with layers of riches." McVicker's memoir of a childhood spent on the southern slope of Steens Mountain offers a real-life, personal account of eastern Oregon history.An "outdoor child" all her life, McVicker tells stories that revolve around life on the ranch-tending sheep, picking wildflowers, doing chores-and describes everyday adventures: a rabid coyote threatens the family; a wild mustang stallion tries to kill her father; a Merino buck sheep leaps through the schoolhouse window. Images of Steens country-wild sagebrush and juniper country, with rugged vistas in every direction-are woven throughout her recollections, which share the profound sense of place found in the best Western memoirs. While vividly describing ranch life, Child of Steens Mountain also explores universal issues of parenting, making a living, and growing up. The homesteading life built a child's character and confidence, and as she reaches adulthood, McVicker, raised to be independent and responsible, ultimately defies her parents to follow her own path.McVicker's neighbor and friend, Barbara J. Scot, edited and organized the narration while preserving the author's distinctive voice. In an afterword, Scot reflects on McVicker's experiences and describes the collaborative process-including a visit to the old homestead site-that led to this book. Historian Richard Etulain, whose own childhood was spent on a sheep ranch in the West, provides an overview of sheep ranching and homesteading in Steens country in his foreword.Whether intrigued by Oregon history, the high desert country, or memoirs of homesteading life, readers will be unable to resist these appealing stories of growing up amid the natural beauty of Steens country.
The exhibition brings together some of the most important paintings in the Royal Collection from the Picture Gallery at Buckingham Palace. Usually on public view during the annual Summer Opening of the Palace, the paintings will be shown in The Queen?s Gallery while Reservicing works are carried out to protect the historic building for future generations. The Picture Gallery was originally designed by the architect John Nash for George IV to display his collection of Dutch, Flemish and Italian Old Master paintings. Artists represented in the exhibition include Titian, Guercino, Guido Reni, Vermeer, Rembrandt, Van Dyck, Rubens, Jan Steen, Claude and Canaletto.00Exhibition: The Queen's Gallery, Buckingham Palace, London, UK (dates TBD).