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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Kosky focuses on a handful of artists - Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldsworthy - to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation.
Text by Markus Bruderlin, Richard Andrews, Annelie Lutgens.
Introduction : marking time -- What is slow art? (when images swell into events and events condense into images) -- Living pictures -- Before slow art -- Slow art emerges in modernity I : secularization from Diderot to Wilde -- Slow art emerges in modernity II : the great age of speed -- Slow fiction, film, video, performance, 1960 to 2010 -- Slow photography, painting, installation art, sculpture, 1960 to 2010 -- Angel and devil of slow art
"A much needed antidote to 'Art Writing' as it is encountered in the art mags . . . his writing is fluent and the style attractive and engaging."--Stephen Foster, University of Iowa
The centre of this permanent installation is "Third Breath", the latest work in the Skyspace series.
This publication is devoted to the relationship between two contrasting works by light artist James Turrell (*1943 in Los Angeles): Architectures of Light and Skyspaces, which explore the encounter between the architectural interior and the natural world outdoors. The focus here is on a permanent installation, Light Transport, which, at night, immerses the Zug train station in different colors, and the Skyspace Piz Uter in Zuoz--a plain, round structure made of stone, with a circular opening in its roof. These two works are used as examples of how Turrell's art unfolds, depending on whether it is in an urban or a natural space, and to show what sort of conclusions about his concept of art can be drawn from this. This extensive, carefully illustrated volume provides the viewer/reader with an experiential journey between the borders of seeing.