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James Lees-Milne is remembered for his work for the National Trust, rescuing some of England's greatest architectural treasures. Michael Bloch portrays a life rich in contradictions, in which an unassuming youth overtook more dazzling contemporaries to emerge as a leading figure in the fields of conservation and letters.
In eight illuminating chapters we have the history of the Eternal City-Ancient Roman, Early Christian, Romanesque, Renaissance, Baroque, and Rococo-the history of the buildings themselves, and Lees-Milne's inspired description and criticism of them as architectural masterpieces.
The diaries of the National Trust's country house expert James Lees-Milne (1908-97) have been hailed as 'one of the treasures of contemporary English literature'. The first of three, this volume, which includes interesting material omitted when the diaries were originally published during the author's lifetime, covers the years 1942 to 1954, beginning with his wartime visits to hard-pressed country house owners, and ending with his marriage to the exotic Alvilde Chaplin.
This final compilation from James Lees-Milne's celebrated diaries covers the last fourteen years of his life, when he was living on the Duke of Beaufort's Badminton estate. Old age and infirmity have not dimmed his sharpness, literary skill or interest in the world around him, and his reflection on people, places and experiences are as vivid as ever. A tour of the Cotsworlds makes him ruefully aware of the yuppy trends of the Thatcher era, while he predicts that the New Labour victory will bring 'a descent into American-style vulgarity and yob culture'. Witty, waspish, poignant and candid, James Lees-Milne's last diaries contain as much to delight as the first, and confirm his reputation as one of the great commentators of his times.
In 1945, Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys - writers for the New Statesman and a National Trust administrator - purchased Long Crichel House, an old rectory with no electricity and an inadequate water supply. In this improbable place, the last English literary salon began. Quieter and less formal than the famed London literary salons, Long Crichel became an idiosyncratic experiment in communal living. Sackville-West, Shawe-Taylor and Knollys - later joined by the literary critic Raymond Mortimer - became members of one another's surrogate families and their companionship became a stimulus for writing, for them and their guests. Long Crichel's visitors' book reveals a Who's Who of the arts in post-war Britain - Nancy Mitford, Benjamin Britten, Laurie Lee, Cyril Connolly, Somerset Maugham, E.M. Forster, Cecil Beaton, Vita Sackville-West and Harold Nicolson - who were attracted by the good food, generous quantities of drink and excellent conversation. For Frances Partridge and James Lees-Milne, two of the twentieth century's finest diarists, Long Crichel became a second home and their lives became bound up with the house. Yet there was to be more to the story of the house than what critics variously referred to as a group of 'hyphenated gentlemen-aesthetes' and a 'prose factory'. In later years the house and its inhabitants were to weather the aftershocks of the Crichel Down Affair, the Wolfenden Report and the AIDS crisis. The story of Long Crichel is also part of the development of the National Trust and other conservation movements. Through the lens of Long Crichel, archivist and writer Simon Fenwick tells a wider story of the great upheaval that took place in the second half of the twentieth century. Intimate and revealing, he brings to life Long Crichel's golden, gossipy years and, in doing so, unveils a missing link in English literary and cultural history.
"This volume of James Lees-Milne's incomparable diaries sees him cope with publication of the earliest two, Ancestral Voices and Prophesying Peace. Most friends are amused and delighted, a few claim to be mortified. Even comparisons with Pepys, however, can scarcely calm the author's misgivings." "These diaries like the others are full of surprises. Over dinner, Winston Churchill re-enacts the battle of Jutland with wine glasses and decanters, puffing cigar smoke to represent the guns. Anthony Powell admits an attraction to girls who look as if they might have slept out for a week, perhaps under a hedge. The old Princess Royal's helpless laughter is quenched by her maid, who hurriedly reads random verses from the Bible. Nor is JL-M's eye less sharp, as he observes Bob Boothby's pleasure in describing the drawbacks of fame, or Graham Sutherland's fear of being too gracious to the undeserving." "Logan Pearsall Smith once wrote that we need a little malice to prevent our affection for those we love from becoming flat. These diaries perfectly illustrate that truth."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Funny, indiscreet, candid, touching and sharply observed, this second compilation from James Lees-Milne's celebrated diaries covers his life during his sixties and early seventies, when he was living in Gloucestershire with his formidable wife Alvilde. It vividly portrays life on the Badminton estate of the eccentric Duke of Beaufort, meetings with many friends (including John Betjeman, Bruce Chatwin and the Mitford sisters) and the diarist's varied emotional experiences. Having made his name as the National Trust's country houses expert and a writer on architecture, he now established himself as a novelist and biographer. With some misgivings he published his wartime diaries, little imagining that it was as a diarist that he would achieve lasting fame.
The twelfth and final volume of James Lees-Milne's magnificent diary covers the last five years of his life, until a few weeks before his death at the age of eighty-nine. Old age and infirmity have not diminished his interest in life, and he expresses sharp and original views on everything from modern architecture to New Labour. After the loss of his bossy but beloved wife Alvilde, he devotes himself to visiting friends, observing their habits and relishing their gossip and anecdotes. Whether describing an afternoon with the Prince of Wales, a week-end at Chatsworth, a nostalgic return to the scenes of his youth or a day at the latest London exhibitions, he displays the same mixture of candour, waspish wit, eloquent exasperation and human understanding which has delighted his readers since the first of these volumes appeared in 1975.