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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
From National Book Award finalist Deb Caletti comes an intensely gripping story about love, loss, marriage, and secrets—perfect for readers of Jodi Picoult, Kristin Hannah, and Anna Quindlen. “One of the best books I’ve read all year.”—Barbara O’Neal, author of The Garden of Happy Endings “What do you think happened to your husband, Mrs. Keller?” The Sunday morning starts like any other, aside from the slight hangover. Dani Keller wakes up on her Seattle houseboat, a headache building behind her eyes from the wine she drank at a party the night before. But on this particular Sunday morning, she’s surprised to see that her husband, Ian, is not home. As the hours pass, Dani fills her day with small things. But still, Ian does not return. Irritation shifts to worry, worry slides almost imperceptibly into panic. And then, like a relentless blackness, the terrible realization hits Dani: He’s gone. As the police work methodically through all the logical explanations—he’s hurt, he’s run off, he’s been killed—Dani searches frantically for a clue as to whether Ian is in fact dead or alive. And, slowly, she unpacks their relationship, holding each moment up to the light: from its intense, adulterous beginning, to the grandeur of their new love, to the difficulties of forever. She examines all the sins she can—and cannot—remember. As the days pass, Dani will plumb the depths of her conscience, turning over and revealing the darkest of her secrets in order to discover the hard truth—about herself, her husband, and their lives together. “A thought-provoking and moving exploration.”—New York Times bestselling author Erica Bauermeister Look for special features inside. Join the Circle for author chats and more.
With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”
Three sisters are growing up in 1920s Bermondsey - the larder of London - with its bustling docks, its spice mill, tannery and factories. Southwells jam factory is where many of the girls work. And Milly Colman knows she's lucky. At Southwells she can have a laugh with her mates. She's quick and strong and never misses a day's work. She needs to be. Because at homes things are very different. The Colman household is ruled by the tyrannical rages of the old man - her father. Often Milly feels she is the only thing protecting her mother and younger sisters from his murderous violence. At least autumn hop-picking in Kent gives all the Colman women a heavenly respite. But it is here, on one golden September night, that Milly makes the mistake of her life and finds her courage and strength tested as never before.
An intimate memoir of the late British actor Terence Rigby by notable screenwriter and close friend, Juliet Ace. "I simply regard him as one of the best actors in Britain." The Guardian theatre critic Michael Billington "This book should be read by anyone who likes the theatre." Director and actor Peter Eyre. In a post card, Rigby wrote to Juliet: "Have you made much headway with the scandalizing version of my biography? I've certainly started on yours." But as director and critic Ned Chaillet notes in his foreword, "Juliet Ace has written much more than a 'scandalizing' life of the wonderfully memorable and professionally esteemed actor that was Terence Rigby " He was one of Harold Pinter's favourite actors - memorably creating Joey in The Homecoming and Briggs in No Man's Land - and Terence Rigby's television work ranged from the dog-handler Sergeant Snow in the police series Softly Softly to the rough-hewn spy Roy Bland in the great Tinker Tailor Soldier Spy with Alec Guinness. His performance as the newly created character Albert the Horse in Alan Bennett's version of The Wind in the Willows at the Royal National Theatre was widely praised and gave voice to Rigby's deadpan humour in his native Brummie accent. But this very public and exuberant actor retained a deeply private life, a mystery even to the agent who served him throughout most of his career. In her biographical memoir of Terence Rigby the dramatist Juliet Ace offers a rare glimpse into his private world while exploring his work and artistic process. It is a picture of an actor's life that is at once intimate and professionally revealing, ranging from the privacy of repeated encounters over Juliet's kitchen table to the memories of his contemporaries and colleagues, ranging from Peter Hall and Michael Gambon to fellow students from his RADA days, spiced by Rigby's own notes and letters. "Terence Rigby would be astonished by the sight of himself, I think ... His shade, and his memory, have been fortunate in their chronicler. [Rigby's] almost threatening contradictions speak throughout the whole narrative - no wonder he got on so well with Pinter - but always in a strange harmony with his lovable qualities. As an account of the complexities that can beset an acting life, it's unparalleled, I think. And the way that the bones of the book are allowed to show through, in the progress of its compilation, seems absolutely right. Surely it is destined to be a 'real' book, rather than a virtual book. The sheer solidity of Rigby requires hard covers." Critic and broadcaster Russell Davies.
For the past three decades, many history professors have allowed their biases to distort the way America’s past is taught. These intellectuals have searched for instances of racism, sexism, and bigotry in our history while downplaying the greatness of America’s patriots and the achievements of “dead white men.” As a result, more emphasis is placed on Harriet Tubman than on George Washington; more about the internment of Japanese Americans during World War II than about D-Day or Iwo Jima; more on the dangers we faced from Joseph McCarthy than those we faced from Josef Stalin. A Patriot’s History of the United States corrects those doctrinaire biases. In this groundbreaking book, America’s discovery, founding, and development are reexamined with an appreciation for the elements of public virtue, personal liberty, and private property that make this nation uniquely successful. This book offers a long-overdue acknowledgment of America’s true and proud history.
One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
Lt. Jacqueline "Jack" Daniels has seen humanity at its most depraved and terrifying. Luther Kite is humanity at its most depraved and terrifying. He's committed unthinkable acts. Taken human life for the sheer pleasure of it. Each is the best at what they do. Luther wants a challenge, and sets his depraved sights on Jack. But with a baby on the way, Jack is at her most vulnerable.
Spectrum Eighth Grade Language Arts Workbook for kids ages 13-14 Support your child’s educational journey with Spectrum’s Eighth Grade Workbook that teaches basic language arts skills to 8th grade students. Language Arts workbooks are a great way for kids to learn basic skills such as vocabulary acquisition, grammar, writing mechanics, and more through a variety of activities that are both fun AND educational! Why You’ll Love This Grammar Workbook Engaging and educational reading and writing practice. “Writing a dialogue”, “dictionary practice”, and “proofing letters” are a few of the fun activities that incorporate language arts into everyday settings to help inspire learning into your child’s homeschool or classroom curriculum. Testing progress along the way. Lesson reviews test student knowledge before moving on to new and exciting lessons. An answer key is included in the back of the 8th grade book to track your child’s progress and accuracy. Practically sized for every activity The 160-page eighth grade workbook is sized at about 8 inches x 11 inches—giving your child plenty of space to complete each exercise. About Spectrum For more than 20 years, Spectrum has provided solutions for parents who want to help their children get ahead, and for teachers who want their students to meet and exceed set learning goals—providing workbooks that are a great resource for both homeschooling and classroom curriculum. This Language Arts Kids Activity Book Contains: 4 chapters full of tips, fun activities, and lesson reviews An answer key and writer’s guide Perfectly sized at about 8” x 11"
Directed to speakers of English as a second language, a multi-media guide to pronouncing American English uses a "pure-sound" approach to speaking to help imitate the fluid ways of American speech.