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Jake Makes a World follows the creative adventures of the young Jacob Lawrence as he finds inspiration in the vibrant colors and characters of his community in Harlem. From his mother's apartment, where he is surrounded by brightly colored walls with intricate patterns; to the streets full of familiar and not-so-familiar faces, sounds, rhythms, and smells; to the art studio where he goes each day after school to transform his everyday world on an epic scale, Jake takes readers on an enchanting journey through the bustling sights and sounds of his neighborhood. Includes a reproduction of an actual Migration series panel.
Busy city! Beep, beep, beep! Jacob Lawrence's exuberant artwork guides readers through a bustling city, complete with builders rat-a-tatting and children playing in the streets. With rhythmic text and 11 iconic paintings, this book is both an introduction to an influential artist and a celebration of city life.
In 1941, Jacob Lawrence, then just twenty-three years old, completed a series of sixty small tempera paintings with text captions about the Great Migration. Within months of its making, Lawrence's Migration series was divided between The Museum of Modern Art (even numbered panels) and the Phillips Memorial Gallery (odd numbered panels). The work has since become a landmark in the history of African-American art, a monument in the collections of both institutions, and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, marking the centenary of the Great Migration's start (1915-16), the panels will be reunited in exhibitions at The Museum of Modern Art and then The Phillips Collection. Published to accompany the exhibition, this publication both grounds Lawrence's Migration series in the cultural and political debates that shaped the young artist's work and highlights the series' continued resonance for artists and writers working today. An essay by Leah Dickerman situates the series in relation to heady contemporary discussions of the artist's role as a social agent; a growing imperative to write - and give image to - black history in the late 1930s and early 1940s; and an emergent sense of activist politics. Elsa Smithgall traces the exhibition history of the Migration panels from their display at the Downtown Gallery in New York in 1941 to their acquisition by MoMA and the Phillips Collection a year later. Short commentaries on each panel explore Lawrence's career and painting technique and aspects of the social history of the Migration portrayed in his images. The catalogue also debuts ten poems newly commissioned from acclaimed poets written in response to the Migration series. Elizabeth Alexander (honoured as the poet at President Obama's first inauguration) introduces the poetry project with a discussion of the poetic quality of Lawrence's work, as well as the impact and legacy of the poets in his orbit including Claude McKay and Langston Hughes.
A Robert F. Sibert Honor Book Winner of the Schneider Family Book Award An ALA-ALSC Notable Children's Book Winner of the NCTE Orbis Pictus Award for Outstanding Nonfiction for Children As a child in the late 1800s, Horace Pippin loved to draw: He loved the feel of the charcoal as it slid across the floor. He loved looking at something in the room and making it come alive again in front of him. He drew pictures for his sisters, his classmates, his co-workers. Even during W.W.I, Horace filled his notebooks with drawings from the trenches . . . until he was shot. Upon his return home, Horace couldn't lift his right arm, and couldn't make any art. Slowly, with lots of practice, he regained use of his arm, until once again, he was able to paint--and paint, and paint! Soon, people—including the famous painter N. C. Wyeth—started noticing Horace's art, and before long, his paintings were displayed in galleries and museums across the country. Jen Bryant and Melissa Sweet team up once again to share this inspiring story of a self-taught painter from humble beginnings who despite many obstacles, was ultimately able to do what he loved, and be recognized for who he was: an artist.
A biography of the African American artist who grew up in the midst of the Harlem Renaissance and became one of the most renowned painters of the life of his people.
'Jacob Lawrence: Lines of Influence' explores the life, work, and legacy of acclaimed painter, storyteller, educator, and chronicler of the mid-20th-century African American experience, Jacob Lawrence (1917-2000). As a celebration of the centennial of the artist's birth, this publication follows the exhibition of the same name, organized by SCAD Museum of Art in fall 2017. Arranged in two parts, the exhibitions first section, 'Relations', traces some of the engagements that shaped Larwrence's personal and professional life and presents his work indialogue with that of his contemporaries, mentors, and historically significant artists. Though he arrived at his distinctive formal language early in his career, the engagements that shaped his personal and professional life remain evident. Part two, 'Legacy', explores Lawrence's influence on contemporary artists living and working today and those who share similar formal and conceptual concerns. Thematic strands in the original exhibition include the uncovering of historical blind spots, a preoccupation with narrative and storytelling, and the elevation of everday experiences as symbolic markers.
A picture book biography of the remarkable folk artist Clementine Hunter. Can you imagine being an artist who isn't allowed into your own show? That's what happened to folk artist Clementine Hunter. Her paintings went from hanging on her clothesline to hanging in museums, yet because of the color of her skin, a friend had to sneak her in when the gallery was closed. With lyrical writing and striking illustrations, this picture book biography introduces kids to a self-taught artist whose paintings captured scenes of backbreaking work and joyous celebrations of southern farm life. They preserve a part of American history we rarely see and prove that art can help keep the spirit alive.
"A biography of twentieth-century African American folk artist Bill Traylor, a former slave who at the age of eighty-five began to draw pictures based on his memories and observations of rural and urban life in Alabama. Includes an afterword, author's note, and sources"--Provided by publisher.
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.