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When Jack Davis took up his pen for EC Comics, he made his innocent victims more eye-poppingly terrified, his ax-murderers more gleefully gruesome, and his vampires and werewolves more bloodthirsty and feral than any other artist. These horror and suspense tales ― from the pages of Vault of Horror,Haunt of Fear, Crime SuspenStories, and Shock SuspenStories ― offer everything a horror fan could ask for: re-animated bodies and body parts, a ghoul who stores bodies like a squirrel stores nuts, a vampire who moonlights at (where else?) a blood bank, greedy business partners, corrupt politicians, jealous lovers, revenge from beyond the grave, and a healthy complement of vampires, werewolves, and assorted grotesqueries. All leavened with the cackling, pun-laced humor of scripter Al Feldstein and illuminated as only the virtuoso brushwork of Jack Davis can present them.
As any fan of comics knows, EC Comics still represent the best of golden age writing and artwork. Now, Dark Horse Books is proud to bring you the very first issues of EC's Tales from the Crypt, featuring the amazing artistic talents of Johnny Craig, Al Feldstein, George Roussos, Wally Wood, Harvey Kurtzman, Graham Ingels, and Jack Kamen!
Taking an early look at the work of one of comicdom's most esteemed artists, Jack Davis. This chronology of his earliest work reveals the incredible diversity of a master cartoonist. Here is a chance to see many rare pieces of art from Jack's early years. From his beginning days as a cartoonist to his role as one of the first cartoonists on Mad Magazine, this volume spotlights the earliest days of the legendary cartoonist. Note: This was originally released by Stabur Corporation and has been out of print for nearly 25 years. This edition has been updated by the author.
Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection ― in terms of both quantity and quality ― of Jack Davis’ work ever assembled! It includes work from every stage of his long and varied career, such as: excerpts of satirical drawings from his college humor ’zine, The Bull Sheet; examples of his comics work from EC, MAD, Humbug, Trump, and obscure work he did for other companies in the 1950s such as Dell; movie posters including It’s a Mad, Mad, Mad, Mad World, The Bad News Bears, Woody Allen’sBananas, The Party, and others; LP jacket art for such musicians and bands as Hans Conreid and the Creature Orchestra’s Monster Rally, Spike Jones and Ben Cooler; cartoons and illustrations fromPlayboy, Sports Illustrated, Time, TV Guide, Esquire, and many others; unpublished illustrations and drawings Davis did as self-promotional pieces, proposed comic strips that never sold (such as his Civil War epic “Beaureagard”), finished drawings for unrealized magazine projects ― and even illustrations unearthed in the Davis archives that the artist himself can’t identify!
Death Stand And Other Stories collects more than thirty stories ― all the combat tales Davis and Kurtzman did together for EC’s Two-Fisted Tales and Frontline Combat. It also includes Davis’s adaptation of an excerpt from James Fenimore Cooper’s Last of the Mohicans.
You know MAD. Do you know Humbug? Harvey Kurtzman changed the face of American humor when he created the legendary MAD comic. As editor and chief writer from its inception in 1952, through its transformation into a slick magazine, and until he left MAD in 1956, he influenced an entire generation of cartoonists, comedians, and filmmakers. In 1962, he co-created the long-running Little Annie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in 1988. Between MAD and Annie Fanny, Kurtzman’s biographical summaries will note that he created and edited three other magazines―Trump, Humbug, and Help!―but, whereas his MAD and Annie Fanny are readily available in reprint form, his major satirical work in the interim period is virtually unknown. Humbug, which had poor distribution, may be the least known, but to those who treasure the rare original copies, it equals or even exceeds MAD in displaying Kurtzman’s creative genius. Humbug was unique in that it was actually published by the artists who created it: Kurtzman and his cohorts from MAD, Will Elder, Jack Davis, and Al Jaffee, were joined by universally acclaimed cartoonist Arnold Roth. With no publisher above them to rein them in, this little band of creators produced some of the most trenchant and engaging satire of American culture ever to appear on American newsstands.
A premiere collection of the best stories of EC Comics, curated in a deluxe hardcover, just in time to celebrate the legendary publisher's 75th anniversary! This volume collects stories from EC Comics' most famous titles, featuring classic stories from the hands of legendary creators Al Feldstein, Harvey Kurtzman, Johnny Craig, Jack Davis, Wally Wood, and more! Collects material from issues of Crime SuspenStories, Frontline Combat, Haunt of Fear, Impact, Shock SuspenStories, Tales from the Crypt, Two-Fisted Tales, Vault of Horror, Weird Fantasy, Weird Science, and Weird Science-Fantasy.
Featuring over 80 full-color portraits of the pioneering legends of American comic books, including publishers, editors and artists from the industry’s birth in the ’30s, through the brilliant artists and writers of behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Werthem… it’s a Hall of Fame of comic book history from the man BoingBoing.com call “America’s greatest living portrait artist!”
In 1971, the west learned about Octobriana - the outlaw Russian superhero comic. To show solidarity, underground American cartoonists made their own Octobriana comic book. Robot Stalin's got a new doomsday bomb! Can the Devil-Woman stop him before he destroys us all? Siberian labor camps, PPP secret orgies, motorcycle gunship train chases - this one has it all! Samizdat gone wild - a cross between 70s psychedelia and Soviet constructivism!?! You've NEVER seen a comic book that looks like this! Revolution forever, bitch.