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A collection of Scottish Traveller folk tales about the Devil from “Scotland’s greatest modern-day storyteller” (The Guardian (UK)). Devil stories are always fascinating, entertaining, and disturbing. These twenty tales, re-told by one of Scotland’s master storytellers, are a fascinating insight into Traveller beliefs about evil, temptation, and suffering in which the Devil exists not to punish, but to outwit you in a contest of intelligence and knowledge. This collection is an expanded edition of Duncan Williamson’s bestselling May the Devil Walk Behind Ye!, originally published by Canongate. Praise for Jack and the Devil’s Purse “An important part of our heritage to be treasured and shared.” —Scottish Home and Country (UK) “Duncan is a first-class storyteller.” —Northern Times (UK) “Superbly handled, as you would expect from this acknowledged master of storytelling.” —The Scots Magazine (UK)
Devil stories are always fascinating, entertaining and disturbing. These twenty tales, re-told by one of Scotland's master storytellers, are a fascinating insight into Traveller beliefs about evil, temptation and suffering in which the Devil exists not to punish, but to outwit you in a contest of intelligence and knowledge. This collection is an expanded edition of Duncan Williamson's best-selling May the Devil Walk Behind Ye!, originally published by Canongate.
Born in 1928 in a tent on the shore of Loch Fyne, Argyll, Duncan Williamson (d. 2007) eventually came to be recognized as one of the foremost storytellers in Scotland and the world. Webspinner: Songs, Stories, and Reflections of Duncan Williamson, Scottish Traveller is based on more than a hundred hours of tape-recorded interviews undertaken with him in the 1980s. Williamson tells of his birth and upbringing in the west of Scotland, his family background as one of Scotland’s seminomadic travelling people, his varied work experiences after setting out from home at about age fifteen, and the challenges he later faced while raising a family of his own, living on the road for half the year. The recordings on which the book is based were made by John D. Niles, who was then an associate professor at the University of California, Berkeley. Niles has transcribed selections from his field tapes with scrupulous accuracy, arranging them alongside commentary, photos, and other scholarly aids, making this priceless self-portrait of a brilliant storyteller available to the public. The result is a delight to read. It is also a mine of information concerning a vanished way of life and the place of singing and storytelling in Traveller culture. In chapters that feature many colorful anecdotes and that mirror the spontaneity of oral delivery, readers learn much about how Williamson and other members of his persecuted minority had the resourcefulness to make a living on the outskirts of society, owning very little in the way of material goods but sustained by a rich oral heritage.
The follow-up to the critically acclaimed Phoenix Island, which reads like “Lord of the Flies meets Wolverine and Cool Hand Luke” (F. Paul Wilson, creator of Repairman Jack) and inspired the CBS TV show Intelligence. With a chip in his head and hundreds more throughout his body, sixteen-year-old Carl Freeman was turned from an orphan with impulse control issues into a super-soldier. Forced into the mercenary Phoenix Force group, he begins to fear he’ll never escape. Sent to a volcanic island to fight for them, he’ll compete in a combat tournament that awards teens with survival for merciless brutality. But just when all looks lost, he spies a friendly face…and possibly a way out.
Time works differently for devils . . .In the place that we call Hell, the Lord of Swarms is plotting his conquest. In the shambles of London's Smithfield, Jack the Darksman sets off to steal a devil. And in a different London altogether, a wicked secret is about to be revealed. The stage is set for an adventure that will span centuries. Devils are rising once more . . .
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This book is about love, hate, disappointment and betrayal. "Eros" is represented by Jack's love towards Nikita. His attraction to Nikita embodies the force of love. The counterpart was hate, as Nikita's feelings were all directed to the opposite side, killers of her father, brother and ex boyfriends. Philia and agape helped Jack get along with his destroyers and rivals. Jack is also fond of people who do the right thing. His case is an example of true forgiveness. He saw Dick, Geram, and Juvenhack as human beings worthy of respect. He forgave and loved the very people whose desire was not only to destroy his family but also to annihilate a group of people. Though Jack never liked their actions since childhood, he still treated them with kindness, love and respect. Jack's life was marked by a conflict between folly and resignation. Folly is portrayed by evils of oppression and dictatorship of Evildoers who ruled the postcolonial Burundi. The main character of Dickson Rushatsihori is presented as the symbol of evil, the prototype of Evildoers. He is a rigid and corrupted individual who would never wish peace to his fellow citizens. Rather than seeing Burundians living in harmony with one another, this proponent of the status quo would only wish evil, chaos and anarchy to his country. The theme of folly is also depicted in Jack's relationship with Nikita Chissocco. It is illustrated by Nikita's betrayal of his love for her. Nikita expresses her folly through abusive language, domestic violence, infidelities and her collaboration with Evildoers such as Dick, Juvenhack Zim and Geram to destroy her husband's dignity. Jack was forced to a war for the liberation of his mind emprisoned in his own house. He hoped that folly and resignation would eventually coil up. He would not accept that his destiny was to suffer all his life. Folly and resignation finally collided, forcing Jack to defend his honor and dignity. By breaking up with Dick and Nikita's folly, he liberated himself from a heavy burden. He pulled himself together to reconstruct his life with more strength and courage. This captivating story is an account of one's life, yet it will touch those of so many. Not only does it bring into the fore the injustices of this world, it also shows that no matter what life throws at us, we all seek love and closeness with another human being.
"In the 1930s, Shanghai was a haven for outlaws from all over the world: a place where pasts could be forgotten, fascism and communism outrun, names invented, fortunes made--and lost. 'Lucky' Jack Riley was the most notorious of those outlaws. An ex-Navy boxing champion, he escaped from prison in the States, spotted a craze for gambling and rose to become the Slot King of Shanghai. 'Dapper' Joe Farren--a Jewish boy who fled Vienna's ghetto with a dream of dance halls--ruled the nightclubs. His chorus lines rivaled Ziegfeld's. In 1940 they bestrode the Shanghai Badlands like kings, while all around the Solitary Island was poverty, starvation and genocide. They thought they ruled Shanghai; but the city had other ideas. This is the story of their rise to power, their downfall, and the trail of destruction they left in their wake."--Jacket
With The Devil She Knows, Bill Loehfelm has written a pitch-black thriller in a fresh, compulsively readable voice, with pages that turn themselves. This is the real deal: a breakout novel by a writer whom Publishers Weekly has praised for his "superb prose and psychological insights." Life isn't panning out for Maureen Coughlin. At twenty-nine, the tough-skinned Staten Island native's only excitement comes from . . . well, not much. A fresh pack of American Spirits, maybe, or a discreet dash of coke before work. If something doesn't change soon, she'll end up a "lifer" at the Narrows, the faux-swank bar where she works one long night after another. But just like the island, the Narrows has its seamy side. After work one night, Maureen walks in on a tryst between her co-worker Dennis and Frank Sebastian, a silver-haired politico. When Sebastian demands her silence, Maureen is more than happy to forget what she's seen—until Dennis turns up dead on the train tracks the next morning. The murder sends Maureen careening out of her stultifying routine and into fast-deepening trouble. Soon she's on the run through the seedy underbelly of the borough, desperate to stop Sebastian before Dennis's fate becomes her own.
The Storyteller's Sourcebook is the first reference tool to bring together from children's collections variants of each folktale, and to supply descriptions of them. It is specifically designed for quick and easy access by the teacher or librarian who wants to locate (1) tales about a given subject, (2) the location of a specific tale title in collections, (3) tales from an ethnic or geographical area, (4) variants of a specific tale. - p. ix.