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Acclaimed biographer Julia Markus has written an unprecedented and illuminating portrait of the brilliant, tortured, and controversial James Anthony Froude—the quintessential Victorian, father of modern biography, historian, diplomat, and prodigal son. J. Anthony Froude expertly captures the roiling cultural history of a century through one man’s dynamic life. From his birth in 1818 to his death in 1894, J. Anthony Froude embodied the issues and complexities of his time. Through the story of his life, Markus elucidates the major ideological issues of the nineteenth century—sexuality, colonialism, and the widespread challenges to religion’s long-held cultural primacy. In beautifully crafted prose, Markus reveals the compelling life of one of the most important thinkers of the Victorian age—the brutality of his early education, his troubled relationship with his father, his expulsion from Oxford, his dramatic and dazzling literary career, his delicious political incorrectness, his two marriages, his relationships with his children, his friendships with such disparate luminaries as Ralph Waldo Emerson and Cardinal Newman, his diplomatic work for Prime Minister Disraeli, and his complex relationship with Thomas Carlyle, his spiritual father and the subject of his most famous biography. A. L. Rowse, historian and author, called Froude the “last great Victorian awaiting revival.” No life of the period is more poignant, no destiny more fascinating, than that of this man whom in his books and his actions reflected the triumphs and the errors of his society.
Faith in progress is a characteristic we often associate with the Victorian era. Victorian intellectuals and free-thinkers who believed in progress and wrote history from a progressive point of view--men such as Leslie Stephen, John Morley, W. E. H. Lecky, and James Anthony Froude--are usually thought to have done so because they were optimistic about their own times. Their optimism has been seen as the result of a successful Liberal campaign for political reform in the sixties and seventies, carried out in alliance with religious dissenters--a campaign that removed religion from the arena of public debate. Jeffrey Paul von Arx challenges this long-standing view of the Victorian intellectual aristocracy. He sees them as preoccupied with and even fearful of a religious resurgence throughout their careers, and demonstrates that their loss of confidence in contemporary liberalism began with their disillusionment over the effects of the Franchise Reform Act of 1867. He portrays their championing of the idea of progress as motivated not by optimism about the present, but by their desire to explain away and reverse if possible contemporary religious and political trends, such as the new mass politics in England and Ireland. This is the first book to explore how pessimism could be the psychological basis for the Victorians' progressive conception of history. Throughout, von Arx skillfully interweaves threads of religion, politics, and history, showing how ideas in one sphere cannot be understood without reference to the others.
James Anthony Froude remains one of the most commonly referenced and frequently cited of Victorian public intellectuals. Known to intellectual historians as the author of a monumental History of England in the sixteenth century and as a key exponent of Victorian religious doubt, he is also frequently referenced as the author of a series of scandalously provocative novels and of a hugely controversial biography of Thomas Carlyle. Historians of the British Empire and of Ireland have frequently been compelled to address his sometimes outrageous (but often representative) historical writings. Scholars of mid-Victorian politics have no less often turned to Froude as a typical representative of Victorian fears of democracy, while more recently students of political thought have identified him as an early representative of a new form of Commonwealth civic republicanism. Yet for all that Froude remains a strangely marginalised, fragmented, and neglected figure. Ciaran Brady now addresses this remarkable gap. Based on a thorough critical examination of all of Froude's published works - many of which have been discovered and identified here for the first time - and supplemented by intensive research into Froude's private and widely scattered manuscript materials, he offers the first sustained study of Froude's life and thought. Against the common assumption that Froude's life can be divided along simple lines - the sometime enfant terrible who aged into a respectable man of letters - he argues that there was a deeper coherence underlying everything he wrote from the scandalous productions of the 1840s to the authoritative university lectures of the 1890s. In addition to providing a study of a major but neglected nineteenth century intellectual, Brady offers a critical analysis of the impulses, the aspirations, and the unquestioned assumptions underlying the Romantic project of personal renovation, and an alternative view of that unique phenomenon known as 'the Victorian sage'.
New attitudes towards history in nineteenth-century Britain saw a rejection of romantic, literary techniques in favour of a professionalized, scientific methodology. The development of history as a scientific discipline was undertaken by several key historians of the Victorian period, influenced by German scientific history and British natural philosophy. This study examines parallels between the professionalization of both history and science at the time, which have previously been overlooked. Hesketh challenges accepted notions of a single scientific approach to history. Instead, he draws on a variety of sources—monographs, lectures, correspondence—from eminent Victorian historians to uncover numerous competing discourses.
Two eminent scholars of historiography examine the concept of national identity through the key multi-volume histories of the last two hundred years. Starting with Hume’s History of England (1754–62), they explore the work of British historians whose work had a popular readership and an influence on succeeding generations of British children.