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A new story collection from “one of Europe’s most exciting writers” (New York Times Book Review) deftly evokes and explores the shifts that occur when the world grows dark. Snowed in at a remote artists’ residency in Vermont, Peter recalls another Christmas some thirty years earlier, when he met Marcia by chance on a trip to New York City. Only now, in this eerie, isolated place, does he begin to see the consequences of their brief affair through a series of connections. When Hubert asks Sabrina to model for a sculpture, she’s flattered and happy to help. But facing the finished product, looking at herself from previously hidden angles, disturbs her, and she becomes determined to follow her double after it’s sold to a collector. Uneasy in his own skin and with the humdrum life set out for him, David decides to rob a bank. He already has a mask for the purpose, but won’t be using it today. He’s heard that bank robbers often study the scene for weeks before they strike. So he’s started to lurk. We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.
A military attack drone turned shepherd. A train on the London Underground evolving into something new and wondrous. A troupe of robotic actors struggling to find meaning when the audience has disappeared. Explore the myriad ideas of what happens when out-of-date and abandoned technologies are given a second life—one that takes them in a new direction, far outside their intended programming and beyond their original purpose. MY BATTERY IS LOW AND IT IS GETTING DARK features fourteen stories of quiet hope, heartbreak, creation, and death from fantasy and science fiction authors Dana Berube, Merc Fenn Wolfmoor, Jacey Bedford, Anthony Lowe, Chris Kocher, Brian Hugenbruch, William Leisner, José Pablo Iriarte, Alethea Kontis, Kari Sperring, Edward Willett, John G. Hartness, Alexander Gideon, and Stephen Leigh. You may never look at your smart speaker the same way again.
First published in 1980, this book provides a clear and practical introduction to a wide variety of English structures. It concentrates on a large and crucial area of English grammar, which covers units of higher rank than words, and structures that have verbs rather than nouns as their nuclear elements. Throughout the book, David Young focuses on the English language as it is actually spoken. At every point his discussion of syntax is closely integrated with meaning, and he pays particular attention to the ways in which speakers of English signal their intensions. The author points out how verbal patterning is meaningful, and outlines the criteria used by grammarians to distinguish one structure from another. The result is an analytical framework that can be applied to any real-life text in order to understand its structure. This is a book that will encourage a realistic, exploratory and investigative attitude towards the English language.
Our journey begins in a mystical realm called Mjornia. It lies in the darkest, farthest, most forgotten corner of existence just between the imagination and reality. Yet it violently flourishes with life. It is a plane of existence where thoughts, emotions, and even consciousness can affect the physical world and manifest around you whether you are aware of its presence or not. It is overflowing with magic, enchantment, and sheer fantasy around every turn and where, in some areas, nothing imaginable is impossible. While lush green forests and hills are the dominant nature for the most part, there are several places in Mjornia that are not so fortunateplaces that are beyond the reaches of what is considered safe and habitable lands like the swamps and marshes of Morvoria. Anyone that foolishly wandered in or around that place is neither seen nor heard from again. Then there is the far northeastern Kjolferdorn mountains. Beaten weekly with snowstorms, it is also home to some of the deepest ravines and crevices in all Mjornia. It has openings that stretched deep beneath the surface where numerous large caverns lie. Some stretched on for miles where none dare tread. Others led to ruined underground fortresses made entirely from clear quartz crystals along with other precious gems and minerals. Relics were formed by the most skilled enchanters and crafters in Mjornias ancient past. No matter where you find yourself in Mjornia, magic is inescapable, and the allure of such a place mesmerizes you with beauty and wonder. But for now, our story starts simple. It begins with the most innocent form in all Mjorniaa child. However, in this case, its actually several children who must discover their purpose and how it affects everything that exists in this realm, before all is lost.
'I Had a Black Dog says with wit, insight, economy and complete understanding what other books take 300 pages to say. Brilliant and indispensable.' - Stephen Fry 'Finally, a book about depression that isn't a prescriptive self-help manual. Johnston's deftly expresses how lonely and isolating depression can be for sufferers. Poignant and humorous in equal measure.' Sunday Times There are many different breeds of Black Dog affecting millions of people from all walks of life. The Black Dog is an equal opportunity mongrel. It was Winston Churchill who popularized the phrase Black Dog to describe the bouts of depression he experienced for much of his life. Matthew Johnstone, a sufferer himself, has written and illustrated this moving and uplifting insight into what it is like to have a Black Dog as a companion and how he learned to tame it and bring it to heel.
This book is a father-son project. Actually its more of a father-son/son-father project. The letters are from Edsel Colvin to his dad, Frank Colvin from the time Edsel graduated from high school in 1941 until he got out of the Army in 1945. Most of the comments, introductions to chapters, and sidebars are also from Edsel to his son, Paul Colvin, most of them in response to questions about the original letters. These comments and other items are in italics throughout the book. Edsels letters follow a small-town Oregon boy from his idyllic summer job as a fire lookout overlooking the Pacific in the Coast Range in 1941, where he was alone for weeks at a time, to the bitter French winter of 1944-45 when he saw his first combat and a fortuitous, but painful, hospital stay. They continue after the end of the war in Europe in May through the summer of 1945, when he was sweating out whether he was going to be sent to fight the Japanese in the Pacific Theater. They end in the fall of 1945 with his long-awaited discharge from the Army in Texas and his return to civilian life in Gold Beach.
A collection of urban poetry, from an everyday man from south east London. Some are funny, some thought provoking, some personal, some coded and some quizzical! I sincerely hope you enjoy reading my book as much as I had writing it. Best wishes, Leonardo Etch