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ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876-1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring.
How to release productivity guilt and embrace the hidden values in our daily lives. Any given day brings a never-ending list of things to do. There’s the work thing, the catch-up thing, the laundry thing, the creative thing, the exercise thing, the family thing, the thing we don’t want to do, and the thing we’ve been putting off, despite it being the most important thing. Even on days when we get a lot done, the thing left undone can leave us feeling guilty, anxious, or disappointed. After five years of searching for the secret to productivity, Madeleine Dore discovered there isn’t one. Instead, we’re being set up to fail. I Didn’t Do the Thing Today is the inspiring call to take productivity off its pedestal—by dismantling our comparison to others, aspirational routines, and the unrealistic notions of what can be done in a day, we can finally embrace the joyful messiness and unpredictability of life. For anyone who has ever felt the pressure to do more, be more, achieve more, this antidote to our doing-obsession is the permission slip we all need to find our own way.
Trifles: Susan Glaspell's Exploration of Justice and Gender - Join Susan Glaspell in a thought-provoking exploration of justice and gender in "Trifles." This gripping play delves into the complexities of a murder investigation and the subtle nuances of human behavior. Glaspell's narrative challenges conventional perceptions and offers a powerful commentary on the role of women in society and the pursuit of justice.
Unlike most pulp romances of the 1950s and '60s, Paula Christian's heroines were thoroughly modern women--struggling to define themselves while searching for their own lasting relationships. Fully human and honest, afraid of failure yet always hopeful, these sisters were blazing a trail, encouraging others on their path to... Another Kind Of Love The moment Laura Garraway shares a forbidden kiss with beautiful Hollywood starlet Ginny Adams, she discovers the missing piece of herself. When fame-hungry Ginny won't leave her powerful movie star lover, Saundra, Laura runs away to New York's comforting bright lights, desperate to forget her. There, in the cigarette-and-martini-drenched gay bars of the Village, and the offices of Madison Avenue, Laura finds herself in a new world--one in which who she is and what she wants are completely up to her... Love Is Where You Find It
Historical Romance: Lady Madelyn Holsinworth had been the most beautiful woman in all of England-until her husband disappeared without a trace. Her beauty faded overnight as quickly as her bridegroom. At least, that was what legend said. And now, the notorious Horace the Horrible was being dispatched by the King to guard her castle and lands. Yet from the moment Horace arrives, an uneasy suspicion forms that the humble Lady Madelyn is not the woman she appears to be. Just how many secrets can one lady possess Lady Madelyn Holsinworth has never relied on a man in her life before and has no intentions of letting one overgrown knight take over her castle. However, Madelyn quickly learns not to underestimate this particular knight whose wits are almost as upsetting as his kisses!