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NEW YORK TIMES BESTSELLER • Once in a great while, a book comes along that changes our view of the world. This magnificent novel from the Nobel laureate and author of Never Let Me Go is “an intriguing take on how artificial intelligence might play a role in our futures ... a poignant meditation on love and loneliness” (The Associated Press). • A GOOD MORNING AMERICA Book Club Pick! Here is the story of Klara, an Artificial Friend with outstanding observational qualities, who, from her place in the store, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her. Klara and the Sun is a thrilling book that offers a look at our changing world through the eyes of an unforgettable narrator, and one that explores the fundamental question: what does it mean to love?
In 1985 Massachusetts, fifth-grader Annie wants to shape her own future but as the youngest of nine, she is held back by her hand-me-down clothing, a crippling case of dyslexia, and a dark family secret.
When Sonny Magro gets whacked in Little Italy, the only witness--a mentally impaired man--tells his friend Joey Dee, which gets him involved with crime boss Nicky Mole.
Josie Bouchard lives in Prince Edward Island and learned to fly when she was sixteen. Four years later, World War II broke out, and she enters the war as a nurse in London. After a serious illness, Josie decides to use her experience as a pilot and joins the Air Transfer Auxiliary. The ATA ferries planes from the factories to the air bases. Josie breaks the rules when she takes the famous Spitfire through barnstorming maneuvers she learned from a close family friend, Sean Campbell. Josies daredevil stunts land her in hot water. Her ATA flying comes to a stop when the military grounds her and sends her to work in the hangar as a mechanic. When several ferry planes crash, sabotage is suspected, and Josies name is rumored as the saboteur. Sean Campbell, the friend Josie had always regarded as another brother, has worked his way into Josies heart. Now that she realizes she loves him, the family gets word that he is missing in action in Germany. Josie has her whole life planned out, but the war changes everything. Her friends tell her that God has a plan for her. As each plan goes awry, she becomes aware of incidents that seem to come out of the blue. Are they accidents, coincidences, or miracles of God?
A mysterious boy with no memory. A bookish girl, with dreams beyond her sheltered life. Can love overcome the secrets that threaten to separate them? Catherine has never wanted for anything. Raised in opulence in Manhattan and the beautiful shores of Newport, Rhode Island, she feels threatened by her parents' desire to arrange her marriage. She would much rather stay home and read than socialize or, worse, select a husband who might not approve of her reading habit. Her father insists that she spend time helping at her brother's homeless shelter to understand how privileged she is, and her wariness of love and marriage is tempered when a mysterious young man with intense blue eyes is brought, cold and wet, to the shelter doorstep one night. Will wakes up in a strange room with vague memories of being caught in a thunderstorm as he began to search for shelter for the night after making his way to Newport from New York City. A beautiful girl sits beside him, but she leaves his care to another in what he assumes is shyness. The shelter offers assistance in ways he could only dream of, and as he searches for work and a home of his own, he finds himself enamoured of the angelic girl who is beyond his reach. The two are drawn to each other, sneaking glances in spite of her brother's disapproval, but Will's secrets will test the love that grows between them. Book two of the Cliff Walk Courtships series features Arthur's sister Catherine in her own discovery of faith, love, and hope against the backdrop of gorgeous turn of the century Newport, Rhode Island.
In the aftermath of The Troubles, two brothers near the border to the North, harbour a guilty secret... “Look, there’s no rules of the road out there. Not any more. So how do ya live? Ya use the only thing ya can. Best compass a man has. Only compass a man has. His own heart.” Set in a rural hamlet in Ireland, the isolated lives of two brothers are disturbed by the arrival of a mysterious young woman. This is a story about secrets, atonement, and how, through the forces of love and nature, damaged lives are redeemed. Reviews “The Pond Theatre Company’s latest production, a world premiere of The Naturalists by Jaki McCarrick, promises naturalistic contemporary drama. It delivers on that promise with a well-crafted family drama defined by the 1979 Massacre at Narrow Water.” Adrienne Sowers, The Reviews Hub “Lovers of Irish theater and down-to-earth naturalism should like this one.” Diana Barth, The Epoch Times “Perhaps unsurprising given the title, the play is striking for its naturalism. Ms. McCarrick’s characters, especially as performed by this outstanding, all-Irish born leading trio, are painfully real and captivating to observe.” Robert Russo, Stage Left “The Naturalists introduces us to Jaki McCarrick, whom we will surely be hearing from again, such is her gift for singular, sharply drawn characters and dialogue with a touch of the lyric about it.” David Barbour, Lighting and Sound America “This is fresh and authentic theater. The direction is deft. The characters capture you quickly; you never doubt them. The script is a glimpse of a moment fraught with all the breakage engendered in the Troubles before, all the specific damage visited on these four people, and all the slim hopes of redemption.” Kathleen Campion, Front Row Center “McCarrick puts all the poetry of the play into Francis. He’s bursting with knowledge about the natural world and has the love of teaching others this as well.” Nicole Serratore, Exeunt NYC “The Naturalists is a compelling look at how one’s “secret” past can suddenly and unexpectedly encroach on the present and delay one’s progress into the future.” David Roberts, Theatre Reviews Limited Jaki McCarrick Jaki McCarrick is an award-winning writer of plays, poetry and fiction. She won the 2010 Papatango New Writing Prize for her play LEOPOLDVILLE, and her play BELFAST GIRLS, developed at the National Theatre London, was shortlisted for the Susan Smith Blackburn Prize and the 2014 BBC Tony Doyle Award. BELFAST GIRLS premiered in Chicago in May 2015 to much critical acclaim (Windy City Times Critics’ Pick) and opened this spring in Vancouver. The West Coast Premiere of the play opens on November 17th in Portland Oregon. Jaki has also recently been selected for the Irish Film Board’s Talent Development Initiative to adapt BELFAST GIRLS for the screen. In 2015, her plays BELFAST GIRLS, LEOPOLDVILLE and THE MUSHROOM PICKERS (staged at the Southwark Playhouse in 2006 to several 4 Star reviews), were published by Samuel French. Her play BOHEMIANS was read at RADA on January 18th 2017, starring Imogen Stubbs and Rob Jarvis, directed by Tilly Vosburgh. In 2016 Jaki was shortlisted for the St. John’s College, Cambridge’s Harper-Wood Studentship for her short play TUSSY about Eleanor Marx, a piece she is currently developing. Jaki also won the 2010 Wasafiri prize for short fiction and followed this with the publication of her debut story collection, The Scattering, published by Seren Books. The book was shortlisted for the 2014 Edge Hill Prize. Winner of the inaugural John Lennon Poetry Competition, she has also had numerous poems published in literary journals including Ambit, Poetry Ireland Review, Irish Pages, Blackbox Manifold etc. Recently longlisted for the inaugural Irish Fiction Laureate, Jaki is currently editing her first novel and a second collection of short stories called Night of the Frogs. Screenplay projects also include adaptations of her short story Hellebores and her first play, THE MUSHROOM PICKERS. She has held numerous residencies including Writer-in-Residence at the Centre Culturel Irlandais in Paris & also regularly writes arts pieces for the Times Literary Supplement (TLS), The Irish Examiner and other publications
A powerful and compelling Liverpool saga of one woman's life from bestselling author Maureen Lee. For Josie Flynn, the war was just the start of a journey that began in heartbreak when she was sent to live with her aunt and uncle. Life took her to Barefoot House as the paid companion of an elderly woman, and seemed to promise lifelong happiness in New York with the handsome, charismatic Jack Coltrane. But once again, life is not turning out the way Josie has imagined and she finds herself back in Liverpool, alone. As she renews old loves and former friendships, and reflects on her time at Barefoot House, she embarks upon a career which is as unlikely as it is successful.
Jonas is frustrated over a conversation about the dwindling population of the Tokpar he had with his father, an elder among the Tokpar and head of the NYC-based Tokpar Center. Teresa has left work because of a premonition of doom, which she knows will end in harm to herself or someone she loves. Their attraction is immediate but quickly ends in the deaths of Teresa and the person who tried to kidnap her. Jonas rushes Teresa’s body to his father, who places her essence in a stasis box to await a host body. Meanwhile Jonas is tasked to investigate the kidnapping.

Essence of Tokpar follows Jonas and Teresa, whose essence has been transferred to an attractive new host body, as they forge a relationship. Both have special gifts unique to the Tokpar race, and they soon join forces to find a group of Tokpar women who have also been kidnapped. Their quest leads them to Bear Mountain Lodge, where things take a turn for the worse, and Jonas learns the motive behind the kidnapping operation. His case is finally closed…for now.
This book explores the rich, diverse opportunities and challenges afforded by research that analyses the stories told by, for and about women. Bringing together feminist scholarship and narrative approaches, it draws on empirical material, social theory and methodological insights to provide examples of feminist narrative studies that make explicit the links between theory and practice. Examining the story as told and using examples of narratives told about childhood sexual abuse, domestic/relationship abuse, motherhood, and seeking asylum, it raises wider issues regarding the role of storytelling for understanding and making sense of women’s lives. This thought-provoking work will appeal to students and scholars of women’s studies, feminist and narrative researchers, social policy and practice, sociology, and research methods.