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A master of award-winning queer historical fiction, New York Times bestselling author Robin Talley brings to life an emotionally captivating story about the lives of two teen girls living in an age when just being yourself was an incredible act of bravery. It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school, not at her conservative Orange County church and certainly not at home, where her ultrareligious aunt relentlessly organizes antigay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk…until she’s matched with a real-life pen pal who changes everything. Sharon Hawkins bonds with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others—like helping her gay brother hide the truth from their mom—and the kind she tells herself. But as antigay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths, what they’ll stand for…and who they’ll rise against.
A New York Times Book Review Notable Book of 2017 An electrifying first collection from one of the most exciting short story writers of our time "I can’t recall the last time I laughed this hard at a book. Simultaneously, I’m shocked and scandalized. She’s brilliant, this young woman."—David Sedaris Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
1939. Warsaw, Poland. Pilot Jan Grabowski receives orders that take him to the heart of the escalating conflict. He leaves behind his wife, Rulka, who sees Poland overcome by the Nazis. In constant danger and amid cruel reprisals, she joins the Resistance. Norfolk. Louise Fairhurst's war is very different. Evacuated with her class of ten-year-olds from London she finds herself acting mother as well as teacher to the children. She has much to do settling city children down in the countryside, and she wonders whether she should have stayed in London until a chance meeting with Jan alters her path.
Summary This story is about an all-black lion named Leo who is born to an all-brown pride and his cowardly dad, Lucas, is afraid of his attention. He could draw to the pride and force Leo to live with his uncle Dami. Word spreads throughout the jungle of Leo being born an all-black lion. Other lions are not too fond of him and wants him dead. Despite Leo being so different than the other lions, by the end of the story, you will find Leo is the same as the other lions in the jungle, and that his journey and obstacles play out in the first few years of his life is the same as anyone else with family, and unity is important, and humble lions can have courage. These lions discover being different on the outside can make you still the same on the inside. Please treat your imagination to the enjoyment of this fun-filled story about Leo the lion.
Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black and marginalized audience. Watching While Black considers its subject from an entirely new angle in an attempt to understand the lives, motivations, distinctions, kindred lines, and individuality of various Black groups and suggest what television might be like if such diversity permeated beyond specialized enclaves. It looks at the macro structures of ownership, producing, casting, and advertising that all inform production, and then delves into television programming crafted to appeal to black audiences—historic and contemporary, domestic and worldwide. Chapters rethink such historically significant programs as Roots and Black Journal, such seemingly innocuous programs as Fat Albert and bro’Town, and such contemporary and culturally complicated programs as Noah’s Arc, Treme, and The Boondocks. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black sheds much-needed light on under-examined demographics, broadens common audience considerations, and gives deference to the the preferences of audiences and producers of Black-targeted programming.
Translated from the 1948 French edition. A remarkable memoir of the Polish composer Szymon Laks. While interned at the Auschwitz extermination camp, Laks became kappelmeister of the Auschwitz band. With wit and self-detachment, he records the grotesque phenomena of music among the crematoria. Paper edition (unseen), $10.95. Annotation copyrighted by Book News, Inc., Portland, OR
Ye Fei, who brought along his father's flying immortal from outer space, came to the continent after surviving for 500 years. Even though he was called an idiot by others, his family love and love made him truly feel the warmth of his family.
Shiro’s first venture into a dungeon—albeit accompanied by the majority of the adventurers attached to the Fairy’s Blessing guild—turned out to be a resounding success. With the grimoire written by Nathew (the Father of Alchemy himself) in hand, he was able to perform the ritual that summoned lost loved ones without a hitch, allowing everyone to say one last goodbye to their dearly departed. Yet one much-missed soul was conspicuously absent at this gathering of spirits: Aina’s father. What could this mean? Is he still alive somewhere? And if he is, how can Aina and Stella find him after being parted for such a long time? Shiro has little time to ponder these weighty questions, however, because a familiar face is moving to Ninoritch, and Shiro is forced to rush around preparing lodgings for the imminent arrival of their entourage. But what could possibly bring such a distinguished person to this tiny little town out in the sticks?
Joey Willis is an eleven-year-old boy desperately searching for his younger sister, Olivia. From a familiar beach to an unknown cave, Joey falls into a different world. On his mission to find Olivia, he finds he has been given an extraordinary gift of magical powers. Joey meets Budda, the master teacher of all that is good, and together they encounter huge, fierce, and evil creatures, the likes of which Joey could never have imagined on Earth. Joey’s adventures also lead him to make many friends. But will Joey find his sister?