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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Odysseus was notoriously vague about where he lived. Ithaca was the place, he said, but his description of its whereabouts was a mixture of geography and poetry. Tradition says that it was the modern island of Ithaki in the Ionian Sea. Other theories, however, have placed it elsewhere. This book takes a close look at the traditional view, and at some of the other theories. The author examines the Odyssey in detail, draws on ancient and modern scholarly texts (some translated into English for the first time), reproduces antique and contemporary maps, and satellite imagery, quotes from the accounts of earlier travellers and topographers, sails the Ionian Sea, and above all, walks the landscape of Ithaki exploring the extent to which the island matches the Ithaca of the poem. The result is a treasure trove of documentation and discovery. The author proposes new explanations for some age-old problems: where was Dulichium? Where did Telemachus land in Ithaca? Where was the city? Where was the palace of Odysseus? He suggests localities for them all. His analytical approach is informed by wide research into historical, literary and archaeological sources, and is abundantly illustrated. For the first time, several Ithacan landmarks that conform closely to the words and action of the Odyssey are identified. The author then travels to Cephalonia, Lefkada, Corfu, Sicily, Spain, Denmark, and the Azores to explore other proposed localities for Ithaca. He returns to Ithaki, and reflects on how Homer could have known the island that so closely matches the island of his poem. An ideal companion for lovers of Homer and travellers alike. Beautifully illustrated with more than 270 photographs (landscape, sea, archaeological objects, flora, fauna), 30 historical maps, 10 views of annotated satellite imagery, 5 new maps. List of ancient writers. Bibliography. Select websites. Index. 435 pages.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reprint of the original, first published in 1883.
From as early as 1420 a few intrepid explorers made their way to Greece and Turkey, to recover - from brambles or burial, lime-kilns or building sites - the precious relics of the Greeks' classical past. The glories of classical Greece are an essential part of our heritage and are echoed every day in the buildings and institutions we see around us. But who were the visitors from afar who first appreciated the riches of the archaeological past of Greece and the Greek lands; who opened up the culture and its ancient remains? In Land of Lost Gods, Richard Stoneman tells the riveting stories of Cyriac of Ancona's quest to record the appearance of the Parthenon; Jacques Spon's quarrel with Guillet de St-Georges about the topography of Athens; the painstaking expeditions of the Society of Dilettanti and the deluded forgeries of the Abbé Fourmont. He also examines in vivid detail the birth struggles of archaeology in the work of Charles Newton and Cnidus at Halicarnassus, J.T. Wood at Ephesus, Charles Fellows in Lycia, Carl Humann at Pergamon and Heinrich Schliemann at Troy. When the archaeologist succeeds the antiquary, the dilettante and the adventurer, the theme of this book draws to a close.
Reclaiming the Past examines the post-antique history of Argos and how the city's archaeological remains have been perceived and experienced since the late eighteenth century by both local residents and foreign visitors to the Greek Peloponnese. The first western visitors to Argos—a city continuously inhabited for six millennia—invariably expected to encounter landscapes described in classical texts—yet what they found fell far short of those expectations. At the same time, local meanings attributed to ancient sites reflected an understanding of the past at odds with the supposed expertise of classically educated outsiders. Jonathan M. Hall details how new views of Argos emerged after the Greek War of Independence (1821–1830) with the adoption of national narratives connecting the newly independent kingdom to its ancient Hellenic past. With rising local antiquarianism at the end of the nineteenth century, new tensions surfaced between conserving the city's archaeological heritage and promoting urban development. By carefully assessing the competing knowledge claims between insiders and outsiders over Argos's rich history, Reclaiming the Past addresses pressing questions about who owns the past.