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Biondo Flavio was a pioneering figure in the Renaissance discovery of antiquity and popularized the term Middle Age to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. Italy Illuminated is a topographical work exploring the Roman roots of Italy.
"The History of Painting in Italy Vol-2" by Luigi Lanzi is a comprehensive and insightful exploration of Italian painting during a specific period in art history. In this volume, Lanzi delves into the rich artistic landscape of Italy, examining the significant developments and notable painters of the period. Lanzi provides a detailed analysis of various artistic movements, styles, and techniques that emerged during this time. He explores the works of renowned Italian painters, discussing their contributions to the art world and their impact on subsequent generations. The author offers an in-depth examination of notable paintings, unraveling their historical and cultural contexts while providing critical insights into their artistic merits. Lanzi's engaging narrative sheds light on the societal, political, and cultural factors that influenced Italian painting during the period covered in this volume. This volume is an essential resource for art historians, scholars, and art enthusiasts seeking a comprehensive understanding of Italian painting.
“Modern Italy”may sound like an oxymoron. For Western civilization,Italian culture represents the classical past and the continuity of canonical tradition,while modernity is understood in contrary terms of rupture and rapid innovation. Charting the evolution of a culture renowned for its historical past into the 10 modern era challenges our understanding of both the resilience of tradition and the elasticity of modernity. We have a tendency when imagining Italy to look to a rather distant and definitely premodern setting. The ancient forum, medieval cloisters,baroque piazzas,and papal palaces constitute our ideal itinerary of Italian civilization. The Campo of Siena,Saint Peter’s,all of Venice and San Gimignano satisfy us with their seemingly unbroken panoramas onto historical moments untouched by time;but elsewhere modern intrusions alter and obstruct the view to the landscapes of our expectations. As seasonal tourist or seasoned historian,we edit the encroachments time and change have wrought on our image of Italy. The learning of history is always a complex task,one that in the Italian environment is complicated by the changes wrought everywhere over the past 250 years. Culture on the peninsula continues to evolve with characteristic vibrancy. Italy is not a museum. To think of it as such—as a disorganized yet phenomenally rich museum unchanging in its exhibits—is to misunderstand the nature of the Italian cultural condition and the writing of history itself.
SO DEADLY, SO PERVERSE: 50 YEARS OF ITALIAN GIALLO FILMS VOLUME TWO offers a look at the gradual decline of the giallo from 1974 until 2013.
Guidebook to the via ferrata routes of the southern Italian Dolomites. This guide covers via ferrata routes in the major mountain ranges of Civetta, Schiara and Pala as well as those to the west in the Brenta. A significant addition (and, as far as we are aware, not previously published in any English language guidebook) is the inclusion of routes around the northern end of Lake Garda and the Piccole Dolomites north of Vicenza. Here the mountains are generally lower and you can enjoy ferrata climbing over a much extended season, with some routes accessible for most of the year. This is the second in a series of two guidebooks to the via ferratas of the Italian Dolomites. (Volume One covers the eastern, northern and central areas of the Dolomites, while Volume Two completes the picture, focusing on the southern, Brenta and Lake Garda areas.)
This second volume of New Italian Migrations to the United States explores the evolution of art and cultural expressions created by and about Italian immigrants and their descendants since 1945. The essays range from an Italian-language radio program that broadcast intimate messages from family members in Italy to the role of immigrant cookbook writers in crafting a fashionable Italian food culture. Other works look at how exoticized actresses like Sophia Loren and Pier Angeli helped shape a glamorous Italian style out of images of desperate postwar poverty; overlooked forms of brain drain; the connections between countries old and new in the works of Michigan self-taught artist Silvio Barile; and folk revival performer Alessandra Belloni's reinterpretation of tarantella dance and music for Italian American women. In the afterword, Anthony Julian Tamburri discusses the nomenclature ascribed to Italian American creative writers living in Italy and the United States. Contributors: John Allan Cicala, Simone Cinotto, Teresa Fiore, Incoronata (Nadia) Inserra, Laura E. Ruberto, Joseph Sciorra, and Anthony Julian Tamburri.
In 1799 Suvorov was given command of the Austro-Russian army and sent to drive France's forces out of Italy. Suvorov and Napoleon never met in battle because Napoleon was campaigning in Egypt at the time. However, Suvorov erased practically all of the gains Napoleon had made for France during 1796 and 1797, defeating some of the republic's top generals: Moreau at Cassano d'Adda, MacDonald at Trebbia, and Joubert at Novi. He went on to capture Milan and became a hero to those opposed to the French Revolution. French troops were driven from Italy, save for a handful in the Maritime Alps and around Genoa. Suvorov himself gained the rank of "Prince of the House of Savoy" from the King of Sardinia. After the victorious Italian theater, Suvorov planned to march on Paris, but instead was ordered to Switzerland to join up with the Russian forces already there and drive the French out. The Russian army under General Korsakov was defeated by Mass�na at Z�rich before Suvorov could reach and unite with them. Surrounded by Mass�na's 80,000 French troops, Suvorov with a force of 18,000 Russian regulars and 5,000 Cossacks, exhausted and short of provisions, led a strategic withdrawal from the Alps while fighting off the French...