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Italy is a country synonymous with style and beauty in all aspects of life: the rich history of Rome, Renaissance art of Florence, graceful canals of Venice, high fashion of Milan, signature pasta alla bolognese of Bologna, colorful architecture of Portofino and winking blue waters of Capri and the Amalfi Coast, among many others. Italians themselves live effortlessly amid all this splendor, knowing instinctively just the type of outfit to throw on, design element to balance, or delectable ingredient to add.
Following the success of Francesco's Venice, Francesco da Mosto ventures further afield, this time taking in all of Italy. As he visits the spectacular lakes and fashionable cities of the north and passes through the hills of Tuscany before heading south towards Rome, Naples, and Palermo, he celebrates the country's art and culture--its cathedrals, churches, palaces, opera houses, paintings, sculpture, music, and cuisine. Introducing us to many of the figures who populate the country's rich and vibrant history, his journey also takes in Italian society as it is today. Splendidly illustrated with John Parker's breathtaking color photos and enlivened with marvelous anecdotes about his family and the fascinating characters he meets along the way, Francesco's Italy is the story of both the country we all know and love and the secret Italy only an insider can reveal.
Offers an introduction to Italy's history and culture, from ancient Rome and the power of the Vatican to Mussolini's rise to power, Milan's fashion designers, and Italian cuisine.
A History of Modern Italy addresses the question of how Italy's modern history, from its prolonged process of nation-building in the nineteenth century to the crises of the last two decades, has produced a paradoxical blend of hyper-modernity and traditionalism and thus made the country"different" in the broader context of Western Europe.The text explores how Italians have experienced seismic shifts in their social and economic landscape over the past two centuries, while simultaneously maintaining older cultural norms, social practices, and political methods. As a second objective, the book showcases a narrative of modern Italythat incorporates and blends the research findings and methodological insights of the new quantitative and cultural historical scholarship of the past two and a half decades. In doing so, it chronicles the regime changes that have taken the country from a Liberal monarchy through the Fascistdictatorship to a Democratic Republic while also delving into the simultaneous economic and social history of the nation through these periods.
One of The Economist's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.