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Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
An elegant and original photo book illustrating once again the excellence of products made in Italy. After Italian Touch, produced with Tod's in 2009 and distributed with great success all over the world, the autumn of 2012 will see the publication of a new volume: a gallery of images of Italian men of different ages and origins with a shared passion for elegance and the highest quality. Some thirty men, including a writer, jeweller, a painter, an entrepreneur and philanthropist, a journalist and an aristocrat, are photographed in their chosen settings: the home, the office, the garden or the city. Their lifestyles, born out of a natural flair for combining elegance and quality, are encapsulated in images and short phrases. Beauty becomes a matter of seeking and choosing, the expression of ideas and traditions, creativity and respect, a language capable of conveying the culture that represents the true excellence of products made in Italy.
メンズファッションの祭典「Pitti Immagine UOMO」。イラストレーター・谷本ヨーコが描くイタリアン・スタイルの素敵な男たち。世界中の洒落ものたちが集まるフィレンツェで見つけた「小粋な大人の男のファッション」を描いたスタイルブックです。
Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge. Putting into circulation a wealth of cultural information and ideas and mapping a complex web of social and intellectual relations, these works paint a portrait of both their creators and their patrons, while enacting a lively debate among humanist thinkers, aristocrats, politicians, and artists. Engaging with literary blockbusters and banned books, theatrical artifice and music, and staging a war among the arts, Baschenis and Bettera capture the latest social intrigues, political rivalries, intellectual challenges, and scientific innovations of their time. In doing so, they structure an unstable economy of social, aesthetic, and political values that questions the notion of absolute truth, while probing the distinctions between life and artifice, meaningless marks and meaningful signs.
This volume presents Italian painting through specific themes, as well as by chronological and regional achievement. With approximately 300 colourplates, this large-format book contains devotional images, portraits, landscapes, allegorical paintings, genre scenes, still life arranements, and abstract compositions. Keith Christiansen is Curator of European Paintings at the Metropolitan Museum of Art in New York. His introduction and twenty eight essays set out in history of Italian Painting and its lasting impact. His thoughtful presentation not only instructs but also delights the reader with anecdotal details and innovative visual connections. -- http://www.ebay.com.
This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
USA Today Bestseller "This is a truly original novel that has earned its place among my favorite works of historical fiction."--Jennifer Robson, USA Today bestselling author of The Gown An exciting, dual-timeline historical novel about the creation of one of Leonardo da Vinci's most famous paintings, Portrait of a Lady with an Ermine, and the woman who fought to save it from Nazi destruction during World War II. Milan, 1492: When a 16-year old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.